“Such Friends”: 100 Years Ago, Spring, 1924, 3 rue Gounod, Saint-Cloud; and 23 Quai des Grand-Augustins, Paris

This beautiful home, overlooking the city of Paris from one of its posh suburbs, is owned by the heirs of the late French opera composer, Charles Gounod. As they are experiencing some financial difficulties, the heirs are delighted to rent the three-story, rosy brick, walled property to the American ex-patriates Gerald, 36, and Sara Murphy, 40.

3 rue Gounod, Saint-Cloud, Paris

The Murphys are just as delighted to move in. They fell in love as soon as they saw it.

On Easter Sunday, they are hosting a luncheon and competitive Easter egg hunt on the broad lawn, under the oak trees. Their three children are hunting with both their grandfathers, visiting from America:  Sara’s father, Frank Bestow Wiborg, about to turn 69, co-creator of the printers’ ink manufacturer Ault & Wiborg Company; and Gerald’s father Patrick Murphy, about 66, owner of the Mark Cross retail chain. Both children and adults are all dressed in their Sunday best.

Baoth, almost five, easily beats his brother, Patrick, three; their sister Honoria, six, is much more interested in the tin whistle from Grandfather than looking for eggs with her stupid brothers.

Gerald has been making quite a name for himself lately in Paris with his painting. In February, his 18-foot by 12-foot Boatdeck caused quite a stir in the Salon des Independents at the Grand Palais. There were so many complaints about its size, the organizing committee called a special meeting to toss it out, but a majority voted to keep it in. Two members of the committee resigned! (But were talked in to coming back the next day.)

Boatdeck by Gerald Murphy in the Salon des Independents

In one of the many newspaper interviews he has given, Gerald is quoted as saying that he is

truly sorry to have caused such a bother with my little picture.”

After all, he points out, Boatdeck is smaller than an actual boat deck. The pieces he’s working on now, Razor and Watch, are not quite so large.

Razor by Gerald Murphy

The Murphys have welcomed friends new and old to this house on the hill overlooking Montmartre, with a view of the Eiffel Tower. Spanish painter Pablo Picasso, 42, has brought some British artists. Painters Vanessa Bell, 44, and Duncan Grant, 39, along with Vanessa’s husband, art critic Clive Bell, 42, came and all dined outside. The Murphys played Chinese music on the gramophone, and Picasso began sketching pictures of Chinese dancers’ feet, as he imagined them.

One of the main attractions of this home is the easy access to Paris city center. The train trip on the line from Versailles-Rive-Droite is only 15 minutes, and there are more than 50 trains each day. This makes it easy for the Murphys to go back and forth from their pied a terre on quai des Augustins.

*****

In their city apartment—with its view up and down the Seine, and large black and white vases holding flowers as well as stalks of light green celery—the Murphys have been meeting some more new friends.

23 quai des Grands-Augustins

American writer Donald Ogden Stewart, 29, comes by for dinner almost every night and reads aloud pieces of the comic novel he’s working on, Mr. and Mrs. Haddock Abroad, which has Sara in stitches. Sometimes he brings along novelist John Dos Passos, 28, and former Dial managing editor Gilbert Seldes, 31, who know each other from Harvard.

Stewart has also introduced the Murphys to an American couple whom he met at Yale, poet Archibald MacLeish, turning 32, and his wife, concert singer Ada Hitchcock MacLeish, 31. Mutual friends had helped the MacLeishes find a fourth floor walk up with no heat or hot water on Boulevard St. Michel where they’ve been living since arriving last fall.

When in the city, all these ex-pats pay late night visits to Zelli’s Royal Box in Montmartre. The jazz and the pretty young women are better than what you’ll find at last year’s hotspot, Le Boeuf sur le Toit. And arriving with the Murphys gets you a special seat.

Montmartre jazz clubs

“Such Friends”:  100 Years Ago… is the basis for the paperback series, “Such Friends”:  The Literary 1920s. Volumes I through IV, covering 1920 through 1923 are available at Thoor Ballylee in Co. Galway, and as signed copies at Pan Yan Bookstore in Tiffin, OH, City Books on the North Side and Riverstone Books in Squirrel Hill, Pittsburgh, PA. They are also on Amazon.com and Amazon.co.uk in print and e-book formats. For more information, email me at kaydee@gypsyteacher.com.

Mark your calendar! The Greater Pittsburgh Festival of Books returns to the Pittsburgh Theological Seminary in Highland Park on Saturday, May 11. Stop by the “Such Friends” booth in Writers’ Row.

This summer I will be talking about the literary 1920s in Paris and New York at the Osher Lifelong Learning Institute at Carnegie-Mellon University.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

“Such Friends”: 100 Years Ago, December 31, 1923/January 1, 1924, Ireland, England, France and America

In Ireland, poet, playwright and co-founder of the Abbey Theatre, William Butler Yeats, 58, is still basking in the glow of his recently awarded Nobel Prize for Literature.

Each time he responds to a friend’s congratulatory message, he makes sure to include,

I consider that this honor has come to me less as an individual than as a representative of Irish literature, it is part of Europe’s welcome to the Free State,”

of which he is a Senator.

The night after the prize was announced—when he and his wife Georgie, 31, celebrated by cooking sausages—there was a posh dinner held at the Shelbourne Hotel in St. Stephen’s Green. The first cable of congratulations came from Yeats’ countryman living in Paris, James Joyce, 41.

Shelbourne Hotel

With the 115,000 Swedish Kroner from the prize, equal to more than £6,000, Yeats is able to help out his sister Lily, 57, who had been admitted to a north London nursing home last summer. Willie’s American friend, lawyer and supporter of the arts John Quinn, 53, had advised him to use the money this way. However, Quinn also strongly advised Yeats to move Lily out of unhealthy London, and not to donate the money or use it to pay off any debt: 

Properly invested in good American securities [it] would bring you in 8 % income or $3,200 a year. You ought not to touch the principal under any circumstances.”

Yeats appreciates the advice. But after he has Lily taken care of, he is going to pay off his debts. And those of his father, who died early last year.

*****

In England, the Hogarth Press, operated by Virginia, 41, and Leonard Woolf, 43, has been growing well.

This past year they published 11 titles; five of those were hand-printed on fine paper using their Minerva treadle platen press. That is the largest number they have ever hand-printed in one year, and they will probably not produce that many next year. The Woolfs are primarily interested in publishing books with outstanding content, not works of art that people only look at and admire.

This holiday they are at their country home, Monk’s House in East Sussex. Just about 10 miles away, at Charleston Farmhouse, Virginia’s sister, painter Vanessa Bell, 44, is spending the holiday with her children—Julian, 15, Quentin, 13, and Angelica, just turned five—and, oddly enough, her husband, art critic Clive Bell, 42. The kids have created a special issue of their Charleston Bulletin, featuring, “A life of Vanessa Bell dictated by Virginia Woolf, pictures and spelling by Quentin Bell.”

Charleston Bulletin, Christmas

Angelica’s father, the painter Duncan Grant, 38, is spending the holidays with his parents.

At midnight on New Year’s Eve, the new radio service, the British Broadcasting Corporation, broadcasts the chimes of Big Ben for the first time.

*****

In France, American ex-pat writer Gertrude Stein, 49, and her partner Alice B. Toklas, 46, are pleased that Gertrude’s work has been published more this past year.

She was included in the “Exiles” issue of the American literary magazine, The Little Review, which finally came out this fall. But Gertrude did notice that first place in that issue was given to the young Ernest Hemingway, 24, whom she considers to be one of her proteges. She even agreed to write a review of his Three Stories & Ten Poems, something she never does.

Three Stories & Ten Poems by Ernest Hemingway

Gertrude and Alice receive letters regularly from Hemingway, who is in Toronto where he and his wife went for the birth of their first child in October.

It is clear that the Hemingways are really hating being away from Paris, and he has written to Stein and Toklas that

It was a bad move to come back.”

Ernie asked for tips on where to live in Paris when they return early in the new year.

*****

In America, New York World columnist Heywood Broun, 35, and his wife, journalist Ruth Hale, 36, are throwing their annual New Year’s Eve bash at their brownstone on West 85^th Street.

They invite all the literary friends they lunch with regularly at the Algonquin Hotel in midtown:  free-lance writer Dorothy Parker, 30; magazine illustrator Neysa McMein, 35; novelist Edna Ferber, 38; fellow World columnist Franklin Pierce Adams, (FPA) 42.

Neysa McMein, left, in her studio with a model

Thanks to her association with the “Round Table,” Neysa recently made it into the papers for her Christmas project delivering toys and turkeys to families on the Lower East Side. She convinced her successful friends, including composer and Broadway producer Irving Berlin, 35, and World editor Herbert Bayard Swope, 41, to donate chauffeured limos to the cause.

Ferber sent her most recent novel, originally called Selina, but changed to So Big, off to her publisher with trepidation a few weeks ago. He wrote back immediately that it was so good he had cried while reading it! It’s going to be serialized in the Woman’s Home Companion.

FPA has been confiding in Edna for months that he is thinking of divorcing his wife. In his column he has even admitted that he was “as low-hearted as ever I was in my life.”

Tonight, he seems to Ferber to be downright giddy and boyish, not feeling guilty at all about the affair he’s been having with English socialite Esther Root, 29. Ferber tells FPA that in his tuxedo he looks as though he is a young boy who has just been confirmed.

I am a confirmed admirer of you,”

he tells her.

This year Broun and Hale have put their five-year-old son Heywood Hale Broun—“Woody”—in charge of the punch bowl, filled with Orange Blossoms–equal parts gin and orange juice with powdered sugar thrown in.

Orange Blossom Cocktail 

“Such Friends”:  100 Years Ago… is the basis for the paperback series, “Such Friends”:  The Literary 1920s. Volumes I through IV, covering 1920 through 1923 are available at Thoor Ballylee in Co. Galway, and as signed copies at Pan Yan Bookstore in Tiffin, OH, and Riverstone Books in Squirrel Hill, Pittsburgh, PA. They are also on Amazon.com and Amazon.co.uk in print and e-book formats. For more information, email me at kaydee@gypsyteacher.com.

Early in the new year I will be talking about the literary summer of 1923 at the Osher Lifelong Learning Institute at the University of Pittsburgh, and early 20^th century patrons of the arts in the Osher program at Carnegie-Mellon University.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with Hemingway, F. Scott Fitzgerald and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

“Such Friends”: 100 Years Ago, March 20, 1923, Art Institute of Chicago, Michigan Avenue, Chicago, Illinois

Last year, English art critic Clive Bell, 41, published an influential essay, “Since Cezanne,” which discussed Spanish artist Pablo Picasso, also 41: 

…Picasso is a born chef d’ecole. His is one of the most inventive minds in Europe…His career has been a series of discoveries, each of which he has rapidly developed.

A highly original and extremely happy conception enters his head, suggested probably by some odd thing he has seen. Forthwith he sets himself to analyze it and disentangle those principles that account for its peculiar happiness. He proceeds by experiment, applying his hypothesis in the most unlikely place.”

Today, Picasso’s first solo show in the United States, “Original Drawings by Pablo Picasso,” opens here, put on by the Arts Club of Chicago in the galleries they lease from the Art Institute.

Catalog for “Original Drawings by Pablo Picasso”

Picasso’s paintings have been exhibited in the States before, as part of the 1913 Armory Show, which opened in New York City but then toured here at the Art Institute, and moved on to Boston. Two years ago the Arts Club included two of his paintings in a group show.

This time, from his home in Paris, Picasso has given specific instructions to the organizers about how to display the 53 original drawings, ranging from 1907 to just last year.

Tete de jeune homme by Picasso

“Such Friends”:  100 Years Ago… is the basis for the series, “Such Friends”:  The Literary 1920s. Volumes I through III, covering 1920 through 1922 are available as signed copies at Riverstone Books in Squirrel Hill, Pittsburgh, PA. They are also on Amazon.com and Amazon.co.uk in print and e-book formats. For more information, email me at kaydee@gypsyteacher.com.

This summer I will be talking about F. Scott Fitzgerald and Ernest Hemingway in the Osher Lifelong Learning Institute at Carnegie-Mellon University.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with Fitzgerald, Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.

“Such Friends”: 100 Years Ago, late February, 1923, East 40th Street, New York City, New York

Henry R. Luce, 24, knows how this day is going to pan out.

Henry R. Luce

Luce and his partner, fellow Yale alum Briton Hadden, just turned 25, have been planning their magazine for well over a year. Now they are coming down to the deadline to start the presses so the new magazine, Time, will appear on newsstands with a March 3^rd cover date.

Serious discussions hadn’t started until Hadden, then learning the publishing ropes from editor Harold Bayard Swope, 41, at the New York World, contacted his old buddy from the Yale Daily News, Luce, who had recently been dumped by the Chicago Daily News. He suggested they both go to work for the Baltimore News.

Briton Hadden

In late night talks they began brainstorming the concept of a weekly magazine called Facts which would condense the important news of the day for busy businessmen. Eventually, they came up with the name Time, and the slogan, “Take Time—It’s Brief.” Hadden thought it should be fun as well as informative, including news, celebrities, politics, culture and sport.

Funded by $100,000 raised from other Yale alumni, and working out of this abandoned brewery, Hadden, as editor, is overseeing the process he and Luce learned in their short publishing careers:  Get the flats together. Race over to the printer at 36^th Street and 11^th Avenue. Stay up all night with the staff writing copy to fill holes and cutting copy to make columns fit. Then write captions for the three-inch square fuzzy photos.

Within the 32 pages—including the cover featuring retiring congressman and former Speaker of the U. S. House of Representatives Joseph G. Cannon, 86—were brief pieces on:

• The Kansas legislature considering a bill to make smoking illegal;
• The wife of the Pennsylvania governor beseeching Congress to put women in charge of enforcing Prohibition, which cost the country $15 million last year;
• Charges by muckraker Upton Sinclair, 44, that department stores have too strong an influence over newspapers because of their heavy advertising spends;
• Influential British art critic Clive Bell, 41, declaring that cubism is dead;
• A review of Black Oxen, the new novel by Gertrude Atherton, 65, which categorizes the writers who lunch regularly at the midtown Algonquin Hotel as “Sophisticates”; and
• A review of the hit Broadway play, Merton of the Movies, by two of those Sophisticates, Marc Connelly, 32, and George S Kaufman, 33, calling it a “skillful dramatization” of the original novel.

Newsstand price is 15 cents.

First issue of Time magazine

“Such Friends”:  100 Years Ago… is the basis for the series, “Such Friends”:  The Literary 1920s. Volumes I through III, covering 1920 through 1922 are available at Thoor Ballylee in Co. Galway, and as signed copies at Riverstone Books in Squirrel Hill, Pittsburgh, PA. They are also on Amazon.com and Amazon.co.uk in print and e-book formats. For more information, email me at kaydee@gypsyteacher.com.

This month I am talking about the literary 1920s in Paris and New York City in the Osher Lifelong Learning Institute at Carnegie-Mellon University.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

“Such Friends”: 100 Years Ago, January 21, New York Tribune, New York City, New York

Boni and Liveright has taken an ad in the New York Tribune to promote one of the books they are most proud of publishing late last year, The Waste Land, by American poet living in London, Thomas Stearns Eliot, 34.

The Waste Land by T. S. Eliot

When it was published last month, Boni and Liveright’s ad said,

The contract for The Waste Land, Mr. Eliot’s longest and most significant poem, which we have just published, was signed in Paris on New Year’s Eve and was witnessed by Ezra Pound and James Joyce. A good time was had by one and all—even the publisher.”

Not strictly true; but they did all have dinner together in Paris.

This month, the copy reads: 

…probably the most discussed poem that has been written since Byron’s Don Juan…[Clive Bell], the distinguished English writer, [has called Eliot] the most considerable poet writing in English.”

However, back in the Bloomsbury neighborhood of London, Clive, 41, has told his mistress, writer Mary Hutchinson, 33, that he is sure Eliot uses violet face powder to make him look “more cadaverous.”

“Such Friends”:  100 Years Ago… is the basis for the series, “Such Friends”:  The Literary 1920s. Volumes I through III, covering 1920 through 1922 are available at Riverstone Books in Squirrel Hill, Pittsburgh, PA. They are also on Amazon.com and Amazon.co.uk in print and e-book formats. For more information, email me at kaydee@gypsyteacher.com.

Next month I will be talking the literary 1920s in Paris and New York City in the Osher Lifelong Learning Institute at Carnegie-Mellon University.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.

“Such Friends”: 100 Years Ago, December 19, 1922, Hogarth House, Richmond; and 182 Ebury Street, Belgravia, London

Virginia Woolf, 40, is looking forward to dinner tonight with her new friend, fellow author Vita Sackville-West, 30, at Vita’s posh home in Belgravia.

Virginia and her husband Leonard, 42, met the Nicholsons—Vita and her husband Sir Harold Nicholson, 36—just a few days ago at a party hosted by Virginia’s brother-in-law, art critic Clive Bell, 41, at his Gordon Square house.

46 Gordon Square

Clive had arranged the get-together specifically so the two couples could meet. Clive had passed on to Virginia Vita’s comment that she feels Woolf is the best female writer in England. This from an already established British writer is encouraging to Virginia, who just published her third novel, Jacob’s Room, this time with the Woolfs’ own Hogarth Press.

After their meeting, Virginia noted in her diary,

the lovely gifted aristocratic Sackville West…is a grenadier; hard, handsome, manly, inclined to a double chin. She is a pronounced Sapphist and [Vita] may, thinks [English composer] Ethel Sands, have an eye on me, old though I am.”

*****

Meanwhile. A bit less than an hour away on the District Line, Vita has been telling Harold how impressed she is by Virginia: 

I’ve rarely taken such a fancy to anyone…I have quite lost my heart…I simply adore Virginia…She is both detached and human, silent till she wants to say something and then says it supremely well. She dresses quite atrociously.”

182 Ebury Street

“Such Friends”:  100 Years Ago… is the basis for the series, “Such Friends”:  The Literary 1920s. Volumes I through III, covering 1920 through 1922 are available as signed copies at Riverstone Books in Squirrel Hill, Pittsburgh, PA, and on Amazon.com and Amazon.co.uk in print and e-book formats. For more information, email me at kaydee@gypsyteacher.com.

Early next year I will be talking about the centenary of the publication of T. S. Eliot’s The Waste Land at the Osher Lifelong Learning Institute at the University of Pittsburgh, and about The Literary 1920s in Paris and New York City at the Osher program at Carnegie-Mellon University.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.

“Such Friends”: 100 Years Ago, July, 1922, Independent Gallery, 7a Grafton Street, Mayfair, London

The one-person show at the Independent Gallery is going well. Painter Vanessa Bell, 43, has wanted to have her own show for many years now. She was jealous when her partner, painter Duncan Grant, 37, had his first solo exhibit about two years ago. Last winter, when they were in St. Tropez together, she produced several still lifes and interiors which are included here.

7a Grafton Street

There are works by a former member of the Fauve movement, French painter Orthon Friesz, 43, in the next room. But she’s got this one all to herself.

The day after the show opened in May, she wrote to her husband, art critic Clive Bell, 40: 

I am astonished that I have already sold seven pictures and drawings—so at any rate I shan’t be out of pocket over it—[Gallery owner Percy Moore] Turner is very much pleased.”

Last month, her Bloomsbury friend, Roger Fry, 55, gave her a glowing write up in New Statesman. He felt the portrait Woman in Furs, which Vanessa painted three years ago at her East Sussex home, Charleston Farmhouse, is “perhaps the most brilliant thing in the exhibit.”

Woman in Furs by Vanessa Bell

But this month, she received an even more significant review in The Burlington Magazine from the influential painter Walter Sickert, 62: 

Instinct and intelligence and a certain scholarly tact have made her a good painter. The medium bends beneath her like a horse that knows its rider. In the canvas The Frozen Pond…the full resources of the medium in all its beauty have been called in to requisition in a manner which is nothing less than masterly.”

Sickert has praised her work before. But this feels even more satisfying than Roger’s compliments.

After all, she never slept with Sickert.

“Such Friends”:  100 Years Ago… is the basis for the series, “Such Friends”:  The Literary 1920s. Volumes I and II covering 1920 and 1921 are available as signed copies at Riverstone Books in Squirrel Hill, Pittsburgh, PA, and also in print and e-book formats on Amazon.com and Amazon.co.uk. For more information, email me at kaydee@gypsyteacher.com.

Later in the year I will be talking about the centenary of the publication of T. S. Eliot’s The Waste Land at the Osher Lifelong Learning Institutes at Carnegie-Mellon University and the University of Pittsburgh.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.

“Such Friends”: 100 Years Ago, June 19, 1922, Gordon Square, Bloomsbury, London

The party seems to be going well.

Art critic Clive Bell, 40, is hosting the dinner party following this evening’s meeting of The Memoir Club.

Gordon Square

The Club was started a couple of years ago by about a dozen friends, family and lovers who live in and around the Bloomsbury section of London. Kept totally private, the main purpose of the organization is to get its members thinking about writing their own autobiographies. And because those who read out papers at the get-togethers are bound by the rules to be as candid as possible, The Memoir Club provides delightful entertainment as well.

Tonight’s presenters include Lytton Strachey, 42, whose biography of Queen Victoria was a big hit last year, and novelist Edward Morgan Forster, 43, recently returned from another trip to India.

Forster is in particularly good form tonight. By happy accident he has become the main topic of conversation in the letters page of the London Times.

At the beginning of the month, the Times’ review of Da Silva’s Widow and Other Stories by “Lucas Malet”—in reality Mary St. Leger Kinsley, 70—compared the book to Forster’s 1911 collection of six short stories, The Celestial Omnibus. Truth be told, Forster’s hadn’t sold well.

“Lucas Malet”

But the mention in the Times set off a volley of letters of praise for Forster’s writing, almost every day for two weeks, headlined “Mr. E. M. Forster’s Books.” This culminated in a letter from Kingsley herself who claimed she had never heard of him.

Well. She sure has heard of him now. The publisher of Celestial Omnibus wrote in offering a free copy of Forster’s book to anyone who made the same claim. A previous publisher got in touch, inquiring if Morgan was working on another novel. And sales soared.

The Celestial Omnibus

Reveling in his newfound fame, Morgan is feeling confident sharing pieces of his memoir and chatting with his Bloomsbury friends.

At the dinner, most of the discussion however is about a new long poem by another friend of theirs, the American ex-patriate Thomas Stearns Eliot, 33, which he calls The Waste Land. Eliot has been reading it out to friends over the past few months, and writer Mary Hutchinson, 33, Clive’s current mistress, calls it “Tom’s autobiography—a melancholy one.”

Mary Hutchinson and Clive Bell

Clive’s sister-in-law, novelist Virginia Woolf, 40, agrees with Mary’s opinion of the poem, but Virginia has been jealous of Hutchinson in the past. Tonight Mary is being quite kind. Virginia records in her diary later that Mary “crossed the room & purred in my ear.”

“Such Friends”:  100 Years Ago… is the basis for the series, “Such Friends”:  The Literary 1920s. Volumes I and II covering 1920 and 1921 are available as signed copies at Riverstone Books in Squirrel Hill, Pittsburgh, PA, and also in print and e-book formats on Amazon.com and Amazon.co.uk. For more information, email me at kaydee@gypsyteacher.com.

This month I am talking about the Stein family salons in Paris before and after The Great War at the Osher Lifelong Learning Institute in Carnegie-Mellon University.

In the fall, I will be talking about the centenary of The Waste Land in the Osher programs at CMU and the University of Pittsburgh.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.

“Such Friends”: Five years ago, June, 2017, London

We interrupt the usual chronicle of what was happening 100 years ago to commemorate “Dalloway Day.”

Yes. Not “Bloomsday” which celebrates tomorrow, June 16^th as the day on which James Joyce set his novel Ulysses [1922]. Virginia Woolf wasn’t specific about the date on which the events of Mrs. Dalloway [1925] take place beyond referring to it as a Wednesday in mid-June.

Below is a blog I wrote about the Dalloway Day events in London that I attended in 2017, when we were living in Birmingham UK. If you are interested in the celebrations being held this year, click here.

“Such Friends”: Dalloway Day, Blogging Woolf, and me

I said I would buy the lunch myself.

As I recommend to all my visiting American friends, when in the UK, time your train trip so you can take along some lunch from M&S Simply Food, ubiquitous in train stations here. My preference is carrot sticks with reduced fat humous and salmon pasta salad. Yum.

So I stocked up and took off for London a few Saturdays ago to take part in my first “Dalloway Day,” commemorating the day on which Virginia Woolf’s 1925 novel, Mrs. Dalloway, is set. The Irish all over the world have been celebrating “Bloomsday” based on James Joyce’s Ulysses for over 50 years. Now it’s Virginia’s turn.

Original cover of Mrs. Dalloway, designed by Vanessa Bell

This year, the Virginia Woolf Society of Great Britain is sponsoring this day, which includes a walk through some of the novel’s settings, a discussion of the book, and a 1920s party at the Bloomsbury Waterstones. I signed up for the whole package.

On one of the hottest days of the year, I took the train from Birmingham New Street to Euston station, and then the Underground to the appointed meeting place, outside the Regent’s Park Tube.

Waiting for the Underground lift, literally a breath of fresh air came wafting through. The woman next to me, about my age, said,

Oh! That feels great. It’s so hot.”

I nodded in agreement.

Watching her walk up the stairs in front of me, I realized she was wearing a blue flower print dress and lovely straw hat. Aha. Another Dalloway Day participant, I surmised.

As we reached the street at the top, we both laughed. Standing just a few feet away was a gaggle of Dalloway Day fans. About 20 women “of a certain age” in flowered dresses or skirts, straw hats—they all looked just like me! No trouble finding this group.

The walk was led by Jean Moorcroft Wilson, who obviously was a lot more familiar with the book and Virginia than I am, having read it years ago as part of my research. I actually have much more vivid memories of the Vanessa Redgrave film, which I’ve used in my presentations.

Jean was dressed in the full Dalloway, including a vintage dress and hat, complemented by darling low-heeled black shoes with straps. Very 1920s. She’d obviously done this many times before.

Jean pointed out that there is debate as to when Dalloway Day actually is. Whereas Joyce clearly set Ulysses on 16^th June, 1904, the day of his first date with his eventual wife, Nora Barnacle, Woolf‘s novel says “mid-June.” However, by lining up events in the book with cricket games and the Ascot races, most scholars have settled on the third Wednesday in June. But—this year, it’s Saturday, 17^th June. So more of us can come.

The unusually warm weather—it’s actually been hot; Miami hot, not just England hot—didn’t slow us down a bit. After a stop in Regent’s Park, Jeanne walked us over to Fitzroy Square, where Virginia lived from 1907 until 1911 with her brother Adrian. Their sister Vanessa had married art critic Clive Bell and kicked the siblings out when the newlyweds took over the Gordon Square house, where we headed next.

My own Bloomsbury walk actually takes the reverse route, starting in Gordon Square and then over to Fitzroy Square.

Your host leading a walk in Fitzroy Square where Virginia lived.

At Waterstone’s we sat in a circle, sipping refreshing flavoured ice water. Jean and Maggie Humm of the Woolf Society led us through an interesting discussion of the book. My research was on the relationships among the creative people in the Bloomsbury group, but wasn’t focused on their works—books, paintings, etc. This discussion brought new insights about the connections for me to incorporate into my future presentations.

And I learned that there is a website that maps all the walks of the characters in the book—Clarissa, Peter, Septimus and Rezia—showing how they interconnect.

For the 1920s party, I was planning to switch to Dorothy Parker mode, and so had tucked my red feather boa into my travel bag. But not many others were quite so dedicated to the flapper look, so I decided to stay in Bloomsbury garb.

*****

Just this past week, I had another tax-deductible reason to go to London. Paula Maggio, better known to many of you as “Blogging Woolf,” was visiting from the States to attend the 27^th Annual International Conference on Virginia Woolf. We made plans to meet up and she wanted to try the Dalloway Terrace at the Bloomsbury Hotel. We had a fabulous lunch of pasta and prosecco, treated ourselves to dessert, and took a peek at the 1920s-style Bloomsbury Club downstairs.

Dalloway Terrace at the Bloomsbury Hotel, photo by Paula Maggio

Paula had also heard about a life-size statue of Virginia at Kings College, where Woolf had studied classics in her early days. A bit of Googling and walking led us to the Woolf Building. A sign said it was locked due to increased security, but when the guard saw our noses pressed against the glass, he let us in.

There she was, encased behind plexiglass, big as life, holding a copy of A Room of One’s Own, in a wardrobe that was, as Paula said, “a closet of her own.”

Surrounded by large quotes from Virginia’s works, and photos of her, it makes a fitting entrance for the College’s School of English.

Virginia Woolf statue, Kings College, photo by Paula Maggio

I would definitely add both of these places—Dalloway Terrace and the Kings College statue—to my Bloomsbury walk.

Heading back towards Euston station, Paula and I stopped by Woburn Walk, where the Irish poet William Butler Yeats lived at the same time that Virginia and her siblings were moving into Gordon Square, just a few blocks away.

These intersections of time, place and characters are what interest me most. I can picture an aerial view of north London in 1907, as the Irish poet walks past the Stephens sisters, on their way over to enjoy a stroll through Regent’s Park.

The usual blog series that appears here, “Such Friends”:  100 Years Ago…, is the basis for the book series, “Such Friends”:  The Literary 1920s. Volumes I and II covering 1920 and 1921 are available as signed copies at Riverstone Books in Squirrel Hill, Pittsburgh, PA, and also in print and e-book formats on Amazon.com and Amazon.co.uk. For more information, email me at kaydee@gypsyteacher.com.

This month I am talking about the Stein family salons in Paris before and after The Great War at the Osher Lifelong Learning Institute in Carnegie-Mellon University.

In the fall I will be talking about the centenary of the publication of T. S. Eliot’s The Waste Land in the Osher programs at CMU and the University of Pittsburgh.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway, and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.

“Such Friends”: 100 Years Ago, May 18-19, 1922, Hotel Majestic, Avenue Kleber; and 44 rue de l’Amiral-Hamelin, Paris

THE AFTER-THEATRE DINNER PARTY:

A Teleplay

SFX:  Renard by Stravinsky

Long shot of the Paris Opera House. The camera moves in to focus on the poster for tonight’s performance: 

Then a tight shot of the wording:

RENARD

Première mondiale! Musique et livret d’Igor Stravinsky  Chorégraphie de Bronislava Nijinsky

Interprété par Les Ballets Russes, sous la direction de Serge Diaghilev

Réalisé par Ernest Ansermet  Avec des décors conçus par Pablo Picasso

The camera pulls back and takes us through the streets of the Right Bank to the entrance of the Hotel Majestic on Avenue Kleber.

We follow the camera inside and up the stairs to a private room. Stravinsky’s music is drowned out by the sounds of about 35 or 40 partygoers, formally dressed, chatting and laughing. Waiters are getting ready to serve dinner.

Speaking in front of the room is Russian impresario Serge Diaghilev, 50.

DIAGHILEV:  Thank you to our hosts for the evening, Mr. and Mrs. Sydney Schiff, who have brought together tonight the four living artists Mr. Schiff most admires [gesturing to each]:  Monsieur Picasso, Monsieur Stravinsky, Monsieur Joyce [looks around the room] Monsieur Joyce? No? And Monsieur Proust [looks around the room again] Monsieur Proust?!

As he is speaking, the camera moves around the table to give close-ups of some of the dinner guests:  Spanish painter Pablo Picasso, 40, with a Catalan sash tied around his head like a turban; his wife Olga, 30; French director Ernest Ansermet, 38; French composer Erik Satie, just turned 56; Russian composer Igor Stravinsky, 39; English patron Sydney Schiff, 53; his wife Violet, 48; and English art critic Clive Bell, 40.

DIAGHILEV:  I hope you all enjoy the dinner.

Waiters begin serving. Outside, bells chime midnight.

Camera moves around the room showing the partygoers enjoying the food and each other’s company.

Fade to the same scene showing most of the food eaten and waiters slowly clearing a few plates and starting to serve coffee.

The camera settles on the door to the room and in staggers Irish author James Joyce, 40, looking confused, poorly dressed and a bit drunk. Sydney Schiff motions for a waiter to put a chair next to him, and Joyce sits in it. He puts his head in his hands, and a waiter sets a glass of champagne in front of him.

Panning back to the door, we see Marcel Proust, 50, enter, dressed in evening clothes and wearing white gloves. A chair is placed between Sydney Schiff and Stravinsky; Proust sits there. A waiter brings him some food and drink.

PROUST, turning to Stravinsky:  Monsieur Stravinsky, doubtless you admire Beethoven?

STRAVINSKY, barely looking at him:  I detest Beethoven.

PROUST:  But, cher maitre, surely those late sonatas and quartets…

STRAVINSKY:  Worse than all the others.

Ansermet, sitting nearby, leans over to talk to both of them to avoid having this discussion become a fight.

Snoring is heard, and the camera moves to focus on Joyce, who has nodded off.

Hearing the snoring, a posh woman seated next to Clive Bell tugs on his sleeve and whispers in his ear. The two get up, put on their coats and leave together. Sydney Schiff gets up to see them out.

As soon as they leave, Joyce wakes up and Proust leans over to talk to him:

PROUST:  Ah, Monsieur Joyce, you know the Princess…

JOYCE:  No, Monsieur.

PROUST:  Ah. You know the Countess…

JOYCE:  No, Monsieur.

PROUST:  Then you know Madame…

JOYCE:  No, Monsieur.

The camera moves away but we hear the two men still chatting.

People start pushing back their chairs, gathering their coats, getting ready to leave.

Proust turns to Sydney and Violet Schiff, asking if they would like to come to his apartment.

The three leave together, with Joyce following closely behind.

Outside the hotel, a car is waiting and all four wedge themselves in.

The camera follows the car just a few blocks to 44 rue de l’Amiral-Hamelin.

Joyce starts to get out of the car after the Schiffs and Proust, but Proust gestures for him to stay in and signals to the driver to continue on. Proust heads for his building while Sydney gives the driver specific instructions and then turns with his wife to follow Proust inside.

Inside the apartment we see Proust and the Schiffs happily chatting and drinking champagne as the camera pulls back to reveal the sun coming up outside the window.

FIN

“Such Friends”:  100 Years Ago… is the basis for the series, “Such Friends”:  The Literary 1920s. Volumes I and II covering 1920 and 1921 are available as signed copies at Riverstone Books in Squirrel Hill, Pittsburgh, PA, and also in print and e-book formats on Amazon.com and Amazon.co.uk. For more information, email me at kaydee@gypsyteacher.com.

Next month I will be talking about the Stein family salons in Paris before and after The Great War at the Osher Lifelong Learning Institute in Carnegie-Mellon University.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.