“Such Friends”:  100 Years Ago, November 20, 1922, Union Hotel Etoile, 44 rue Hamelin, Paris

American ex-pat photographer Man Ray, 32, has been called here, along with two painters and a sculptor, to record the corpse of French writer Marcel Proust, 51, who died two days ago.

Ray has made a bit of a name for himself in Paris this past year, and this month’s Vanity Fair magazine has four of his “rayographs,” a new technique he has been working on.

Man Ray in Vanity Fair

Proust had been complaining to his friends that he was ill for months but didn’t feel as though they took him seriously. He told his loyal housekeeper Celeste Albaret, 31, that she must keep the doctors away from him in his last hours, to let the natural process unfold—or he will come back to haunt her.

Proust had been fighting the recommendations of his doctors, including his brother Robert, 49, for months while he experienced increasing fame and sales of his books, along with increasing health issues.

In the spring he took an accidental overdose of his adrenalin and was left screaming in pain. After that his chauffeur, Celeste’s husband, had to bring Proust daily chilled beer and ice cream from the Ritz Hotel.

In the summer, he had a big night out on the town with French writer Jean Cocteau, 33, at their favorite nightclub, Le Boeuf sur la toit, but that ended in a brawl and Proust challenging his young attacker to a duel the next morning. The kid apologized.

The bar at Le Boeuf sur la toit

This fall Proust had violent fits of asthma and vertigo which caused him to fall whenever he got out of bed. He blamed carbon monoxide from the fireplace, and commanded Celeste to stop lighting the fire. So he was surrounded by cold.

The doctors told Proust not to go out; Proust went for a walk, started sneezing and came home.

The doctors told him to eat a lot and rest; instead he followed his mother’s instructions to him as a child, eating nothing but milk and fruit and throwing himself into writing and rewriting.

At the bitter end Marcel submitted to injections from the doctors, but he grabbed Celeste’s wrist and pinched her as hard as he could, telling her she shouldn’t have let them come.

At 5:30 in the afternoon he was pronounced dead in this room.

Now, two days later, about a dozen family and friends have been invited to view the body, and Ray to photograph it.

Seeing his friend lying in state, surrounded by his manuscripts, Cocteau notes,

That pile of paper on his left was still alive, like watches ticking on the wrists of dead soldiers.”

Marcel Proust on his death bed by Man Ray

“Such Friends”:  100 Years Ago… is the basis for the series, “Such Friends”:  The Literary 1920s. Volumes I through III, covering 1920 through 1922 are available as signed copies at Riverstone Books in Squirrel Hill, Pittsburgh, PA, and on Amazon.com and Amazon.co.uk in print and e-book formats. For more information, email me at kaydee@gypsyteacher.com.

Early next year I will be talking about the centenary of the publication of T. S. Eliot’s The Waste Land at the Osher Lifelong Learning Institute at the University of Pittsburgh, and about The Literary 1920s in Paris and New York City at the Osher program at Carnegie-Mellon University.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

“Such Friends”:  100 Years Ago, January 10, 1922, 28 Rue Boissy d’Anglas, Right Bank; and 74 rue du Cardinal Lemoine, Left Bank, Paris

French writer and artist Jean Cocteau, 32, has planned this terrific grand opening for the cabaret he is fronting, Le Boeuf sur La Toit [The Ox on the Roof], on the Right Bank. He and his business partners took the name from a ballet Cocteau had written a few years ago, to a catchy tune by French composer Darius Milhaud, 29.

Le Boeuf sur le Toit

Cocteau’s own paintings are on the walls, along with others lent by Spanish artist Pablo Picasso, 40. However the centerpiece is the stunning work behind the bar, L’oeil Cacodylate, by French painter Francis Picabia, about to turn 43.

L’oeil Cacodylate by Francis Picabia

It’s almost midnight and the party is going strong. Picasso is here with his young Russian ballerina wife, Olga, 30. Welsh painter Nina Hamnett, 31, has arrived late.

Cocteau looks for his friend, French writer Raymond Radiguet, 19, and finds him at the bar chatting with Romanian sculptor Constantin Brancusi, 45. The two men aren’t enjoying the party and, to Cocteau’s dismay, grab Nina and take off to find a bouillabaisse.

To Hamnett’s dismay, Radiguet and Brancusi abandon her at the Gare de Lyon to continue their search by hopping a train to Marseilles.

Le Boeuf sur La Toit publicity card

*****

Over on the Left Bank, American ex-pats Ernest Hemingway, 22, and his wife of four months Hadley, 30, are settling in to their cramped, fourth-floor apartment above a bal musette, a bar with a dance floor presided over by the chain-smoking, accordion-playing owner.

The Hemingways arrived in Paris just a few weeks ago and have been staying at the nearby Hotel Jacob. An American friend found this apartment for them, with a mattress on the floor, no running water, and a toilet on each landing that they can smell when they climb the stairs.

The Hemingways are astounded by how cheap it is to live in Paris. In little neighborhood restaurants you can get dinner for two for 12 francs (about $1) and a bottle of wine for 60 centimes (50 cents). Hadley’s trust fund gives them $3,000 a year, and Ernest is working as the foreign correspondent for the Toronto Star. They can afford to hire a maid to clean and cook them meals and can even afford to go on skiing vacations.

Today they are off to Chamby sur Montreux, Switzerland, for two weeks so Ernest can research a piece about the Swiss tourist trade for the Star.

74 rue de Cardinal Lemoine

If you now have Milhaud’s catchy tune going through your head, you can hear the whole piece here

“Such Friends”:  100 Years Ago… is the basis for the series, “Such Friends”:  The Literary 1920s. Volumes I and II covering 1920 and 1921 are available as signed copies at Riverstone Books in Squirrel Hill, Pittsburgh, PA, and also in print and e-book formats on Amazon. For more information, email me at kaydee@gypsyteacher.com.

On February 3, 2022, we will be celebrating the 148th birthday of my fellow Pittsburgher Gertrude Stein, at Riverstone Books in Squirrel Hill. You can register for this free event, or sign up to watch it via Zoom, here

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with Hemingway, F. Scott Fitzgerald and Thomas Wolfe, is also available on Amazon in both print and e-book versions.

At the end of February I am talking about the centenary of the publication of James Joyce’s Ulysses at the Osher Lifelong Learning program at Carnegie-Mellon University.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

“Such Friends”: 100 Years Ago, February 28, 1920, Comédie des Champs-Élysées, 15 avenue Montaigne, Paris

Curtain going up—again!

The Premiere Spectacle-Concert staged by poet Jean Cocteau, 30, is about to be presented for the fourth and probably last time. It’s been more successful than the performers expected, when they premiered about a week ago in front of a carefully selected audience. A patron had bought up all the box seats. Cocteau didn’t want the kind of nasty reaction that greeted the premier of The Rite of Spring by Igor Stravinsky, 37, at this theatre seven years ago.

The Premiere Spectacle-Concert is a tribute to French culture, featuring the music of Les Six, particularly composer Erik Satie, 53. He has been working on his Trois petites pièces montées (Three Little Stuffed Pieces) for months now.

Program Boeuf_premiere

Program from the premiere of Cocteau’s Premiere Spectacle-Concert

Some of the songs are set to some of Cocteau’s own texts and two circus acrobats performing a fox trot. But the surprise hit has been the surrealist ballet by composer Darius Milhaud, 21. The dream sequence with the Fratellini clown family in slow motion contrasts with the outrageously fast music of this latest work, Le Bœuf sur le toit, Op. 58 (The Ox on the Roof:  The Nothing-Doing Bar). [Wait for it–You’ll recognize it.]

Video – Darius Milhaud – Le Bœuf sur le toit – Ballet (2 of 2) (08:46).]

“Such Friends”:  100 Years Ago… is the basis for the book, “Such Friends”:  The Literary 1920s, to be published by K. Donnelly Communications. For more information, email me at kaydee@gpysyteacher.com.

In 2020 I will be talking about writers’ salons in Ireland, England, France and America in the University of Pittsburgh’s Osher Lifelong Learning program.

Manager as Muse, about Scribner’s editor Maxwell Perkins and his relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is available on Amazon in both print and Kindle versions.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”: Virginia Woolf and the Bloomsbury Group.