“Such Friends”: 100 Years Ago, March 23, 1923, corner of quai des Grands-Augustins and 1 rue Git-le-Coeur, Paris

Visiting novelist John Dos Passos, 27, is enjoying tagging along with his fellow American writer Donald Ogden Stewart, 28, walking around Paris, visiting some of the ex-pats Stewart knows.

Quai des Grands-Augustins

At this address Dos Passos is introduced to the Murphys—Gerald, about to turn 35, and Sara, 39. Stewart was a few years behind Gerald at Yale, and he has given the couple a big build-up, describing them as a prince and a princess. Dos Passos, a cynic from Harvard, figures he won’t succumb to their allure.

Dos Passos is impressed with Sara, one of the most charming women he’s ever met. Gerald seems a bit distracted. He’s getting ready for a big dinner party they’re throwing.

John Dos Passos

The Murphys are in the process of renovating this apartment, with its white walls, lacquered black floors, Mexican rugs, and floor to ceiling windows surrounded by red antique brocade drapes, a perfect frame for the fabulous view down the River Seine.

Gerald and Sara have become huge fans of the Kamerny Theatre from Moscow, and this party is to celebrate their successful run at the Theatre de Champs-Elysees. The Murphys have been to all 10 of the Kamerney’s performances..

Kamerny Theatre poster

The Murphys’ new Algerian chef is making couscous; dessert will be slightly obscene-shaped chocolate mousse with crème Chantilly; and there will, of course, be plenty of wine.

Because they are in the midst of the renovation, there are few pieces of furniture for guests to sit on. Gerald and Sara have improvised, placing mattresses and pillows all over and covering them with brocade fabric. Planks mounted on blocks will serve as tables. Plumbers’ lamps will do for lighting. And, supporters of the arts that they are, the Murphys have attached to the walls “found sculptures” made from bicycle wheels and other discarded junk by their new friend, Fernand Leger, 42.

Sara graciously invites their guests, Stewart and Dos Passos, to stay for the party. But Dos Passos declines. He never feels comfortable in situations like this and is embarrassed by his stammer.

“Such Friends”:  100 Years Ago… is the basis for the series, “Such Friends”:  The Literary 1920s. Volumes I through III, covering 1920 through 1922 are available at Riverstone Books in Squirrel Hill, Pittsburgh, PA. They are also on Amazon.com and Amazon.co.uk in print and e-book formats. For more information, email me at kaydee@gypsyteacher.com.

Later this month I will be talking about F. Scott Fitzgerald and Ernest Hemingway in the Osher Lifelong Learning Institute at Carnegie-Mellon University.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with Fitzgerald, Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

“Such Friends”: 100 Years Ago, February 23, 1923, corner of 23 quai des Grands-Augustins and 1 rue Git-le-Coeur, Paris

American ex-pat Gerald Murphy, 34, is looking out the window of his apartment in this dilapidated 16^th century building (he and his wife Sara, 39, will renovate as soon as the sale of their Manhattan house goes through), up the Seine, past the Ile St. Louis, over to the Tuileries Gardens on the Left Bank. He really enjoyed the party tonight.

Gerald has been having an awfully good month. He was thrilled to have four of his paintings accepted into the Salon des Independents, which opened at the beginning of February. It’s certainly not selective—Motto:  “Neither Jury nor Rewards”—but many good artists are included, such as his own painting teacher, Natalia Goncharova, 41. When the officials told Gerald that his oil Boatdeck was too large, he responded,

If you think mine is too large…I think the others are too small.”

Boatdeck by Gerald Murphy in the Salon des Independents

The Paris edition of the Herald said his work showed, “a very personal point of view in the study of machinery…[revealing] a feeling for mass and a sense of decorative effect.”

Soon after the show opened, Gerald was asked by some friends to design the American booth at a major charity event—the Bal des Artistes Russes, in aid of Russian immigrants in France.

Today was the opening of the four-day festival, and what a party!

Four orchestras! Murphy thought the jazz band was the best. The guests were dressed either as Russian peasants or cubist paintings. The rooms were filled with paintings by artists such as Russian Goncharova and Spaniard Juan Gris, 35.

For entertainment, Romanian-French writer Tristan Tzara, 26, read one of his poems, and the fabulous Fratellini Brothers performed their usual star turn.

The Fratellini Brothers

Goncharova sold her masks in the Russian booth; the Japanese booth had kabuki theatre with dancers.

One of the showstoppers is Gerald’s futuristic American exhibit, featuring a reconstruction of huge skyscrapers with blinking electric lights, recreating New York City’s Great White Way right here in Paris. It is sooo American…

“Such Friends”:  100 Years Ago… is the basis for the series, “Such Friends”:  The Literary 1920s. Volumes I through III, covering 1920 through 1922 are available at Thoor Ballylee in Co. Galway, and as signed copies at Riverstone Books in Squirrel Hill, Pittsburgh, PA. They are also on Amazon.com and Amazon.co.uk in print and e-book formats. For more information, email me at kaydee@gypsyteacher.com.

This summer I will be talking about F. Scott Fitzgerald and Ernest Hemingway at the Osher Lifelong Learning Institute at Carnegie-Mellon University.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with Fitzgerald, Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

“Such Friends”: 100 Years Ago, early July, 1922, Cap d’Antibes, Cote d’Azur, France

American ex-pat Sara Wiborg Murphy, 38, heiress to the Wiborg ink company fortune, is sitting in a cove on La Garoupe beach, keeping an eye on her three children—Honoria, 4; Baoth, 3; Patrick, 18 months—and her husband, Gerald, 34, heir to the Mark Cross company fortune. Lounging on a tan rug under a sun umbrella, Sara’s swimsuit straps are off her shoulders and her long string of pearls is draped down her back.

Cap d’Antibes by Henri Matisse

Gerald, in a cap and stripey swimsuit, and their host, American composer Cole Porter, just turned 31, are raking seaweed and stones, about three feet thick, to make the sand a bit more pleasant.

Cole is mostly known for writing the scores to the Hitchy-Koo Broadway revues and Gerald is studying painting in Paris.

Hitchy-Koo sheet music

When the Murphys first decided to take a holiday at the beginning of this month, during their first summer living in Paris, they chose Houlgate, a resort in Normandy on the English Channel.

The Murphys at Houlgate

Horrible. Even having some friends staying close by wasn’t enough to make up for the crap weather.

Back in Paris, Cole, and his wealthy wife Linda, 38, convinced them to come south with them to the Riviera for the next few weeks. They’ve rented a chateau because none of the hotels stay open past the end of the season in May. The locals think, what kind of people would want to come here in the hot summer?! And sit in the sun?! Apparently Americans do. And some Brits.

The Murphys and the Porters are loving it.

They are having some light refreshments—sherry, crackers—and will soon head back to the chateau for lunch.

Gerald and Sara have already decided—they will definitely come back here next summer.

Sara Murphy and Linda Porter doing yoga on the beach

“Such Friends”:  100 Years Ago… is the basis for the series, “Such Friends”:  The Literary 1920s. Volumes I and II covering 1920 and 1921 are available as signed copies at Riverstone Books in Squirrel Hill, Pittsburgh, PA, and also in print and e-book formats on Amazon.com and Amazon.co.uk. For more information, email me at kaydee@gypsyteacher.com.

Later in the year I will be talking about the centenary of the publication of T. S. Eliot’s The Waste Land at the Osher Lifelong Learning Institutes at Carnegie-Mellon University and the University of Pittsburgh.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

“Such Friends”: 100 years ago, Fall, 1921, Belleville, outside of Paris

From his high perch atop the step ladder, American ex-pat Gerald Murphy, 33, can get a better view of the huge canvas he is working on, refurbishing the sets for the Ballets Russes.

Serge Diaghilev, 49, the founder and director of the ballet company, has asked Gerald, his wife Sara, just turned 38, and some other young students who are studying painting to travel out here daily to his atelier to work on restoring the sets designed for his Ballet by local artists. Such as George Braque, 39. Andre Derain, 41. Pablo Picasso, 40.

Serge Diaghilev

The Murphys jumped at the chance. Not only have they had the opportunity to meet some of the top cubist painters of the time, they get to hang out with the crowd around the Ballets Russes. Gerald is thrilled that they are not only allowed to watch rehearsals, they are expected to. And to discuss their opinions of the work.

These artists are not like the ones the Murphys have known before in America. Gerald sees Picasso as “a dark, powerful physical presence,” like a bull in a Goya painting. And the Spaniard seems particularly interested in Sara.

Their life in Paris is so much different—so much better—than what they left behind in America when they boarded the SS Cedric for Southampton, England, in June.

Gerald has taken a leave of absence from the landscape architecture course he was enrolled in at Harvard. They packed up the kids—Honoria, 3 ½; Baoth, 2; and Patrick, 8 months—and the nanny and spent some time in England visiting the stately homes that Sara had known when she lived there as a child.

Didn’t like it. Really hot summer and the gardens were all parched and brown.

So they decided to go to Paris for a bit and then head home.

But when the Murphy family arrived here in early September, their American friends convinced them to stay. Everyone’s coming to Paris.

After they had been in their furnished apartment at 2 rue Greuze for about a month, Gerald was stopped in his tracks by a display in the window of an art gallery:  Cubist paintings, like the ones he had seen in the Armory Show in New York eight years ago, by some of the same artists—Braque, Derain, Picasso.

Gerald told Sara,

That’s the kind of painting that I would like to do.”

He and Sara found a recently arrived Russian cubist/futurist, Natalia Goncharova, 40, who teaches painting in her studio on the rue de Seine in the Left Bank, and they have been taking lessons from her every day. Goncharova only allows abstract painting, nothing representational. Or, as Sara says,

No apple on a dish.”

Natalia Goncharova

Goncharova has created set designs for Diaghilev, so she told the Russian impresario about her eager American students and he immediately sensed an opportunity for free labor, getting his sets fixed up for the coming spring season.

The Murphys don’t mind volunteering their services. They have Sara’s family income of about $7,000 a year, and the franc is going for less than 20 cents on the dollar.

And in France, they can have cocktails with dinner. No Prohibition.

Set and costume designs by Picasso for the Ballets Russes

“Such Friends”:  100 Years Ago… is the basis for the series, “Such Friends”:  The Literary 1920s. Volumes I and II covering 1920 and 1921 are available as signed copies at Riverstone Books, Squirrel Hill, Pittsburgh, PA, and in print and e-book formats on Amazon. For more information, email me at kaydee@gypsyteacher.com.

At the end of February I will be talking about the Publication of James Joyce’s Ulysses at the Osher Lifelong Learning Institute at Carnegie-Mellon University.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon in both print and e-book versions.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.