Tells of the Difficulties Involved in Reaching the Top—
Hope of Winning in 1924 by
Establishment of Base Camps on a Higher Level”
…’Why did you want to climb Mount Everest?’ This question was asked of George Leigh Mallory [37], who was with both expeditions toward the summit of the world’s highest mountain, in 1921 and 1923, and who is now in New York. He plans to go again [next year], and he gave as the reason for persisting in these repeated attempts to reach the top, ‘Because it’s there.'”
Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with Fitzgerald, Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.
The host, corporate lawyer and art collector John Quinn, 52, has planned this as a double celebration.
His niece Mary is turning 16 today, so he has invited her; her mother, his sister Julia Anderson, 37; Julia’s good-for-nothing husband; and a few friends to his apartment for the festivities.
Central Park West
In addition, today he is un-crating his most recent art acquisition, Le Cirque by the late French post-impressionist Georges Seurat.
The Circus has been sitting in the building’s basement since arriving from France about a week ago. Today, when the workmen try to bring it upstairs to Quinn’s penthouse, they discover it is too big to fit in the elevator! They figure out a way to safely place it on the roof of the cage and carefully get it up to the apartment.
And it is worth the effort. The painting is exquisite; Quinn has instructed his French buyer that he will leave it to the Louvre in his will. Champagne toasts all around, both to Mary and Le Cirque!
Le Cirque by Georges Seurat
The Circus didn’t come cheap. Quinn paid a couple thousand pounds for it, in installments. But he is now focusing his collection on French artists and selling off a lot of his other works.
Quinn feels it is important for him to host family parties like this one. At the beginning of this year he had quite a health scare, waking up to find himself lying on the floor next to his bed, unable to move for an hour until his valet found him.
Quinn needed rest so he went to Hot Springs spa in Virginia—but stopping off on the way to attend to one of his corporate tax cases in Washington, D. C.
In the past six months he has litigated over 50 cases for millions of dollars, but he had to turn down an offer to buy a van Gogh from his London art dealer. Too pricey.
The health scare has made Quinn realize that he needs to slow down, exercise more, get a good night’s sleep. Spend time with his family.
Recently he received a letter from one of the many writers he supports, American ex-pat poet living in London, T. S. Eliot, 34, who wrote:
I have not even time to go to a dentist or to have my hair cut…I am worn out. I cannot go on.”
Quinn wants to tell him, make the time. It’s important. Don’t allow yourself to be so driven.
This summer I will be talking about F. Scott Fitzgerald and Ernest Hemingway at the Osher Lifelong Learning Institute at Carnegie-Mellon University.
Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with Fitzgerald, Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.
Ohioan Sherwood Anderson, 46, had his fourth novel, Many Marriages, published last month. His first appeared seven years ago, around the time he embarked on a second marriage, to sculptor Tennessee Mitchell, now 49.
Many Marriages by Sherwood Anderson
The review in the New York Herald, by F. Scott Fitzgerald, 26, currently working on his third novel, was positive. In “Sherwood Anderson on the Marriage Question,” Fitzgerald said he thinks Many Marriages is Anderson’s best work.
Henry Seidel Canby, 44, in the New York Evening Post declares,
if we are to have an American Thomas Hardy, [Sherwood Anderson] is the man.”
Those leading crusades against “dirty books” are not as impressed. Because Anderson’s work deals with sexual freedom, they have linked it with other contemporary novels such as Women in Love by D. H. Lawrence, 37, which they have tried to ban.
However, today’s issue of Time magazine points out that when Many Marriages was serialized in a magazine, there was resounding praise. Now that it is a hardback book, many find it boring—including Edmund Wilson, 27, in The Dial; Burton Rascoe, 30, in the New York Tribune; and the dean of Manhattan columnists, FPA [Franklin Pierce Adams], 41, in the New York World.
Burton Rascoe by Gene Markey
But Sherwood is pleased with a complimentary letter he has received from his mentor and friend in Paris, American ex-pat writer Gertrude Stein, 49, who likes Many Marriages.
Gertrude Stein
Stein has praised him privately and in print before, including her recent piece in The Little Review, “Idem the Same: A Valentine to Sherwood Anderson,” which says, in the section titled, “A Very Valentine,”:
Very fine is my valentine.
Very fine and very mine.
Very mine is my valentine very mine and very fine.
Very fine is my valentine and mine, very fine very mine and mine is my valentine.”
To hear Gertrude Stein read the complete poem, click here.
This summer I will be talking about Fitzgerald and Ernest Hemingway in the Osher Lifelong Learning Institute at Carnegie-Mellon University.
Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with Fitzgerald, Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.
This summer I will be talking about F. Scott Fitzgerald and Ernest Hemingway in the Osher Lifelong Learning Institute at Carnegie-Mellon University.
Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with Fitzgerald, Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.
American ex-pat Gerald Murphy, 34, is looking out the window of his apartment in this dilapidated 16th century building (he and his wife Sara, 39, will renovate as soon as the sale of their Manhattan house goes through), up the Seine, past the Ile St. Louis, over to the Tuileries Gardens on the Left Bank. He really enjoyed the party tonight.
Gerald has been having an awfully good month. He was thrilled to have four of his paintings accepted into the Salon des Independents, which opened at the beginning of February. It’s certainly not selective—Motto: “Neither Jury nor Rewards”—but many good artists are included, such as his own painting teacher, Natalia Goncharova, 41. When the officials told Gerald that his oil Boatdeck was too large, he responded,
If you think mine is too large…I think the others are too small.”
Boatdeck by Gerald Murphy in the Salon des Independents
The Paris edition of the Herald said his work showed, “a very personal point of view in the study of machinery…[revealing] a feeling for mass and a sense of decorative effect.”
Soon after the show opened, Gerald was asked by some friends to design the American booth at a major charity event—the Bal des Artistes Russes, in aid of Russian immigrants in France.
Today was the opening of the four-day festival, and what a party!
Four orchestras! Murphy thought the jazz band was the best. The guests were dressed either as Russian peasants or cubist paintings. The rooms were filled with paintings by artists such as Russian Goncharova and Spaniard Juan Gris, 35.
For entertainment, Romanian-French writer Tristan Tzara, 26, read one of his poems, and the fabulous Fratellini Brothers performed their usual star turn.
The Fratellini Brothers
Goncharova sold her masks in the Russian booth; the Japanese booth had kabuki theatre with dancers.
One of the showstoppers is Gerald’s futuristic American exhibit, featuring a reconstruction of huge skyscrapers with blinking electric lights, recreating New York City’s Great White Way right here in Paris. It is sooo American…
This summer I will be talking about F. Scott Fitzgerald and Ernest Hemingway at the Osher Lifelong Learning Institute at Carnegie-Mellon University.
Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with Fitzgerald, Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.
Henry R. Luce, 24, knows how this day is going to pan out.
Henry R. Luce
Luce and his partner, fellow Yale alum Briton Hadden, just turned 25, have been planning their magazine for well over a year. Now they are coming down to the deadline to start the presses so the new magazine, Time, will appear on newsstands with a March 3rd cover date.
Serious discussions hadn’t started until Hadden, then learning the publishing ropes from editor Harold Bayard Swope, 41, at the New York World, contacted his old buddy from the Yale Daily News, Luce, who had recently been dumped by the Chicago Daily News. He suggested they both go to work for the Baltimore News.
Briton Hadden
In late night talks they began brainstorming the concept of a weekly magazine called Facts which would condense the important news of the day for busy businessmen. Eventually, they came up with the name Time, and the slogan, “Take Time—It’s Brief.” Hadden thought it should be fun as well as informative, including news, celebrities, politics, culture and sport.
Funded by $100,000 raised from other Yale alumni, and working out of this abandoned brewery, Hadden, as editor, is overseeing the process he and Luce learned in their short publishing careers: Get the flats together. Race over to the printer at 36th Street and 11th Avenue. Stay up all night with the staff writing copy to fill holes and cutting copy to make columns fit. Then write captions for the three-inch square fuzzy photos.
Within the 32 pages—including the cover featuring retiring congressman and former Speaker of the U. S. House of Representatives Joseph G. Cannon, 86—were brief pieces on:
The Kansas legislature considering a bill to make smoking illegal;
The wife of the Pennsylvania governor beseeching Congress to put women in charge of enforcing Prohibition, which cost the country $15 million last year;
Charges by muckraker Upton Sinclair, 44, that department stores have too strong an influence over newspapers because of their heavy advertising spends;
Influential British art critic Clive Bell, 41, declaring that cubism is dead;
A review of Black Oxen, the new novel by Gertrude Atherton, 65, which categorizes the writers who lunch regularly at the midtown Algonquin Hotel as “Sophisticates”; and
A review of the hit Broadway play, Merton of the Movies, by two of those Sophisticates, Marc Connelly, 32, and George S Kaufman, 33, calling it a “skillful dramatization” of the original novel.
This month I am talking about the literary 1920s in Paris and New York City in the Osher Lifelong Learning Institute at Carnegie-Mellon University.
Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.
Oh no! All those bookish friends of yours couldn’t figure out that what you were really hankering for was“Such Friends”: The Literary 1920s, Volumes I through III covering 1920 through 1922!
“Such Friends”: The Literary 1920s—Volume I, 1920
Easily available in print or e-book format on Amazon.com and Amazon.co.uk. However, if you prefer signed copies, wander on over to Riverstone Books on Forbes Avenue in Squirrel Hill. Or contact me directly at kaydee@gypsyteacher.com.
The reason you are so keen to get your hands on all three volumes of “Such Friends” is clear from what you’ve heard people saying about it:
My wife and I were reading your Such Friends…out loud to each other and laughing a lot.”
–Cliff, Osher Lifelong Learning friend
Everyone is reading “Such Friends”:
Donnelly’s clever day-by-day organization allows her to range widely among many artists while her use of the present tense creates a sense of immediacy—’you are there.’ This book will provide great pleasure to anyone interested in figures of Modernism and of Twenties popular culture: Eliot, Joyce, Pound, Woolf, Yeats, Stein, Hemingway, Fitzgerald, Parker, Benchley, et al.”
—another Kathleen, Facebook friend
Here’s an example of my clever organization:
Sample pages from “Such Friends”: The Literary 1920s
Your lovely book arrived yesterday and I’ve already devoured most of it. It’s a very clever way of dealing with so many literary giants in…their most important years. Although ideal for a popular audience there is much that I did not know (and was delighted to learn) even though I spent a wasted youth and much of my dotage studying most of them.”
—Joseph, Australian friend
And my previous offer still stands: If you are anywhere near a Pittsburgh Regional Transit bus route, I will hand-deliver your signed copies. Get in touch! kaydee@gypsyteacher.com.
Next month I will be talking about The Literary 1920s in Paris and New York City at the Osher program at Carnegie-Mellon University.
Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.
Boni and Liveright has taken an ad in the New York Tribune to promote one of the books they are most proud of publishing late last year, The Waste Land, by American poet living in London, Thomas Stearns Eliot, 34.
The Waste Land by T. S. Eliot
When it was published last month, Boni and Liveright’s ad said,
The contract for The Waste Land, Mr. Eliot’s longest and most significant poem, which we have just published, was signed in Paris on New Year’s Eve and was witnessed by Ezra Pound and James Joyce. A good time was had by one and all—even the publisher.”
Not strictly true; but they did all have dinner together in Paris.
This month, the copy reads:
…probably the most discussed poem that has been written since Byron’s Don Juan…[CliveBell], the distinguished English writer, [has called Eliot] the most considerable poet writing in English.”
However, back in the Bloomsbury neighborhood of London, Clive, 41, has told his mistress, writer Mary Hutchinson, 33, that he is sure Eliot uses violet face powder to make him look “more cadaverous.”
Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.
Free-lance writer Dorothy Parker, 29, is worrying about how to handle the regular book club that she is hosting this evening here at her apartment.
Sixth Avenue and West 57th Street
They all will have heard; she lunches at the Algonquin Hotel most days with one of the regulars, New York Times reporter Jane Grant, 30, and her husband American Legion Weekly editor Harold Ross, also 30. Parker knows the writers who congregate there have been spreading rumors and trying to figure out why she did it.
Dottie is thinking it will be best to take the direct approach. She’ll greet each guest saying,
I slashed my wrists.”
That should get over some of the awkwardness.
That Sunday she had arrived back here at her apartment feeling really hungry. She called down and ordered delivery from that vile—but convenient—restaurant downstairs, the Swiss Alps.
When she went into the bathroom Parker saw the razor left behind by her estranged husband Edwin Pond Parker III, 29, when he took off to his family back in Connecticut last summer. She hadn’t noticed it before.
Parker took the blade and cut along the vein in her left wrist. Blood spurted all over the room. Her hand was so slippery she had a hard time slitting the other wrist.
And then the delivery boy arrived with dinner.
Call a doctor!”
Dottie shouted. The ambulance took her to Presbyterian Hospital.
Some of her friends’ comments around the lunch table have gotten back to her.
Playwright Marc Connelly, 32, thinks it was “just a bit of theatre.” A few feel Parker was looking for attention, or to have Eddie come back. Jane Grant is suspicious of the fortuitous arrival of the delivery boy.
Dorothy and Eddie Parker
Her family and some of her lunch friends came to visit Parker in the hospital. Dean of the New York columnists Franklin Pierce Adams (FPA), 41, stayed away. Connelly came; as did theatre critic Alexander Woollcott, about to turn 36. Most important of all was the visit from her best friend, Life magazine editor Robert Benchley, 33.
Eddie didn’t even keep his razors sharp,”
she told him.
In the hospital Parker had tied pale blue ribbons into little bows around the scars on her wrists. For the bridge club tonight, Dottie decides to use black velvet ribbons.
Next month I will be talking about the literary 1920s in Paris and New York City in the Osher Lifelong Learning Institute at Carnegie-Mellon University.
Manager as Muse,about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.
In Ireland, despite living in the middle of a Civil War, and the death of his 82-year-old father this past February, poet and playwright William Butler Yeats, 57, has had a pretty good year.
He is enjoying his appointment to the newly formed Senate of the Irish Free State, engineered by his friend and family doctor, Oliver St. John Gogarty, 44, who managed to get himself appointed as well.
Irish Free State Great Seal
Much to Yeats’ surprise, the position comes with an income, making it the first paying job he has ever had. The money, as he writes to a friend,
of which I knew nothing when I accepted, will compensate me somewhat for the chance of being burned or bombed. We are a fairly distinguished body, much more so than the lower house, and should get much government into our hands…How long our war is to last nobody knows. Some expect it to end this Xmas and some equally well informed expect another three years.”
Indeed, although Senator Yeats has been provided with an armed guard at his house, two bullets were shot through the front door of his family home in Merrion Square on Christmas Eve.
82 Merrion Square
A few blocks away the Abbey Theatre, which he helped to found 18 years ago, is still doing well under the director and co-founder Lady Augusta Gregory, 70. John Bull’s Other Island, a play by his fellow Dubliner, George Bernard Shaw, 66, is being performed, starring part-time actor and full-time civil servant Barry Fitzgerald, 34.
George Bernard Shaw
Yeats has been awarded an Honorary D. Litt. From Trinity College, Dublin. He writes to a friend that this makes him feel “that I have become a personage.”
*****
In England, at Monk’s House, their country home in East Sussex, the Woolfs, Virginia, 40, and Leonard, 42, are reviewing the state of their five-year-old publishing company, the Hogarth Press.
The road outside Monk’s House
They have added 37 members to the Press’ subscribers list and have agreed to publish a new poem by their friend, American ex-pat Thomas Stearns Eliot, 34, called The Waste Land early in the new year. Virginia has donated £50 to a fund to help “poor Tom,” as she calls him, who still has a full-time day job at Lloyds Bank. Eliot takes the £50, as well as the $2,000 Dial magazine prize he has been awarded in America and sets up a trust fund for himself and his wife Vivienne, 34.
The Hogarth Press has published six titles this year, the same as last. But most important to Virginia, one of them, Jacob’s Room, is her first novel not published by her hated stepbrother, Gerald Duckworth, 52. She can write as she pleases now.
Most interesting to Virginia at the end of this year is her newfound friendship with another successful English novelist, Vita Sackville-West, 30. The Woolfs have been spending lots of time with Vita and her husband, Sir Harold Nicolson, 36.
Sir Harold Nicolson and Vita Sackville-West
Virginia writes in her diary,
The human soul, it seems to me, orients itself afresh every now and then. It is doing so now…No one can see it whole, therefore. The best of us catch a glimpse of a nose, a shoulder, something turning away, always in movement.”
*****
In France, American ex-pats Gertrude Stein, 48, and her partner, Alice B. Toklas, 45, are vacationing in St. Remy. They came for a month and have decided to stay for the duration of the winter.
Stein is pleased that her Geography and Plays has recently been published by Four Seas in Boston. This eclectic collection of stories, poems, plays and language experiments that she has written over the past decade comes with an encouraging introduction by one of her American friends, established novelist Sherwood Anderson, 46. He says that Gertrude’s work is among the most important being written today, and lives “among the little housekeeping words, the swaggering bullying street-corner words, the honest working, money-saving words.”
Geography and Plays by Gertrude Stein
The volume also contains her 1913 poem, “Sacred Emily,” which includes a phrase Stein repeats often,
Rose is a rose is a rose is a rose.”
Alice is thinking of using that as part of the logo for Gertrude’s personal stationery.
Stein and Alice are hopeful that Geography and Plays will help her blossoming reputation as a serious writer. For now, they are going to send some fruit to one of their new American friends back in Paris, foreign correspondent for the Toronto Star, Ernest Hemingway, 23, and his lovely wife Hadley, 31.
*****
In America, free-lance writer Dorothy Parker, 29, has had a terrible year.
She did get her first short story published, “Such a Pretty Little Picture” in this month’s issue of Smart Set. After years of writing only the light verse that sells easily to New York’s magazines and newspapers, Parker is starting to branch out and stretch herself more.
However, her stockbroker husband of five years, Edwin Pond Parker II, also 29, finally packed up and moved back to his family in Connecticut.
Dorothy and Eddie Parker
Parker took up with a would-be playwright from Chicago, Charles MacArthur, 27, who started hanging around with her lunch friends from the Algonquin Hotel. He broke Dottie’s heart—and her spirit after he contributed only $30 to her abortion. And made himself scarce afterwards.
On Christmas day there were no fewer than eight new plays for Parker to review. She had to bundle up against the cold and spend the holiday racing around to see as much of each one as she could. And then go home to no one but her bird Onan (“because he spills his seed”) and her dog Woodrow Wilson.
New York Times Square Christmas Eve 1920s by J. A. Blackwell
As she gets ready to jump into 1923, Parker works on the type of short poem she has become known for:
One Perfect Rose
By Dorothy Parker
A single flow’r he sent me, since we met. All tenderly his messenger he chose; Deep-hearted, pure, with scented dew still wet– One perfect rose.
I knew the language of the floweret; “My fragile leaves,” it said, “his heart enclose.” Love long has taken for his amulet One perfect rose.
Why is it no one ever sent me yet One perfect limousine, do you suppose? Ah no, it’s always just my luck to get One perfect rose.
Early next year I will be talking about the centenary of the publication of T. S. Eliot’s The Waste Land at the Osher Lifelong Learning Institute at the University of Pittsburgh, and about The Literary 1920s in Paris and New York City at the Osher program at Carnegie-Mellon University.
Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with Hemingway, F. Scott Fitzgerald and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.