“Such Friends”:  100 Years Ago, December 31, 1922/January 1, 1923, Ireland, England, France and America

At the end of the third year of the 1920s…

In Ireland, despite living in the middle of a Civil War, and the death of his 82-year-old father this past February, poet and playwright William Butler Yeats, 57, has had a pretty good year.

He is enjoying his appointment to the newly formed Senate of the Irish Free State, engineered by his friend and family doctor, Oliver St. John Gogarty, 44, who managed to get himself appointed as well.

Irish Free State Great Seal

Much to Yeats’ surprise, the position comes with an income, making it the first paying job he has ever had. The money, as he writes to a friend,

of which I knew nothing when I accepted, will compensate me somewhat for the chance of being burned or bombed. We are a fairly distinguished body, much more so than the lower house, and should get much government into our hands…How long our war is to last nobody knows. Some expect it to end this Xmas and some equally well informed expect another three years.”

Indeed, although Senator Yeats has been provided with an armed guard at his house, two bullets were shot through the front door of his family home in Merrion Square on Christmas Eve.

82 Merrion Square

A few blocks away the Abbey Theatre, which he helped to found 18 years ago, is still doing well under the director and co-founder Lady Augusta Gregory, 70. John Bull’s Other Island, a play by his fellow Dubliner, George Bernard Shaw, 66, is being performed, starring part-time actor and full-time civil servant Barry Fitzgerald, 34.

George Bernard Shaw

Yeats has been awarded an Honorary D. Litt. From Trinity College, Dublin. He writes to a friend that this makes him feel “that I have become a personage.”

*****

In England, at Monk’s House, their country home in East Sussex, the Woolfs, Virginia, 40, and Leonard, 42, are reviewing the state of their five-year-old publishing company, the Hogarth Press.

The road outside Monk’s House

They have added 37 members to the Press’ subscribers list and have agreed to publish a new poem by their friend, American ex-pat Thomas Stearns Eliot, 34, called The Waste Land early in the new year. Virginia has donated £50 to a fund to help “poor Tom,” as she calls him, who still has a full-time day job at Lloyds Bank. Eliot takes the £50, as well as the $2,000 Dial magazine prize he has been awarded in America and sets up a trust fund for himself and his wife Vivienne, 34.

The Hogarth Press has published six titles this year, the same as last. But most important to Virginia, one of them, Jacob’s Room, is her first novel not published by her hated stepbrother, Gerald Duckworth, 52. She can write as she pleases now.

Most interesting to Virginia at the end of this year is her newfound friendship with another successful English novelist, Vita Sackville-West, 30. The Woolfs have been spending lots of time with Vita and her husband, Sir Harold Nicolson, 36.

Sir Harold Nicolson and Vita Sackville-West

Virginia writes in her diary,

The human soul, it seems to me, orients itself afresh every now and then. It is doing so now…No one can see it whole, therefore. The best of us catch a glimpse of a nose, a shoulder, something turning away, always in movement.”

*****

In France, American ex-pats Gertrude Stein, 48, and her partner, Alice B. Toklas, 45, are vacationing in St. Remy. They came for a month and have decided to stay for the duration of the winter.

Stein is pleased that her Geography and Plays has recently been published by Four Seas in Boston. This eclectic collection of stories, poems, plays and language experiments that she has written over the past decade comes with an encouraging introduction by one of her American friends, established novelist Sherwood Anderson, 46. He says that Gertrude’s work is among the most important being written today, and lives “among the little housekeeping words, the swaggering bullying street-corner words, the honest working, money-saving words.”

Geography and Plays by Gertrude Stein

The volume also contains her 1913 poem, “Sacred Emily,” which includes a phrase Stein repeats often,

Rose is a rose is a rose is a rose.”

Alice is thinking of using that as part of the logo for Gertrude’s personal stationery.

Stein and Alice are hopeful that Geography and Plays will help her blossoming reputation as a serious writer. For now, they are going to send some fruit to one of their new American friends back in Paris, foreign correspondent for the Toronto Star, Ernest Hemingway, 23, and his lovely wife Hadley, 31.

*****

In America, free-lance writer Dorothy Parker, 29, has had a terrible year.

She did get her first short story published, “Such a Pretty Little Picture” in this month’s issue of Smart Set. After years of writing only the light verse that sells easily to New York’s magazines and newspapers, Parker is starting to branch out and stretch herself more.

However, her stockbroker husband of five years, Edwin Pond Parker II, also 29, finally packed up and moved back to his family in Connecticut.

Dorothy and Eddie Parker

Parker took up with a would-be playwright from Chicago, Charles MacArthur, 27, who started hanging around with her lunch friends from the Algonquin Hotel. He broke Dottie’s heart—and her spirit after he contributed only $30 to her abortion. And made himself scarce afterwards.

On Christmas day there were no fewer than eight new plays for Parker to review. She had to bundle up against the cold and spend the holiday racing around to see as much of each one as she could. And then go home to no one but her bird Onan (“because he spills his seed”) and her dog Woodrow Wilson.

New York Times Square Christmas Eve 1920s by J. A. Blackwell

As she gets ready to jump into 1923, Parker works on the type of short poem she has become known for:

One Perfect Rose

By Dorothy Parker

A single flow’r he sent me, since we met.
All tenderly his messenger he chose;
Deep-hearted, pure, with scented dew still wet–
One perfect rose.

I knew the language of the floweret;
“My fragile leaves,” it said, “his heart enclose.”
Love long has taken for his amulet
One perfect rose.

Why is it no one ever sent me yet
One perfect limousine, do you suppose?
Ah no, it’s always just my luck to get
One perfect rose.

To hear Dorothy Parker read her poem, “One Perfect Rose,” click here. https://www.youtube.com/watch?v=iMnv1XNpuwM

“Such Friends”:  100 Years Ago… is the basis for the series, “Such Friends”:  The Literary 1920s. Volumes I through III, covering 1920 through 1922 are available as signed copies at Riverstone Books in Squirrel Hill, Pittsburgh, PA, and on Amazon.com and Amazon.co.uk in print and e-book formats. For more information, email me at kaydee@gypsyteacher.com.

Early next year I will be talking about the centenary of the publication of T. S. Eliot’s The Waste Land at the Osher Lifelong Learning Institute at the University of Pittsburgh, and about The Literary 1920s in Paris and New York City at the Osher program at Carnegie-Mellon University.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with Hemingway, F. Scott Fitzgerald and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.

“Such Friends”:  100 Years Ago, December, 1922, on the newsstands of America

When Babbitt by Sinclair Lewis, 37, was published a few months ago, it was met with mostly positive reactions.

Babbitt by Sinclair Lewis

H. L. Mencken, 42, literary critic for Smart Set, found the main character to be a symbol of everything wrong with American culture: 

It is not what [Babbitt] feels and aspires that moves him primarily; it is what the folks about him will think of him. His politics is communal politics, mob politics, herd politics; his religion is a public rite wholly without subjective significance.”

In The New Statesman, Rebecca West, just turned 30, declared that Babbitt “has that something extra, over and above, which makes the work of art.”

Fellow novelist H. G. Wells, 56, told Lewis that it is

one of the greatest novels I have read…I wish I could have written Babbitt.”

Somerset Maugham, 48, wrote to say that he felt that

it is a much better book than Main Steet.

Edith Wharton, 60, to whom the novel is dedicated, wrote from one of her villas in France,

I wonder how much of it the American public, to whom irony seems to have become unintelligible as Chinese, will even remotely feel?…Thank you again for associating my name with a book I so warmly admire and applaud.”

But now in December, Edmund Wilson, 27, has his say in Vanity Fair, comparing Lewis unfavorably to Dickens and Twain, and stating that Lewis’ literary gift “is almost entirely for making people nasty.”

*****

Last month The Dial published “The Waste Land” by T. S. Eliot, 34, and in this month’s issue the publisher, Scofield Thayer, just turned 33, announces that Eliot is the second recipient of the magazine’s annual Dial Prize of $2,000.

In the same issue, Eliot has a piece about the death of English vaudeville star, Marie Lloyd, aged 52, which depressed Eliot terribly. In October, almost 100,000 mourners attended her funeral in London.

Marie Lloyd

This issue of The Dial also contains Edmund Wilson’s praise of “The Waste Land,” an in-depth piece about Eliot’s importance as a poet:  

He feels intensely and with distinction and speaks naturally in beautiful verse…The race of the poets—though grown rare—is not yet quite dead.”

Eliot is pleased with Wilson’s review, but unhappy that Wilson called his fellow ex-pat Ezra Pound, 37, an “imitator of [Eliot]…extremely ill-focused.” Eliot considers Pound to be the greatest living English-language poet.

*****

In The Nation this month, Dial editor Gilbert Seldes, 29, is also enamored of “The Waste Land,” comparing it to Ulysses by James Joyce, 40, published earlier this year: 

That ‘The Waste Land’ is, in a sense, the inversion and the complement of Ulysses is at least tenable. We have in Ulysses the poet defeated, turning outward, savoring the ugliness which is no longer transmutable into beauty, and, in the end, homeless. We have in ‘The Waste Land’ some indication of the inner life of such a poet. The contrast between the forms of these two works is not expressed in the recognition that one is among the longest and one among the shortest of works in its genre; the important thing is that in each the theme, once it is comprehended, is seen to have dictated the form.”

Eliot sends Seldes a nice note thanking him for the review.

*****

Outlook magazine, on the other hand, features “A Flapper’s Appeal to Parents,” asking parents and society as a whole to be more understanding of these dancing females who spend “a large amount of time in automobiles.”

*****

First described by American novelist F. Scott Fitzgerald, 26, the flapper grows up in his story in this month’s Metropolitan magazine, “Winter Dreams,” about a midwestern boy in love with a selfish rich girl, who marries someone all wrong for her. When writing the story, Fitzgerald cut some descriptions to save them for his third novel, which he is working on now.

Metropolitan, December

*****

The December Smart Set has the first short story by one of America’s most-published and most popular poets, Dorothy Parker, 29, whose “Such a Pretty Little Picture” describes a man living a monotonous life in the suburbs, just cutting his hedge. Similar to her best friend, fellow Algonquin Round Table member Robert Benchley, 33, who lives in Scarsdale with his wife and two sons.

“Such Friends”:  100 Years Ago… is the basis for the series, “Such Friends”:  The Literary 1920s. Volumes I through III, covering 1920 through 1922 are available as signed copies at Riverstone Books in Squirrel Hill, Pittsburgh, PA, and on Amazon.com and Amazon.co.uk in print and e-book formats. For more information, email me at kaydee@gypsyteacher.com.

Early next year I will be talking about the centenary of the publication of T. S. Eliot’s The Waste Land at the Osher Lifelong Learning Institute at the University of Pittsburgh, and about The Literary 1920s in Paris and New York City at the Osher program at Carnegie-Mellon University.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

“Such Friends”:  100 Years Ago, mid-November, 1922, Midtown Manhattan, New York City, New York

At the Sam H. Harris Theatre on West 42nd Street, Hamlet, starring the legendary John Barrymore, 40, has just opened. The New York Herald says that his performance “will be memorable in the history of the American theatre.”

The Times predicts,

We have a new and a lasting Hamlet.”

And Brooklyn Life says that Barrymore has “won the right to be called the greatest living American tragedian.”

John Barrymore as Hamlet

*****

Farther up Fifth Avenue, the Cort Theatre on 48th Street is hosting a different type of theatrical success, Merton of the Movies, by Algonquin Hotel lunch buddies Marc Connelly, 31, and George S Kaufman, just turning 33. Like their previous Broadway hit Dulcy, Merton is based on a suggestion from another regular at the Algonquin, top World columnist Franklin Pierce Adams, just turning 41, known to all as FPA.

The Times calls it “a delight in every way,” and their other lunch regular, Heywood Broun, 33, also in the World, calls it “the most amusing show of the season.”

Cast of Merton of the Movies

*****

But, around the corner at the much smaller Punch and Judy Theatre on 49th Street, Connelly and Kaufman have financed a comedy review, The ‘49ers, written by their friends.

The gang put on a show back in April, No Sirree!, which was only performed one night for an invited audience of their friends and fans, who loved it.

So they figured they’d do it right this time—hire a producer, director and professional actors. Besides Connelly, Kaufman, FPA and Broun, the sketches were written by their talented friends, including Dorothy Parker, 29, Robert Benchley, 33, and Ring Lardner, 37.

What could go wrong?!

It wasn’t funny.

On opening night, the Mistress of Ceremonies, legendary vaudevillian Miss May Irwin, 60, was soooo bad, Connelly decided to take on the role himself, over Kaufman’s objections.

The whole disaster just closed after only 15 performances.

May Irwin

*****

One block away, at Tony Soma’s speakeasy, Parker is sharing the horror story of her recent abortion with anyone who will listen. Few want to.

She’d felt sick when her friend, magazine illustrator Neysa McMein, 34, was painting her portrait recently. Neysa gave her a glass of gin and immediately got her to a west side hospital.

Dorothy Parker by Neysa McMein

They both knew who the father was:  That cad, would-be playwright Charles MacArthur, 27.

When Dotty told Charlie that she had had an abortion, he slipped her 30 bucks, which did not cover the cost, and promptly disappeared from her life. Parker said,

It was like Judas making a refund.”

To make it worse, due to her sloppy timekeeping, Parker had passed her first trimester, and “Dr. Sunshine” (one of many so-called in Manhattan) was angry that her pregnancy was farther along than she had claimed.

After one week in the hospital, Parker is back to her usual writing, reviewing and drinking. She has poems regularly in the Saturday Evening Post, and her first short story, “Such a Pretty Little Picture” will be in next month’s Smart Set.

But this whole experience has truly depressed her. Her pal Benchley is supportive, but he warned her about MacArthur, who has become one of Benchley’s best friends.

She tells him,

Serves me right for putting all my eggs in one bastard.”

Charles MacArthur

“Such Friends”:  100 Years Ago… is the basis for the series, “Such Friends”:  The Literary 1920s. Volumes I through III, covering 1920 through 1922 are available as signed copies at Riverstone Books in Squirrel Hill, Pittsburgh, PA, and on Amazon.com and Amazon.co.uk in print and e-book formats. For more information, email me at kaydee@gypsyteacher.com.

Early next year I will be talking about the centenary of the publication of T. S. Eliot’s The Waste Land at the Osher Lifelong Learning Institute at the University of Pittsburgh, and about The Literary 1920s in Paris and New York City at the Osher program at Carnegie-Mellon University.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

“Such Friends”:  100 Years Ago, Summer, 1922, Manhattan, New York City, New York

So far it’s been one helluva summer for free-lance writer Dorothy Parker, soon to turn 29.

She and her husband of five years, Edwin Pond Parker II, 29, spent Memorial Day in Connecticut with his family. Eddie is thinking that they should move there. Dottie tried to get some writing done that weekend, but…no.

Dorothy and Eddie Parker

Then, soon after the Fourth of July, she comes home to find Eddie all packed up and ready to move out. He says he is fed up with his job at Paine Webber and he’s moving back to Hartford with his family. She can have the dog and the furniture. Well, of course she’ll keep the dog.

Dorothy tells her fellow writers who she lunches with regularly at the Algonquin Hotel that the split is amicable. It’s just because Eddie took a new job in Hartford. They don’t believe that for a minute.

A gossip columnist had recently implied that Dorothy and one of her lunch buddies, theatre critic Robert Benchley, 32, were having an affair because they are seen together around town all the time. Dottie and Bob reassured Eddie that it was just because their jobs are so similar. They review the same plays, are invited to the same parties, go to the same speakeasies, and have lunch together almost every day. That’s all.

Robert Benchley and Dorothy Parker

Despite the turmoil in her personal life. Parker’s writing is going well. She had a piece in the Saturday Evening Post recently, “Men I’m Not Married To,” as a companion to “Women I’m Not Married To” by her Algonquin friend Franklin Pierce Adams [FPA], 40, in the same issue. There has been some talk of publishing the two together as a book. The Post runs something of hers in almost every issue.

“Men I’m Not Married To,” Saturday Evening Post

Parker has also decided to expand beyond the little nonsense verses she’s known for and try her hand at short stories. FPA is encouraging her; he gave her a book of French poetry and suggested that she can work on her prose style by modeling these poems. Parker has also learned that she can’t write fiction on a typewriter; she has switched to longhand, revising as she goes along.

Her first story is about a man clipping the hedges at his home in Scarsdale, ruminating about how trapped he feels by his wife, his kids, his mortgage, the suburbs. Something like Benchley. A bit depressing compared to her usual work, but The Smart Set has offered her $50 to publish it later in the year.

And just as she feels she is getting her life straightened out, along comes would-be playwright Charles MacArthur, 26. Fresh into Manhattan from Chicago; six feet tall; curly brown hair; with a line many women can die for. And fall for. Including Dottie.

Charles MacArthur

They were introduced by her other lunch buddy, theatre critic Alexander Woollcott, 35, who likes MacArthur so much you’d think he was in love with him.

What a perfect world this would be if it were full of MacArthurs!”

he has said.

Apparently, Charlie has a wife back in Chicago. No mind. Dorothy has a husband in Hartford. MacArthur bitches about the phoniness of New York City all the time, but knows he has to live here if he’s going to have any kind of theatre career. One day he showed up at the ASPCA pound with birthday cakes for all the puppies. They both like scotch and they both like sex. How could Dottie not fall in love with him?!

Her Algonquin friends think it’s cute, but surely Dorothy knows his reputation. He’s been sleeping with so many women around town, magazine illustrator Neysa McMein, 34, has a rubber stamp made for him that says

I love you.”

“Such Friends”:  100 Years Ago… is the basis for the series, “Such Friends”:  The Literary 1920s. Volumes I and II covering 1920 and 1921 are available as signed copies at Riverstone Books in Squirrel Hill, Pittsburgh, PA, and also in print and e-book formats on Amazon.com and Amazon.co.uk. For more information, email me at kaydee@gypsyteacher.com.

Later in the year I will be talking about the centenary of the publication of T. S. Eliot’s The Waste Land at the Osher Lifelong Learning Institutes at Carnegie-Mellon University and the University of Pittsburgh.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

“Such Friends”:  100 Years Ago, June, 1922, on the newsstands of America

The Dial magazine has “More Memories” by Irish playwright William Butler Yeats, just turned 57, and two line drawings by Spanish artist Pablo Picasso, 40. Its monthly columns include “Paris Letter” by American ex-pat poet Ezra Pound, 36, and “Dublin Letter” by the recently retired Head Librarian of the National Library of Ireland, John Eglinton, 54, actually writing from his home in Bournemouth, England. He reviews the new novel Ulysses by his fellow Dubliner, James Joyce, 40, living in Paris: 

The Dial, June 1922

I am by no means sure, however, that I have understood Mr. Joyce’s method, which is sufficiently puzzling even where he relates incidents in which I have myself taken a humble part…There is an effort and a strain in the composition of this book which makes one feel at times a concern for the author. But why should we half-kill ourselves to write masterpieces? There is a growing divergence between the literary ideals of our artists and the books which human beings want to read.”

The New York Times Book Review has a review of The Secret Adversary, the second novel from English writer Agatha Christie, 31: 

It is safe to assert that unless the reader peers into the last chapter or so of the tale, he will not know who this secret adversary is until the author chooses to reveal him…[Miss Christie] gives a sense of plausibility to the most preposterous situations and developments…[But she] has a clever prattling style that shifts easily into amusing dialogue and so aids the pleasure of the reader as he tears along with Tommy and Tuppence on the trail of the mysterious Mr. Brown. Many of the situations are a bit moth-eaten from frequent usage by other quarters, but at that Miss Christie manages to invest them with a new sense of individuality that renders them rather absorbing.”

The Secret Adversary by Agatha Christie, US edition

Metropolitan magazine has a piece, “Eulogy for the Flapper” by Zelda Fitzgerald, 22, who is considered to be the original flapper, as created in the two recent hit novels by her husband, F. Scott Fitzgerald, 25: 

The flapper is deceased…They have won their case. They are blase…Flapperdom has become a game; it is no longer a philosophy.”

The Smart Set has a short story by Zelda’s husband, “The Diamond as Big as the Ritz”: 

[Percy Washington boasts that his father is] by far the richest man in the world and has a diamond bigger than the Ritz-Carlton Hotel.”

The Smart Set, June 1922

The Saturday Evening Post has two pieces by friends who lunch together regularly at the midtown Manhattan Algonquin Hotel:  “Men I’m Not Married To” by free-lance writer Dorothy Parker, 28, and “Women I’m Not Married To” by popular newspaper columnist FPA [Franklin Pierce Adams], 40.

Saturday Evening Post, June 1922

The Double Dealer, A National Magazine. from the South, true to its mission to publish new work by new writers has “Portrait,” a poem by recent University of Mississippi dropout, William Faulkner, 24, and “Ultimately,” a four-line poem by Toronto Star foreign correspondent Ernest Hemingway, 22, a Chicagoan currently living in Paris: 

He tried to spit out the truth

Dry-mouthed at first,

He drooled and slobbered in the end

Truth dribbling his chin.”

The Double Dealer magazine

“Such Friends”:  100 Years Ago… is the basis for the series, “Such Friends”:  The Literary 1920s. Volumes I and II covering 1920 and 1921 are available as signed copies at Riverstone Books in Squirrel Hill, Pittsburgh, PA, and also in print and e-book formats on Amazon.com and Amazon.co.uk. For more information, email me at kaydee@gypsyteacher.com.

This month I will be talking about the Stein family salons in Paris before and after The Great War at the Osher Lifelong Learning Institute in Carnegie-Mellon University.

In the fall, I will be talking about the centenary of The Waste Land in the Osher programs at Carnegie-Mellon University and the University of Pittsburgh.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with Fitzgerald, Hemingway and Thomas Wolfe, is also available on Amazon in both print and e-book versions.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

“Such Friends”: 100 years ago, end of summer, 1921, Midtown Manhattan, New York City, New York

It’s been an interesting summer in New York.

The Ziegfeld Follies of 1921 opened at Broadway’s Globe Theatre, with music once again by Victor Herbert, 62. The leads are Fanny Brice, 29, coming back to the Follies after ten years, singing “My Man” and “Second Hand Rose,” and comedian and juggler W. C. Fields, 41, his fifth time in the Follies.

Ziegfeld Follies of 1921

This was followed two weeks later by the premiere of George White’s Scandals at the Liberty Theatre, a few blocks away from the Globe. The music is by George Gershwin, 22, who hit it big two years ago when Broadway star Al Jolson, 36, heard Gershwin sing his tune “Swanee” at a party and used it in one of his shows.

George White’s Scandals

And just two days after that a new musical, Dulcy, by two young playwrights, both from western Pennsylvania, Marc Connelly, 30, and George S Kaufman, 31, opened just down 42nd Street at the Frazee Theatre. For their first collaboration, Connelly and Kaufman based the lead on a character created by one of their friends they lunch with regularly at the nearby Algonquin Hotel, New York Tribune columnist Franklin Pierce Adams, 39, known to all of New York as FPA.

The duo has already started in on their next musical project, To the Ladies!, set to premiere next year.

*****

One of their other lunch buddies, Robert Benchley, 31, an editor at the humor magazine Life, had finally gotten around to having his first drink while listening to the live broadcast of the Dempsey-Carpentier fight at the midtown speakeasy Tony Soma’s. Soon after, Benchley tried some rye whiskey and realized it smelled just like his Uncle Albert did at family picnics back in Massachusetts.

*****

Benchley’s best friend, and now best drinking buddy, free-lance writer Dorothy Parker, just turned 28, has had another short story in the Saturday Evening Post, “An Apartment House Trilogy,” based mostly on the characters around the flat she and her husband moved to just about a year ago, at 57 West 57th Street. When she sent the piece to the editor, she had warned him that it was “rotten…poisonous.” He didn’t think it was too rotten, but not quite her best. He really wants more of the shorter fluffy things she’s been selling to Benchley over at Life.

Saturday Evening Post, August 20, 1921

Bob has introduced Dottie to one of his other friends, Donald Ogden Stewart, 26, who has had some pieces in Vanity Fair and Smart Set. He’s been hanging out at Parker’s place but doesn’t like joining the others at their Algonquin lunches. They’re vicious. Stewart feels he has to fortify himself with a few drinks before he even gets to the hotel.

*****

Edna Ferber, just turned 36 [but only admits to 34], would love to be invited to one of the Algonquin lunches. Her second novel, The Girls, has just come out and it wasn’t easy to get a national magazine to serialize it. Her story of unmarried Chicago women was too scandalous for most, but finally Women’s Home Companion bought it without any major changes. Not only did FPA praise the way she described his hometown of Chicago, even her own mother conceded that it’s not too bad.

*****

Ferber has asked her friend Alexander Woollcott, 34, the New York Times drama critic, if she could lunch with him at the Algonquin maybe just once?

Alex took a leave of absence from his Times job this summer to go back to his alma mater, Hamilton College in New York state, to finish a book he’s been working on, Mr. Dickens Goes to the Play. He’s written a few chapters about Charles Dickens’ love of theatre and will fill out the rest with sections from Dickens’ novels and essays.

*****

But the biggest news in New York publishing this summer is how the new editor of the New York World, Herbert Bayard Swope, 39, has been poaching columnists from his competitors.

Herbert Bayard Swope

Swope became executive editor of the paper last year and has been making big changes. He thought the page opposite the editorials was a mess, so he cleared out the book reviews and obituaries and now devotes the page to opinion pieces, christening it the “op-ed” page. Swope believes

Nothing is more interesting than opinion when opinion is interesting.”

Those pesky facts can stay where they belong in the rest of the paper.

Swope also stole one of the top columnists at the Tribune, Heywood Broun, 32, another regular Algonquin luncher. Broun was eager to jump. Swope makes clear to him and all his columnists, that they can write whatever they want—within the limits of libel law and good taste. In return, they have to write new copy for each instalment, three times a week. No hoarding a bank of evergreen filler, ready to print any time. Swope wants it all to be fresh.

Heywood Broun

For $25,000 a year, in his column “It Seems to Me” on the op-ed page, Broun can write what he likes—theatre reviews, reports of the most recent football game of his alma mater, Harvard, or campaigns about social issues such as censorship, racial discrimination or academic freedom.

Poaching Broun is a coup. But Swope astounds New York’s literati again by luring the Tribune’s number one columnist, FPA himself, over to the World. Unlike the other writers, FPA is given his own private office to work on his “Conning Tower” columns. One of the first at his new home is about the return to New York of his fellow Algonquin-ite, Alex Woollcott.

Maybe Woollcott will be the next star to jump ship and land on Swope’s World?

There is a recent article about how digital media has affected the “op-ed” page here.

“Such Friends”:  100 Years Ago… is the basis for the series, “Such Friends”:  The Literary 1920s. Volume I covering 1920 is available in print and e-book format on Amazon. For more information, email me at kaydee@gypsyteacher.com.

This fall I will be talking about Writers’ Salons in Dublin and London Before the Great War in the Osher Lifelong Learning program at Carnegie-Mellon University.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is available on Amazon in both print and e-book versions.

If you want to walk with me through Bloomsbury, download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

“Such Friends”:  100 Years Ago, August 16, 1920, Westport, Connecticut

It’s been a wild summer, thank God.”

Zelda Fitzgerald, 20, is writing to a friend.

Her husband, F. Scott, 23, has been spending long hours working on his second novel, The Flight of the Rocket. He has described it to his publisher, Charles Scribner, II [“Old C. S.”], 65,

How [the hero] and his beautiful young wife are wrecked on the shoals of dissipation is told in the story….I hope [it] won’t disappoint the critics who liked my first one [This Side of Paradise].”

Zelda manages to drive into New York City fairly often, with and without her husband. And carry on a bit of an affair with Smart Set magazine co-editor, George Jean Nathan, 38, whose specialties are absinthe cocktails and married women.

Mencken and Nathan

Smart Set editors H. L. Mencken and George Jean Nathan

Recently, Nathan had invited both Fitzgeralds to a midweek party at his West 44th Street apartment at the Royalton Hotel, so Scott could meet Nathan’s fellow editor, H. L. Mencken, 39. The young novelist was thrilled to get to know one of his literary heroes, who rarely shows up at these midtown Manhattan parties. Nathan had managed to procure three cases of bootleg gin for the occasion.

Zelda is describing what she remembers of the party to her friend,

I cut my tail on a broken bottle and can’t possibly sit on the three stitches that are in it now—The bottle was bath salts —I was boiled—The place was a tub somewhere.”

Zelda has no idea how she ended up in Nathan’s tub, but she has been known to take impromptu baths at parties before.

A few weeks ago, Scott had written to his agent,

I can’t seem to stay solvent—but I think if you can advance me $500…I’ll be able to survive the summer.”

“Such Friends”:  100 Years Ago… is the basis for the book, “Such Friends”:  The Literary 1920s, to be published by K. Donnelly Communications. For more information, email me at kaydee@gpysyteacher.com.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with Fitzgerald, Ernest Hemingway and Thomas Wolfe, is available on Amazon in both print and Kindle versions.

This fall I will be talking about writers’ salons in Ireland, England, France and America before and after the Great War in the Osher Lifelong Learning programs at the University of Pittsburgh and Carnegie-Mellon University.

My presentation, “Such Friends”:  Dorothy Parker and the Algonquin Round Table, is available to view on the website of PICT Classic Theatre. The program begins at the 11 minute mark, and my presentation at 16 minutes.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”: Virginia Woolf and the Bloomsbury Group.

“Such Friends”: 100 Years Ago, Summer, 1920, Windsor, Vermont; Westport, Connecticut; and New York City, New York

For the first time since he moved from the advertising department, at New York publisher Charles Scribner’s & Sons, up to the editorial department six years ago, Maxwell Perkins, 35, feels as though he is entitled to a vacation.

He is back in Windsor, Vermont, where he had spent most of his summers while growing up. It’s peaceful. And quiet. And brings back good memories.

Windsor VT Old So Church

The Old South Church in Windsor, Vermont

However, as usual, he worries about his writers. Particularly his new discovery F. Scott Fitzgerald, 23, whose debut novel, This Side of Paradise, is earning Perkins this welcome rest.

Max decides he’d better send Scott his summer address, just in case he needs to be in touch:

Maxwell Perkins

Windsor, Vermont.”

Down south in Westport, Connecticut, Scott and his new bride, Zelda, about to turn 20, are spending most of their summer supporting the local bootlegger.

Working on short stories as well as his second novel, Scott flirts with Eugenia Bankhead, 19, sister of stage and screen actress Tallulah, 18, both old schoolmates of Zelda.

Zelda fights back by chatting up Smart Set co-editor George Jean Nathan, 37.

So many drunk drivers are racing up and down the road between parties in Westport and New York, the local police have given up trying to stop them.

Fitzs house in Westport

The Fitzgeralds’ rented house in Westport, Connecticut

Riding through midtown Manhattan one day in a taxi, Scott starts sobbing. He knows that he has gotten everything he ever wanted. And life will never be this good again.

“Such Friends”:  100 Years Ago… is the basis for the book, “Such Friends”:  The Literary 1920s, to be published by K. Donnelly Communications. For more information, email me at kaydee@gpysyteacher.com.

Manager as Muse, about Perkins’ relationships with Fitzgerald, Ernest Hemingway and Thomas Wolfe, is available on Amazon in both print and Kindle versions.

This fall I will be talking about writers’ salons before and after the Great War in Ireland, England, France and America in the Osher Lifelong Learning programs at the University of Pittsburgh and Carnegie-Mellon University.

My presentation, “Such Friends”:  Dorothy Parker and the Algonquin Round Table, is available to view on the website of PICT Classic Theatre. The program begins at the 11 minute mark, and my presentation at 16 minutes.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”: Virginia Woolf and the Bloomsbury Group.