“Such Friends”: 100 Years Ago, April, 1924, the transatlantic review and the Three Mountains Press offices, 29 Quai d’Anjou, Ile Saint-Louis, Paris

English author Ford Madox Ford, 50, is pleased with Volume I, Issue 4, of his magazine, the transatlantic review.

Ford was able to start publishing in January with funding he secured last fall when American lawyer John Quinn, 54, was visiting and they got together with American ex-patriate poet, Ezra Pound, 38.

James Joyce, Ezra Pound, John Quinn and Ford Madox Ford in October of last year

Quinn had sent $500 and promised he would chip in another $500 if necessary, as well as approach some of his wealthy New York friends for additional help.

Pound has also been instrumental in recommending up and coming writers for the literary magazine. The first issue had some of his own work, and a short story by another American ex-pat small publisher Robert McAlmon, 29.

The second issue was so good it was banned by the American Women’s Club of Paris!

Pound also secured a piece from the Irish ex-pat James Joyce, 42, whose novel Ulysses caused such a stir when it was published here two years ago. His “Work in Progress” was supposed to appear in the transatlantic review in January, but the proofs he received were in such bad shape he asked for more time to go over them.

the transatlantic review, April

Actually Joyce has confided to his drinking buddy, McAlmon, that he thinks the magazine is “very shabby.”

A few months ago, Pound introduced Ford to yet another American trying to make a living as a writer, former Toronto Star foreign correspondent Ernest Hemingway, 24, who moved back to Paris from Toronto with his wife and new baby at the beginning of the year.

Ford has hired Ernie to be the magazine’s commissioning editor. Well, “hired” is a bit much. He can’t actually pay him anything. Ford is thinking he may have to make a trip to New York City to beg for more money in person from Quinn, whom he’s heard is quite ill.

Ernie finally convinced Ford to include work in this issue by one of Hemingway’s recent American mentors, Gertrude Stein, 50. He told Stein to give him her epic novel, The Making of Americans, for Ford to serialize. The only copy she had was one that she and her partner, Alice B. Toklas, about to turn 47, had had bound and she didn’t want to let it out of her sight. So Ernie and Alice copied out the first 50 pages in time for the first instalment to appear in this issue. Gertrude and Alice are so excited that this huge work is finally appearing in print somewhere.

Ernest has advised Gertrude in her dealings with Ford: 

Be haughty but not too haughty. I made it clear it was a remarkable scoop [getting Making]…obtained only through my obtaining genius. [Ford] is under the impression that you get big prices when you consent to publish…Treat him high, wide and handsome…They are going to have Joyce in the same number.”

Hemingway has one of his own stories in this issue too, “Indian Camp.”

*****

That story is also included in in our time, one of the first volumes published by Three Mountains Press, founded by American journalist Bill Bird, 36, who owns this office space. Ford leases his small share for the magazine from Bird.

Six vignettes and 12 stories by Hemingway appear in in our time—Bird wants to signal how modern it is by not capitalizing the title. Last year Hemingway’s Three Stories & Ten Poems, was published by McAlmon’s Contact Press, and Pound had managed to get six of the stories published in The Little Review’s special “Exiles” issue in the U. S. last October.

in our time by Ernest Hemingway

Bird designed the dust jacket for in our time himself, to make the whole volume seem newsworthy. He also printed it on a handpress with high quality handmade paper. 18 vignettes (six are about bullfighting, Ernie’s latest interest) spread over 31 pages left lots of white space in the layout to make the simple declarative sentences stand out even more.

Ernest Hemingway

The woodcut of the author bled through the paper, so, instead of the 300 copies they printed, they’ve ended up with about 170 good ones to sell. Ernie’s parents back in Oak Park, Illinois, have bought 10.

Ford has been kind enough to give Hemingway’s book an early review in the Paris Herald, praising his “minute but hugely suggestive pictures.”

Hemingway’s work is getting to be known among the literary crowd; he knows he won’t get any payment for any of these publications. He and his wife Hadley, 32, have been living off her trust fund. Although, because it has not been invested well, the fund is starting to decrease, and Ernie has taken some work doing gardening for Parisians.

But Ernie’s not worried. Eventually, there will be money.

“Such Friends”:  100 Years Ago… is the basis for the paperback series, “Such Friends”:  The Literary 1920s. Volumes I through IV, covering 1920 through 1923 are available at Thoor Ballylee in Co. Galway, and as signed copies at Pan Yan Bookstore in Tiffin, OH, City Books on the North Side and at Riverstone Books in Squirrel Hill, Pittsburgh, PA. They are also on Amazon.com and Amazon.co.uk in print and e-book formats. For more information, email me at kaydee@gypsyteacher.com.

Mark your calendar! The Greater Pittsburgh Festival of Books returns to the Pittsburgh Theological Seminary in Highland Park on Saturday, May 11. Stop by the “Such Friends” booth in Writers’ Row.

This summer I will be talking about the literary 1920s in Paris and New York at the Osher Lifelong Learning Institute at Carnegie-Mellon University.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with Hemingway, F. Scott Fitzgerald and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

“Such Friends”: 100 Years Ago, February 2, 1924, Shakespeare and Company, 12 rue de l’Odeon; and Three Mountains Press, 29 Quai d’Anjou, Ile Saint Louis, Paris

In what is becoming an annual tradition, this English-language bookstore is celebrating the anniversary of its publication of the controversial novel, Ulysses, on this date in 1922.

Shakespeare and Company

This morning, the author, Irish ex-patriate James Joyce, 42 today, sends flowers to the shop and its owner, American ex-pat Sylvia Beach, 36, who took on the role of publisher when no publishing company would touch his novel.

She has filled the shop windows with copies of the latest edition, and this evening there will be a party.

Truth be told, neither Sylvia nor any of Joyce’s benefactors are impressed with his latest work, so far just called “Work in Progress.” Joyce says he’s experimenting, and that he’s finished with the English language.

*****

About a 20-minute walk north of the shop. British ex-pat Ford Madox Ford, 50, is still settling in to the new offices he is sharing with the Three Mountains Press, a small publishing venture started by American journalist Bill Bird, 35.

Quai d’Anjou, Ile Saint Louis

Ford is bringing out the second issue of his new literary magazine, the transatlantic review, funded by a generous American patron of the arts, New York lawyer John Quinn, 53.

The first issue of the magazine included works by some of the most talked-about American writers on the Left Bank:  poems by Ezra Pound, 38, and E. E. Cummings, 29; and a short story by Robert McAlmon, 28, whom Pound had recommended.

Ford Madox Ford

A couple of weeks ago Quinn sent Ford an additional $500, but promised he would only contribute one more instalment if necessary, but then that would be it. Grateful for any help. Ford offered Quinn a life mask of Pound but Quinn cringed at the thought. The only thing worse, he told Ford, would be a death mask.

Ford has just “hired”—for no money—one of the other young Americans making a name for himself around the Left Bank, former Toronto Star foreign correspondent Ernest Hemingway, 24, just arrived back in Paris with his wife and new baby after a four-month stay in Toronto.

The Hemingways are getting ready to move into a second-floor walk-up apartment at 113 rue Notre Dame des Champs, close to where Pound lives, overlooking a sawmill and a lumber yard.

Ernie’s job at the transatlantic review is to scout out new material from the ex-pat authors on the Left Bank. He is trying to convince Ford that he should serialize a work by Gertrude Stein, turning 50 tomorrow, The Making of Americans. Hemingway is quite keen on it; Ford thinks it’s some kind of experimental short story.

Today, the second issue of the transatlantic review has been banned by the American Women’s Club of Paris. Ford is thinking he may need to hit on Quinn for more cash.

“Such Friends”:  100 Years Ago… is the basis for the paperback series, “Such Friends”:  The Literary 1920s. Volumes I through IV, covering 1920 through 1923 are available at Thoor Ballylee in Co. Galway, and as signed copies at Pan Yan Bookstore in Tiffin, OH, and Riverstone Books in Squirrel Hill, Pittsburgh, PA. They are also on Amazon.com and Amazon.co.uk in print and e-book formats. For more information, email me at kaydee@gypsyteacher.com.

Don’t forget! Tomorrow, Saturday, February 3, we will be celebrating the 150^th birthday of my fellow Pittsburgher Gertrude Stein, from noon to 4 pm at City Books on the North Side, a five-minute walk from where she was born. Details are here.

Later this month I will be talking about early 20^th century supporters of the arts like the Stein family at the Osher Lifelong Learning Institute at Carnegie-Mellon University.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

“Such Friends”: 100 Years Ago, December, 1923, Paris

On the Left Bank, inside the English-language bookstore Shakespeare and Company on rue de l’Odeon, there are festive decorations, including a lit Christmas tree perched on a table.

The shop owner, American ex-patriate Sylvia Beach, 36, had been planning to spend the holiday with her mother, who is visiting Sylvia’s sister in Florence for her birthday.

Shakespeare and Company

However, Sylvia has decided that, before the end of the year, she needs to bring out another edition of Ulysses by Irish novelist James Joyce, 41, which she first published early last year. The second edition didn’t include all the necessary corrections. Another edition, published in Paris by the London-based Egoist Press, had almost all of its 500 copies destroyed by UK customs last year. The owner of the Egoist, Harriet Shaw Weaver, 47, has suggested that Sylvia call this latest edition—which will include all the corrections—the fourth version. So the ones destroyed will not be forgotten.

This newest Ulysses will have a cover the reverse of the others, this time white paper with blue type. Sylvia wants to send one to her mother as a birthday present, and personally deliver one to Joyce at home for Christmas, the way she did on publication day last year, his 40^th birthday.

Ulysses, fourth edition

This year has been hectic for Beach.

In the fall, she had a visit from the American writer living in London, T. S. Eliot, 35, whose poem The Waste Land, published last year, greatly impressed her. Sylvia wrote to her mother,

He is such a charming fellow and so interesting…the old fashioned sort of American and very good looking. I only wish he lived in Paris. He is our only modern writer I like after Joyce. Everyone that he was exhibited to was carried away with Eliot.”

Another American who came to visit early this month was Barnet Braverman, 35, an advertising man who successfully smuggled illegal copies of Ulysses from his Ontario office to his Michigan apartment. He brought along a copy for Joyce to sign.

A French tax man showed up the other day, requesting to see her company books. Sylvia sent him on his way, promising to have one of her assistants bring a set of accounts to his office.

All this activity has left Sylvia exhausted. But she and her partner Adrienne Monnier, 31, who owns the French-language bookstore across the street, have still managed to go out to the theatre most nights.

*****

Map to help find your way around Paris

On the Ile St. Louis, about a 20-minute walk north of rue de l’Odeon, another small American publisher is winding up a successful year. The Three Mountains Press, run by Bill Bird, 35, has brought out a series of six books by ex-patriates, edited by poet Ezra Pound, 38. The most promising is in our time, a group of 10 vignettes by the foreign correspondent for the Toronto Star, Ernest Hemingway, 24. Ernie is currently back in Toronto where he and his wife moved for the birth of their first child, John Hadley Nicanor Hemingway, now two months old. Bird has heard that they are not happy in Canada and will be moving back to Paris soon in the new year.

Ile St. Louis

*****

Up in Montmartre, Ezra’s mistress Olga Rudge, 28, recently performed a concert with American composer George Antheil, 23, who is renting an upstairs room at Shakespeare and Company. Ezra is tone deaf; but Olga jumped right in for the challenge of Antheil’s experimental Three Violin Sonatas, commissioned by her friend, French writer Jean Cocteau, 34. The first sonata is a dramatic piece which ends with the composer-pianist literally hammering out the notes.

Conservatoire National d’Art Dramatique, Montmartre

*****

Across the Right Bank, in mid-December there is a dramatic funeral procession from the church of Saint Honoré d’Eylau in the west to Pere Lachaise Cemetery in the east. Raymond Radiguet had died at the age of 20. His first novel, Le Diable du Corps, was such a big hit, all his fans had been hopeful for his second, which will now be published posthumously.

Saint Honoré d’Eylau church

Cocteau was so affected by his young friend’s death, he hasn’t been out to see anyone since. All the funeral arrangements were handled by designer Coco Chanel, 40. To emphasize Radiguet’s youth, the coffin, hearse, flowers and horses are all white. Marching with the mourners, who include Spanish painter Pablo Picasso, 42, and one of Radiguet’s former lovers, Romanian sculptor Constantin Brancusi, 47, is a jazz band from the club Le Boeuf sur le Toit, fronted by bandleader Vance Lowry, 34, the African-American “Banjo King.”

*****

Across the Seine, back on the Left Bank, another club is drawing in the ex-pats and the French as well. The Jockey on Boulevard Montparnasse, about a 20-minute walk south of Sylvia’s shop, has recently been bought and totally redecorated by American designer Hilaire Hiler, 25. He has used a cowboy motif, which appeals to locals as well as tourists.

The Jockey, 146 Boulevard Montparnasse

Radiguet and Cocteau frequented the bar, along with American publisher Robert McAlmon, 28. Painter Marcel Duchamp, 36, who recently returned to his native Paris after a few years in New York City, comes often with his American friend, Man Ray, 33, and his partner, Kiki of Montparnasse, 22. Man and Kiki have just moved into the nearby Istria Hotel, where Duchamp is staying, to be closer to Ray’s studio on rue Campagne-Premier. Ray has hired his first assistant, a sculptor he knew back in New York, Berenice Abbott, 25, whom he found almost starving on the streets of Paris. Ray is having more success with photography now, rather than the painting and sculpting he used to do.

*****

About a 15-minute walk east of the Jockey, other ex-pats are changing their living arrangements as well.

English editor Ford Madox Ford, just turned 50, has come to stay with his brother and brought along his Australian partner, artist and writer Stella Bowen, 30, and their three-year old daughter Julia. His sister-in-law has become annoyed with this intrusion, so she has rented the Ford-Bowen family a cottage behind their house on the Boulevard Arago for only 200Fr a month. They are near the tennis courts where Hemingway and Pound often play. Unfortunately, when Ford wants to give one of his frequent parties, he has to rent out a local bal musette.

65 Boulevard Arago

A few weeks ago, a friend, West Indian writer Ella Gwendoline Rees-Williams, 33, moved into the cottage with Ford and Stella. Rees-Williams’ husband was recently extradited to Holland for being in France illegally, and she is grateful to have a place to stay. Stella doesn’t seem to mind the attention Ford pays to their new roommate.

*****

All predictions are that, by the end of the year, the Seine will rise and overflow its banks, spreading itself throughout the Left and the Right Banks.

River Seine flooding

N. B.: Thanks to Lisa Thomson (LisaT2@comcast.net) for the wonderfully helpful map of Paris.

“Such Friends”:  100 Years Ago… is the basis for the paperback series, “Such Friends”:  The Literary 1920s. Volumes I through IV, covering 1920 through 1923, are available at Thoor Ballylee in Co. Galway, and as signed copies at Pan Yan Bookstore in Tiffin, OH, and Riverstone Books in Squirrel Hill, Pittsburgh, PA. They are also on Amazon.com and Amazon.co.uk in print and e-book formats. For more information, email me at kaydee@gypsyteacher.com.

Early in the new year I will be talking about the literary summer of 1923 at the Osher Lifelong Learning Institutes at the University of Pittsburgh, and early 20^th century patrons of the arts in the Osher program at Carnegie-Mellon University.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with Hemingway, F. Scott Fitzgerald and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

“Such Friends”: 100 Years Ago, October 12, 1923, the back garden of 70 bis, rue de Notre-Dame-des-Champs, Paris

James Joyce, Ezra Pound, John Quinn, Ford Madox Ford

Irish novelist James Joyce, 41, hates these staged photographs. He wonders why the photographer has to take so many of them?

American poet Ezra Pound, about to turn 38, is glad he was able to get all three of these characters together at his studio to make plans for a new magazine.

American art collector and patron of the arts John Quinn, 53, doesn’t mind pitching in $2,000 to get this venture off the ground, but he hasn’t mentioned his stomach cancer to them. He knows he is going to have to tell Joyce that he is selling off his collection of manuscripts. Quinn plans to give Joyce half the price he gets for the Ulysses manuscript.

English editor and writer Ford Madox Ford, 49, is hoping he can get Quinn to cough up a couple of thousand for the transatlantic review. Ford is glad Pound let them meet here at his studio. These four would never fit in Ford’s tiny office.

“Such Friends”:  100 Years Ago… is the basis for the paperback series, “Such Friends”:  The Literary 1920s. Volumes I through IV, covering 1920 through 1923 are available at Thoor Ballylee in Co. Galway, at Pan Yan Bookstore in Tiffin, OH, and at Riverstone Books in Squirrel Hill, Pittsburgh, PA, where, as part of their sixth anniversary celebration, I will be signing copies from 4 to 5 p.m. tomorrow, Friday, October 13th. They are also on Amazon.com and Amazon.co.uk in print and e-book formats. For more information, email me at kaydee@gypsyteacher.com.

Later this fall I will be talking about the women of Bloomsbury and the Left Bank at the Osher Lifelong Learning Institute at Carnegie-Mellon University, and about John Quinn at the Tiffin-Seneca Public Library, co-sponsored by the Heidelberg University English Department, in Quinn’s hometown of Tiffin, OH.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

“Such Friends”: 150 Years Ago, April 24, 1870, Tiffin, Ohio

Happy birthday, John Quinn!

We interrupt our usual posting of events that happened 100 years ago with a momentous event of 150 years ago.

Regular readers of this blog [you know who you are] will have wondered who this John Quinn fellow is, supporter of art and artists, who keeps popping up 100 years ago. Hosting Irish poet William Butler Yeats and his wife in New York. Writing and receiving letters to and from American ex-patriate poet Ezra Pound. Buying manuscripts of works by writers like Yeats, Joseph Conrad and James Joyce.

Below is a posting I wrote in 2003 about Quinn in my weekly blog, “Every Wednesday:  The Journal of a Teacher in Search of a Classroom,” chronicling my year of unemployment in south Florida. [#shamelessselfpromotion: Available in paperback on Lulu.com,  Or on Amazon combined with my other Gypsy Teacher blogs.]

“Every Wednesday:  I Want to Tell You About an Amazing Man”

When I was doing my research for my dissertation on early 20^th century writers’ salons—W B Yeats and the Irish Literary Renaissance, Virginia Woolf and the Bloomsbury Group, Gertrude Stein and the American expatriates in Paris, and Dorothy Parker and the Algonquin Round Table—there was this character who kept popping up. Like Woody Allen’s Zelig he appeared in biographies, memoirs and letters of the time, as well as in group photos of people like Yeats, Picasso, Matisse, Ezra Pound, James Joyce. Who was this guy? He certainly had “such friends.”

James Joyce, Ezra Pound, Ford Madox Ford,  and John Quinn

When I first came across Quinn, I checked the bibliographies and saw that there was one biography about him, B. L. Reid’s The Man from New York:  John Quinn and His Friends (New York:  Oxford University Press, 1968). Earlier this year I began doing some research on the 1913 New York Armory Show to include in my work-in-progress about the writers’ salons, “Such Friends.” There was John Quinn again, buying art in Paris, organizing the first exhibition of international modern art in the United States, writing to Conrad and other struggling writers of the time.

Jealous that someone else had written the definitive history of this intriguing creature, I broke down and took the biography out of the library. I discovered that it’s not great—good research but not well-presented, hard to read. And, worst of all, the author makes this fascinating man’s life seem boring.

So here is the John Quinn I discovered. I’m still working on some of the details.

He was born in Tiffin, Ohio, on this date in 1870 of Irish immigrant parents; his father was a baker. He grew up in middle-class Fostoria, Ohio, and attended the University of Michigan. A family friend who became Secretary of the Treasury under President Benjamin Harrison offered Quinn a job with him in Washington, D.C. While working full-time in the federal government, he went to Georgetown University law school at night. After receiving his law degree, he earned an advanced degree in international relations from Harvard University. Not bad for the son of a shanty-Irish baker.

Quinn then moved to New York City, which was to be his home for the rest of his life. He predictably got a job with a major New York law firm and worked on a lot of high profile corporate cases. During a two-year period there were a lot of deaths in his family—parents, sisters, etc.—and he began to explore his Irish roots.

Right after the turn of the century he went to Ireland and, while attending a Gaelic language festival in the west, near Galway, met Lady Augusta Gregory and other friends of Yeats involved in the Irish Literary Renaissance. While helping them found the Abbey Theatre, he started his own law firm in 1906. As you do.

His successful firm was supported by retainers from major corporations, and he became involved in New York’s Tammany Hall politics. But when his candidate didn’t get the nomination at the 1912 Democratic Party convention, he got disgusted with the whole system (go figure). After that he turned his considerable energies to art and literature.

Quinn did delegate a lot of the work in his law firm when he was away, but, like a true control freak, he was always unhappy with the way his employees handled everything. During the first two decades of the 20^th century he managed to:

• Help organize the Armory Show,
• Fight Congress to have a tariff on contemporary art changed,
• Bail out the Abbey Theatre after they were arrested for performing John Millington Synge’s The Playboy of the Western World in Philadelphia,
• Have an affair with Lady Gregory and a number of other much younger women, some of whom he “shared” with Yeats,
• Support Yeats’ father in New York City by buying his paintings and Yeats’ manuscripts,
• Support James Joyce in Paris by buying his manuscripts as he wrote them,
• Argue the original case to have excerpts of Ulysses published in the Little Review magazine in the United States, and
• Amass an incredible collection of modern art, focused primarily on European painters.

During that time he kept up a detailed correspondence with all of the above as well as Maud Gonne, Augustus John and many other cultural luminaries of the early 20^th century. Quite a guy. I get tired just thinking about all he accomplished.

Quinn died of intestinal cancer at the age of 54, and, having no children, was generous to his sister and niece, but willed that his art collection be sold off and dispersed among museums and collectors around the world. And it was.

John Quinn and William Butler Yeats

Yesterday I gave my first presentation about the Armory Show to a group of art collectors at the Boca Raton Museum of Art. I tried to communicate to them John Quinn’s enthusiasm for supporting the living artist as well as the art.

Currently I am doing more research about Quinn and plan to write an article about him. Eventually I would like to give him the decent biography he deserves. I’ll keep you posted.

See you next Wednesday.

Thanks for reading. You can e-mail me at kaydee@gypsyteacher.com.

“Such Friends”:  100 Years Ago… is the basis for the book, “Such Friends”:  The Literary 1920s, to be published by K. Donnelly Communications. For more information, email me at kaydee@gpysyteacher.com.

In 2020 I will be talking about writers’ salons in Ireland, England, France and America before and after the Great War in the University of Pittsburgh’s Osher Lifelong Learning program.

Manager as Muse, about Scribner’s editor Maxwell Perkins and his relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is available on Amazon in both print and Kindle versions.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”: Virginia Woolf and the Bloomsbury Group.