Ohioan Sherwood Anderson, 46, had his fourth novel, Many Marriages, published last month. His first appeared seven years ago, around the time he embarked on a second marriage, to sculptor Tennessee Mitchell, now 49.
Many Marriages by Sherwood Anderson
The review in the New York Herald, by F. Scott Fitzgerald, 26, currently working on his third novel, was positive. In “Sherwood Anderson on the Marriage Question,” Fitzgerald said he thinks Many Marriages is Anderson’s best work.
Henry Seidel Canby, 44, in the New York Evening Post declares,
if we are to have an American Thomas Hardy, [Sherwood Anderson] is the man.”
Those leading crusades against “dirty books” are not as impressed. Because Anderson’s work deals with sexual freedom, they have linked it with other contemporary novels such as Women in Love by D. H. Lawrence, 37, which they have tried to ban.
However, today’s issue of Time magazine points out that when Many Marriages was serialized in a magazine, there was resounding praise. Now that it is a hardback book, many find it boring—including Edmund Wilson, 27, in The Dial; Burton Rascoe, 30, in the New York Tribune; and the dean of Manhattan columnists, FPA [Franklin Pierce Adams], 41, in the New York World.
Burton Rascoe by Gene Markey
But Sherwood is pleased with a complimentary letter he has received from his mentor and friend in Paris, American ex-pat writer Gertrude Stein, 49, who likes Many Marriages.
Gertrude Stein
Stein has praised him privately and in print before, including her recent piece in The Little Review, “Idem the Same: A Valentine to Sherwood Anderson,” which says, in the section titled, “A Very Valentine,”:
Very fine is my valentine.
Very fine and very mine.
Very mine is my valentine very mine and very fine.
Very fine is my valentine and mine, very fine very mine and mine is my valentine.”
To hear Gertrude Stein read the complete poem, click here.
This summer I will be talking about Fitzgerald and Ernest Hemingway in the Osher Lifelong Learning Institute at Carnegie-Mellon University.
Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with Fitzgerald, Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.
Writer Gertrude Stein, just turned 49, and her partner Alice B. Toklas, 45, are not really surprised that their fellow American friend, Ernest Hemingway, 23, foreign correspondent for the Toronto Star and aspiring novelist, has turned up at their door at 10 o’clock this morning.
27 rue de Fleurus
Then he stays for lunch.
Then he stays all afternoon.
Then he stays for dinner.
Then at 10 o’clock at night, when they think he will finally be leaving, he shouts,
My wife is pregnant! I’m too young to be a father!”
Later this month I will be talking about the literary 1920s in Paris and New York City in the Osher Lifelong Learning Institute at Carnegie-Mellon University.
Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with Hemingway, F. Scott Fitzgerald and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.
Oh no! All those bookish friends of yours couldn’t figure out that what you were really hankering for was“Such Friends”: The Literary 1920s, Volumes I through III covering 1920 through 1922!
“Such Friends”: The Literary 1920s—Volume I, 1920
Easily available in print or e-book format on Amazon.com and Amazon.co.uk. However, if you prefer signed copies, wander on over to Riverstone Books on Forbes Avenue in Squirrel Hill. Or contact me directly at kaydee@gypsyteacher.com.
The reason you are so keen to get your hands on all three volumes of “Such Friends” is clear from what you’ve heard people saying about it:
My wife and I were reading your Such Friends…out loud to each other and laughing a lot.”
–Cliff, Osher Lifelong Learning friend
Everyone is reading “Such Friends”:
Donnelly’s clever day-by-day organization allows her to range widely among many artists while her use of the present tense creates a sense of immediacy—’you are there.’ This book will provide great pleasure to anyone interested in figures of Modernism and of Twenties popular culture: Eliot, Joyce, Pound, Woolf, Yeats, Stein, Hemingway, Fitzgerald, Parker, Benchley, et al.”
—another Kathleen, Facebook friend
Here’s an example of my clever organization:
Sample pages from “Such Friends”: The Literary 1920s
Your lovely book arrived yesterday and I’ve already devoured most of it. It’s a very clever way of dealing with so many literary giants in…their most important years. Although ideal for a popular audience there is much that I did not know (and was delighted to learn) even though I spent a wasted youth and much of my dotage studying most of them.”
—Joseph, Australian friend
And my previous offer still stands: If you are anywhere near a Pittsburgh Regional Transit bus route, I will hand-deliver your signed copies. Get in touch! kaydee@gypsyteacher.com.
Next month I will be talking about The Literary 1920s in Paris and New York City at the Osher program at Carnegie-Mellon University.
Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.
The article, “Europe’s Prize Bluffer”appears in the Daily Star, the third piece about Italian Prime Minister Benito Mussolini, 39, written by the Star’s foreign correspondent, American ErnestHemingway, 23. After describing some of the other world leaders he has observed at the Lausanne Peace Conference in Switzerland, Hemingway reports,
Benito Mussolini
Mussolini is the biggest bluff in Europe. If Mussolini would have me taken out and shot tomorrow morning, I would still regard him as a bluff. The shooting would be a bluff. Get hold of a good photograph of Signor Mussolini some time and study it. You will see the weakness in his mouth which forces him to scowl the famous Mussolini scowl that is imitated by every 19-year-old Fascisto in Italy…Study his genius for clothing small ideas in big words…And then look at his black shirt and his white spats. There is something wrong, even histrionically, with a man who wears white spats with a black shirt.”
Hemingway describes the beginning of the press conference Mussolini held, where he was
registering Dictator. Being an ex-newspaperman himself he knew how many readers would be reached by the accounts the men in the room would write of the interview he was about to give. And he remained [seated], absorbed in his book…I tiptoed over behind him to see what the book was he was reading with such avid interest. It was a French-English dictionary—held upside down.”
*****
In Munich, 6,000 members of the National Socialist German Workers Party attend their first party conference, presided over by their leader, Adolf Hitler, 33.
Next month I will be talking about the literary 1920s in Paris and New York City in the Osher program at Carnegie-Mellon University.
Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with Hemingway, F. Scott Fitzgerald and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.
Today’s Sunday paper in Ogden, Utah, carries a feature story about a young American entrepreneur, native New Jersey-ian Sylvia Beach, 35, and the glamorous life she and her actress sister Cyprian, 29, are living in Paris.
The “brilliance” of their careers shines through in the English-language bookshop Sylvia runs on the Left Bank, and the films Cyprian has appeared in.
Almost a year ago, Sylvia published the avant-garde novel Ulysses by ex-patriate Irish writer James Joyce, 40, which has scandalized literary circles in the United States and abroad.
According to the article, the Beach sisters, daughters of a Presbyterian minister, are living in Paris, “riding in luxury on the crest of a wave of fame and fortune.”
*****
Meanwhile, in Paris, business is brisk in Sylvia’s shop, Shakespeare and Company. The publication of Ulysses has definitely increased foot traffic. And those who come in to buy Ulysses usually leave with some of Joyce’s other works, as well as books by new authors they’ve discovered.
But her young Greek shop assistant has been ill for weeks, so Sylvia’s on her own most days. Joyce comes in almost every day to read sections of Ulysses to her and is planning a dinner party so he can “see” his close friends before he goes into the hospital for much-needed eye surgery.
Sylvia Beach and James Joyce
Ulysses sells well here in France, but in the UK copies have been confiscated and burned. Bookstores in the US, where excerpts from Ulysses have been declared obscene by a court, are getting impatient to receive their copies.
Through a connection with one of the young American wanna-be novelists who hang out at Shakespeare and Company, Toronto Star foreign correspondent, Ernest Hemingway, 23, Sylvia has arranged for copies to be smuggled into the US from Canada. But soon she will have to pay the expenses of the advertising guy who has been taking them into Detroit on the ferry from his office in Windsor, Ontario.
Cyprian’s film career is actually now non-existent. Being around her increasingly famous sister makes her miserable and she is thinking of permanently moving back to the States this year.
Next month I will be talking about the literary 1920s in Paris and New York City in the Osher Lifelong Learning Institute at Carnegie-Mellon University.
Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with Hemingway, F. Scott Fitzgerald and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.
In Ireland, despite living in the middle of a Civil War, and the death of his 82-year-old father this past February, poet and playwright William Butler Yeats, 57, has had a pretty good year.
He is enjoying his appointment to the newly formed Senate of the Irish Free State, engineered by his friend and family doctor, Oliver St. John Gogarty, 44, who managed to get himself appointed as well.
Irish Free State Great Seal
Much to Yeats’ surprise, the position comes with an income, making it the first paying job he has ever had. The money, as he writes to a friend,
of which I knew nothing when I accepted, will compensate me somewhat for the chance of being burned or bombed. We are a fairly distinguished body, much more so than the lower house, and should get much government into our hands…How long our war is to last nobody knows. Some expect it to end this Xmas and some equally well informed expect another three years.”
Indeed, although Senator Yeats has been provided with an armed guard at his house, two bullets were shot through the front door of his family home in Merrion Square on Christmas Eve.
82 Merrion Square
A few blocks away the Abbey Theatre, which he helped to found 18 years ago, is still doing well under the director and co-founder Lady Augusta Gregory, 70. John Bull’s Other Island, a play by his fellow Dubliner, George Bernard Shaw, 66, is being performed, starring part-time actor and full-time civil servant Barry Fitzgerald, 34.
George Bernard Shaw
Yeats has been awarded an Honorary D. Litt. From Trinity College, Dublin. He writes to a friend that this makes him feel “that I have become a personage.”
*****
In England, at Monk’s House, their country home in East Sussex, the Woolfs, Virginia, 40, and Leonard, 42, are reviewing the state of their five-year-old publishing company, the Hogarth Press.
The road outside Monk’s House
They have added 37 members to the Press’ subscribers list and have agreed to publish a new poem by their friend, American ex-pat Thomas Stearns Eliot, 34, called The Waste Land early in the new year. Virginia has donated £50 to a fund to help “poor Tom,” as she calls him, who still has a full-time day job at Lloyds Bank. Eliot takes the £50, as well as the $2,000 Dial magazine prize he has been awarded in America and sets up a trust fund for himself and his wife Vivienne, 34.
The Hogarth Press has published six titles this year, the same as last. But most important to Virginia, one of them, Jacob’s Room, is her first novel not published by her hated stepbrother, Gerald Duckworth, 52. She can write as she pleases now.
Most interesting to Virginia at the end of this year is her newfound friendship with another successful English novelist, Vita Sackville-West, 30. The Woolfs have been spending lots of time with Vita and her husband, Sir Harold Nicolson, 36.
Sir Harold Nicolson and Vita Sackville-West
Virginia writes in her diary,
The human soul, it seems to me, orients itself afresh every now and then. It is doing so now…No one can see it whole, therefore. The best of us catch a glimpse of a nose, a shoulder, something turning away, always in movement.”
*****
In France, American ex-pats Gertrude Stein, 48, and her partner, Alice B. Toklas, 45, are vacationing in St. Remy. They came for a month and have decided to stay for the duration of the winter.
Stein is pleased that her Geography and Plays has recently been published by Four Seas in Boston. This eclectic collection of stories, poems, plays and language experiments that she has written over the past decade comes with an encouraging introduction by one of her American friends, established novelist Sherwood Anderson, 46. He says that Gertrude’s work is among the most important being written today, and lives “among the little housekeeping words, the swaggering bullying street-corner words, the honest working, money-saving words.”
Geography and Plays by Gertrude Stein
The volume also contains her 1913 poem, “Sacred Emily,” which includes a phrase Stein repeats often,
Rose is a rose is a rose is a rose.”
Alice is thinking of using that as part of the logo for Gertrude’s personal stationery.
Stein and Alice are hopeful that Geography and Plays will help her blossoming reputation as a serious writer. For now, they are going to send some fruit to one of their new American friends back in Paris, foreign correspondent for the Toronto Star, Ernest Hemingway, 23, and his lovely wife Hadley, 31.
*****
In America, free-lance writer Dorothy Parker, 29, has had a terrible year.
She did get her first short story published, “Such a Pretty Little Picture” in this month’s issue of Smart Set. After years of writing only the light verse that sells easily to New York’s magazines and newspapers, Parker is starting to branch out and stretch herself more.
However, her stockbroker husband of five years, Edwin Pond Parker II, also 29, finally packed up and moved back to his family in Connecticut.
Dorothy and Eddie Parker
Parker took up with a would-be playwright from Chicago, Charles MacArthur, 27, who started hanging around with her lunch friends from the Algonquin Hotel. He broke Dottie’s heart—and her spirit after he contributed only $30 to her abortion. And made himself scarce afterwards.
On Christmas day there were no fewer than eight new plays for Parker to review. She had to bundle up against the cold and spend the holiday racing around to see as much of each one as she could. And then go home to no one but her bird Onan (“because he spills his seed”) and her dog Woodrow Wilson.
New York Times Square Christmas Eve 1920s by J. A. Blackwell
As she gets ready to jump into 1923, Parker works on the type of short poem she has become known for:
One Perfect Rose
By Dorothy Parker
A single flow’r he sent me, since we met. All tenderly his messenger he chose; Deep-hearted, pure, with scented dew still wet– One perfect rose.
I knew the language of the floweret; “My fragile leaves,” it said, “his heart enclose.” Love long has taken for his amulet One perfect rose.
Why is it no one ever sent me yet One perfect limousine, do you suppose? Ah no, it’s always just my luck to get One perfect rose.
Early next year I will be talking about the centenary of the publication of T. S. Eliot’s The Waste Land at the Osher Lifelong Learning Institute at the University of Pittsburgh, and about The Literary 1920s in Paris and New York City at the Osher program at Carnegie-Mellon University.
Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with Hemingway, F. Scott Fitzgerald and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.
Max Perkins, 38, has been here at Scribner’s for 12 years now. He’s mostly worked on his authors’ novels, short story collections and non-fiction works as well. This is the first time he’s been asked to edit a play.
Scribner’s
Scribner’s star novelist, F. Scott Fitzgerald, 26, has had his second novel, The Beautiful and Damned, followed by his second story collection, Flappers and Philosophers, published this year. Both are doing well.
Scott is working on a third novel, but is currently sidetracked by writing this play, originally titled Gabriel’s Trombone. He has now decided on a new title, The Vegetable: From President to Postman.
Perkins agreed to read it and give Scott some feedback, which he sent to him yesterday:
I’ve read your play three times and I think more highly of its possibilities on the third reading than ever before;—but I am also more strongly convinced that these possibilities are far from being realized on account of the handling of the story in the second act [in which the main character has drunken fantasies of becoming president]…You seem to lose sense of your true motive…Satirize as much as you can…but keep one eye always on your chief motive. Throughout the entire wild second act there would still be a kind of ‘wild logic.’…
“My only excuse for all this verbiage is, that so good in conception is your motive, so true your characters, so splendidly imaginative your invention, and so altogether above the mere literate the whole scheme, that no one could help but greatly desire to see it all equal in execution. If it were a comparative trifle, like many a short story, it wouldn’t much matter…To save space, I’ve omitted most of the ‘I thinks,’ ‘It seems to mes,’ and ‘I may be wrong buts’: They would be, however, understood.”
Early next year I will be talking about the centenary of the publication of T. S. Eliot’s The Waste Land at the Osher Lifelong Learning Institute at the University of Pittsburgh, and about The Literary 1920s in Paris and New York City at the Osher program at Carnegie-Mellon University.
Manager as Muse, about Perkins’ relationships with Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.
In Paris, the Ballets Russes is performing Parade, which they premiered here five years ago with music by Erik Satie, 56, and a scenario written by Jean Cocteau, 33. The scenery, curtains and costumes are all created in a Cubist style by Spanish artist Pablo Picasso, 41, who gets his own ovation when the audience stands up to cheer, and faces the box he is seated in.
A costume for Parade designed by Pablo Picasso
But the big success of the season is Cocteau’s production of Antigone, his “contraction” of Sophocles’ original, as Cocteau calls it.
Picasso also received a round of cheers during the rehearsals for the play, when Cocteau brought him to an almost bare set, with just some masks and a violet-blue and white backdrop, and told the painter to create a hot, sunny day.
Picasso paced the stage. Picked up a piece of red chalk. Rubbed the white boards with it until they looked like marble. Dipped a brush in a bottle of ink. Drew some lines on the background and blackened in a few spaces.
Three Doric columns appeared. All those watching applauded.
Cocteau also persuaded Coco Chanel, 39, to design the heavy Scotch woolen costumes for Oedipus’s daughters.
Antigone is packing them in at the 100-year-old Théâtre de l’Atelier, owned by the actor and drama teacher Charles Dullin, 37, who directed the production and appears in it as well. Dullin’s mother pawned the family’s furniture and silverware to get enough money for Charles to buy and renovate this theatre.
Cocteau himself is playing the part of the Chorus, and also in the cast is one of Dullin’s students, Antonin Artaud, 26. The music for the play has been written by Swiss composer Arthur Honegger, 30, and the lead is played by a Romanian dancer, Génica Athanasiou, 25, who speaks so little French she had to learn her lines syllable by syllable. As a reward for her efforts, Cocteau has dedicated the production to her.
Génica Athanasiou by Man Ray
Each evening begins with a short curtain-raiser by Italian playwright Luigi Pirandello, 55, who had success last year with his Six Characters in Search of an Author.
The names Picasso, Chanel and Pirandello are what initially drew the crowds. However, now that Antigone is a big hit, Cocteau is becoming a cult figure among young men who show up in large groups to applaud each night. Some have even been hanging around outside Cocteau’s house and climbing up the lamp post just to get a look at him.
Jean Cocteau by Man Ray
*****
In London’s West End, German Count Harry Kessler, 54, is enjoying theatre while visiting the city for the first time since the Great War broke out. He confides his impressions to his diary,
Not much change in the shops. They are as good class and as elegant as they used to be. But there is no longer the astounding amount of hustle and luxury as in 1914 and which is still to be met in Paris. It can be sensed that the country has become poorer and the shoppers rarer…[At the theatre] to my astonishment, at least half the men in the stalls were in lounge suits, the rest in dinner jackets, and only five or six in tails. A real revolution or, more accurately, the symptom of such.”
Early next year I will be talking about the centenary of the publication of T. S. Eliot’s The Waste Land at the Osher Lifelong Learning Institute at the University of Pittsburgh, and about The Literary 1920s in Paris and New York City at the Osher program at Carnegie-Mellon University.
Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available d on Amazon.com and Amazon.co.uk in both print and e-book versions.
When Babbitt by Sinclair Lewis, 37, was published a few months ago, it was met with mostly positive reactions.
Babbitt by Sinclair Lewis
H. L. Mencken, 42, literary critic for Smart Set, found the main character to be a symbol of everything wrong with American culture:
It is not what [Babbitt] feels and aspires that moves him primarily; it is what the folks about him will think of him. His politics is communal politics, mob politics, herd politics; his religion is a public rite wholly without subjective significance.”
In The New Statesman, Rebecca West, just turned 30, declared that Babbitt “has that something extra, over and above, which makes the work of art.”
Fellow novelist H. G. Wells, 56, told Lewis that it is
one of the greatest novels I have read…I wish I could have written Babbitt.”
Somerset Maugham, 48, wrote to say that he felt that
it is a much better book than Main Steet.”
Edith Wharton, 60, to whom the novel is dedicated, wrote from one of her villas in France,
I wonder how much of it the American public, to whom irony seems to have become unintelligible as Chinese, will even remotely feel?…Thank you again for associating my name with a book I so warmly admire and applaud.”
But now in December, Edmund Wilson, 27, has his say in Vanity Fair, comparing Lewis unfavorably to Dickens and Twain, and stating that Lewis’ literary gift “is almost entirely for making people nasty.”
*****
Last month The Dial published “The Waste Land” by T. S. Eliot, 34, and in this month’s issue the publisher, Scofield Thayer, just turned 33, announces that Eliot is the second recipient of the magazine’s annual Dial Prize of $2,000.
In the same issue, Eliot has a piece about the death of English vaudeville star, Marie Lloyd, aged 52, which depressed Eliot terribly. In October, almost 100,000 mourners attended her funeral in London.
Marie Lloyd
This issue of The Dial also contains Edmund Wilson’s praise of “The Waste Land,” an in-depth piece about Eliot’s importance as a poet:
He feels intensely and with distinction and speaks naturally in beautiful verse…The race of the poets—though grown rare—is not yet quite dead.”
Eliot is pleased with Wilson’s review, but unhappy that Wilson called his fellow ex-pat Ezra Pound, 37, an “imitator of [Eliot]…extremely ill-focused.” Eliot considers Pound to be the greatest living English-language poet.
*****
In The Nation this month, Dial editor Gilbert Seldes, 29, is also enamored of “The Waste Land,” comparing it to Ulysses by James Joyce, 40, published earlier this year:
That ‘The Waste Land’ is, in a sense, the inversion and the complement of Ulysses is at least tenable. We have in Ulysses the poet defeated, turning outward, savoring the ugliness which is no longer transmutable into beauty, and, in the end, homeless. We have in ‘The Waste Land’ some indication of the inner life of such a poet. The contrast between the forms of these two works is not expressed in the recognition that one is among the longest and one among the shortest of works in its genre; the important thing is that in each the theme, once it is comprehended, is seen to have dictated the form.”
Eliot sends Seldes a nice note thanking him for the review.
*****
Outlook magazine, on the other hand, features “A Flapper’s Appeal to Parents,” asking parents and society as a whole to be more understanding of these dancing females who spend “a large amount of time in automobiles.”
*****
First described by American novelist F. Scott Fitzgerald, 26, the flapper grows up in his story in this month’s Metropolitan magazine, “Winter Dreams,” about a midwestern boy in love with a selfish rich girl, who marries someone all wrong for her. When writing the story, Fitzgerald cut some descriptions to save them for his third novel, which he is working on now.
Metropolitan, December
*****
The December Smart Set has the first short story by one of America’s most-published and most popular poets, Dorothy Parker, 29, whose “Such a Pretty Little Picture” describes a man living a monotonous life in the suburbs, just cutting his hedge. Similar to her best friend, fellow Algonquin Round Table member Robert Benchley, 33, who lives in Scarsdale with his wife and two sons.
Early next year I will be talking about the centenary of the publication of T. S. Eliot’s The Waste Land at the Osher Lifelong Learning Institute at the University of Pittsburgh, and about The Literary 1920s in Paris and New York City at the Osher program at Carnegie-Mellon University.
Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.
So I thought I’d turn this #shamelessselfpromotion posting over to the fans:
Such Friends: The Literary 1920s presents colourful, diary-like snippets, skillfully woven together, from the daily lives of writers, poets and artists of the Irish Literary Renaissance, the Bloomsbury Group, the Americans in Paris, and the Algonquin Round Table in New York.”
—Dr. Ann Kennedy Smith, “My Books of the Year,”
Cambridge Ladies’ Dining Society, 1890-1914;
It’s a lot of fun skipping around to different dates and events to see what was going on at particular times during the year.”
—Jim, Irish theatre fan
Interior of Volume III
What a treasure-trove this work is. You make it seem alive. The gossip is fresh! These little stories humanize the great geniuses. Thanks for doing this work.”
I look forward to the gossip and insights you have curated about what was going on a century ago.”
—Hedda, Bloomsbury fan
Love your stuff. I inhale it like…wildflower smells!”
—Marie, Semester at Sea fan
You have such a nice way of making history feel closer to us—letting us know and care about these people.”
—Dr. Barry, Ohio academic fan
Such fun! This is eavesdropping across the past century.”
—Don, James Joyce fan
Thank you, fans! And my previous offer still holds. If you live on any Pittsburgh Regional Transit bus line, I will hand deliver your signed copies to you. Email me at kaydee@gypsyteacher.com.
Happy holidays!
Fans reading “Such Friends,” Volume II
Early next year I will be talking about the centenary of the publication of T. S. Eliot’s The Waste Land at the Osher Lifelong Learning Institute at the University of Pittsburgh, and about The Literary 1920s in Paris and New York City at the Osher program at Carnegie-Mellon University.
Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.
SuchFriends Blog 