“Such Friends”:  100 Years Ago, April, 1924, the transatlantic review and the Three Mountains Press offices, 29 Quai d’Anjou, Ile Saint-Louis, Paris

English author Ford Madox Ford, 50, is pleased with Volume I, Issue 4, of his magazine, the transatlantic review.

Ford was able to start publishing in January with funding he secured last fall when American lawyer John Quinn, 54, was visiting and they got together with American ex-patriate poet, Ezra Pound, 38.

James Joyce, Ezra Pound, John Quinn and Ford Madox Ford in October of last year

Quinn had sent $500 and promised he would chip in another $500 if necessary, as well as approach some of his wealthy New York friends for additional help.

Pound has also been instrumental in recommending up and coming writers for the literary magazine. The first issue had some of his own work, and a short story by another American ex-pat small publisher Robert McAlmon, 29.

The second issue was so good it was banned by the American Women’s Club of Paris!

Pound also secured a piece from the Irish ex-pat James Joyce, 42, whose novel Ulysses caused such a stir when it was published here two years ago. His “Work in Progress” was supposed to appear in the transatlantic review in January, but the proofs he received were in such bad shape he asked for more time to go over them.

the transatlantic review, April

Actually Joyce has confided to his drinking buddy, McAlmon, that he thinks the magazine is “very shabby.”

A few months ago, Pound introduced Ford to yet another American trying to make a living as a writer, former Toronto Star foreign correspondent Ernest Hemingway, 24, who moved back to Paris from Toronto with his wife and new baby at the beginning of the year.

Ford has hired Ernie to be the magazine’s commissioning editor. Well, “hired” is a bit much. He can’t actually pay him anything. Ford is thinking he may have to make a trip to New York City to beg for more money in person from Quinn, whom he’s heard is quite ill.

Ernie finally convinced Ford to include work in this issue by one of Hemingway’s recent American mentors, Gertrude Stein, 50. He told Stein to give him her epic novel, The Making of Americans, for Ford to serialize. The only copy she had was one that she and her partner, Alice B. Toklas, about to turn 47, had had bound and she didn’t want to let it out of her sight. So Ernie and Alice copied out the first 50 pages in time for the first instalment to appear in this issue. Gertrude and Alice are so excited that this huge work is finally appearing in print somewhere.

Ernest has advised Gertrude in her dealings with Ford: 

Be haughty but not too haughty. I made it clear it was a remarkable scoop [getting Making]…obtained only through my obtaining genius. [Ford] is under the impression that you get big prices when you consent to publish…Treat him high, wide and handsome…They are going to have Joyce in the same number.”

Hemingway has one of his own stories in this issue too, “Indian Camp.”

*****

That story is also included in in our time, one of the first volumes published by Three Mountains Press, founded by American journalist Bill Bird, 36, who owns this office space. Ford leases his small share for the magazine from Bird.

Six vignettes and 12 stories by Hemingway appear in in our time—Bird wants to signal how modern it is by not capitalizing the title. Last year Hemingway’s Three Stories & Ten Poems, was published by McAlmon’s Contact Press, and Pound had managed to get six of the stories published in The Little Review’s special “Exiles” issue in the U. S. last October.

in our time by Ernest Hemingway

Bird designed the dust jacket for in our time himself, to make the whole volume seem newsworthy. He also printed it on a handpress with high quality handmade paper. 18 vignettes (six are about bullfighting, Ernie’s latest interest) spread over 31 pages left lots of white space in the layout to make the simple declarative sentences stand out even more.

Ernest Hemingway

The woodcut of the author bled through the paper, so, instead of the 300 copies they printed, they’ve ended up with about 170 good ones to sell. Ernie’s parents back in Oak Park, Illinois, have bought 10.

Ford has been kind enough to give Hemingway’s book an early review in the Paris Herald, praising his “minute but hugely suggestive pictures.”

Hemingway’s work is getting to be known among the literary crowd; he knows he won’t get any payment for any of these publications. He and his wife Hadley, 32, have been living off her trust fund. Although, because it has not been invested well, the fund is starting to decrease, and Ernie has taken some work doing gardening for Parisians.

But Ernie’s not worried. Eventually, there will be money.

“Such Friends”:  100 Years Ago… is the basis for the paperback series, “Such Friends”:  The Literary 1920s. Volumes I through IV, covering 1920 through 1923 are available at Thoor Ballylee in Co. Galway, and as signed copies at Pan Yan Bookstore in Tiffin, OH, City Books on the North Side and at Riverstone Books in Squirrel Hill, Pittsburgh, PA. They are also on Amazon.com and Amazon.co.uk in print and e-book formats. For more information, email me at kaydee@gypsyteacher.com.

Mark your calendar! The Greater Pittsburgh Festival of Books returns to the Pittsburgh Theological Seminary in Highland Park on Saturday, May 11. Stop by the “Such Friends” booth in Writers’ Row.

This summer I will be talking about the literary 1920s in Paris and New York at the Osher Lifelong Learning Institute at Carnegie-Mellon University.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with Hemingway, F. Scott Fitzgerald and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

“Such Friends”:  100 Years Ago, February 2, 1924, Shakespeare and Company, 12 rue de l’Odeon; and Three Mountains Press, 29 Quai d’Anjou, Ile Saint Louis, Paris

In what is becoming an annual tradition, this English-language bookstore is celebrating the anniversary of its publication of the controversial novel, Ulysses, on this date in 1922.

Shakespeare and Company

This morning, the author, Irish ex-patriate James Joyce, 42 today, sends flowers to the shop and its owner, American ex-pat Sylvia Beach, 36, who took on the role of publisher when no publishing company would touch his novel.

She has filled the shop windows with copies of the latest edition, and this evening there will be a party.

Truth be told, neither Sylvia nor any of Joyce’s benefactors are impressed with his latest work, so far just called “Work in Progress.” Joyce says he’s experimenting, and that he’s finished with the English language.

*****

About a 20-minute walk north of the shop. British ex-pat Ford Madox Ford, 50, is still settling in to the new offices he is sharing with the Three Mountains Press, a small publishing venture started by American journalist Bill Bird, 35.

Quai d’Anjou, Ile Saint Louis

Ford is bringing out the second issue of his new literary magazine, the transatlantic review, funded by a generous American patron of the arts, New York lawyer John Quinn, 53.

The first issue of the magazine included works by some of the most talked-about American writers on the Left Bank:  poems by Ezra Pound, 38, and E. E. Cummings, 29; and a short story by Robert McAlmon, 28, whom Pound had recommended.

Ford Madox Ford

A couple of weeks ago Quinn sent Ford an additional $500, but promised he would only contribute one more instalment if necessary, but then that would be it. Grateful for any help. Ford offered Quinn a life mask of Pound but Quinn cringed at the thought. The only thing worse, he told Ford, would be a death mask.

Ford has just “hired”—for no money—one of the other young Americans making a name for himself around the Left Bank, former Toronto Star foreign correspondent Ernest Hemingway, 24, just arrived back in Paris with his wife and new baby after a four-month stay in Toronto.

The Hemingways are getting ready to move into a second-floor walk-up apartment at 113 rue Notre Dame des Champs, close to where Pound lives, overlooking a sawmill and a lumber yard.

Ernie’s job at the transatlantic review is to scout out new material from the ex-pat authors on the Left Bank. He is trying to convince Ford that he should serialize a work by Gertrude Stein, turning 50 tomorrow, The Making of Americans. Hemingway is quite keen on it; Ford thinks it’s some kind of experimental short story.

Today, the second issue of the transatlantic review has been banned by the American Women’s Club of Paris. Ford is thinking he may need to hit on Quinn for more cash.

“Such Friends”:  100 Years Ago… is the basis for the paperback series, “Such Friends”:  The Literary 1920s. Volumes I through IV, covering 1920 through 1923 are available at Thoor Ballylee in Co. Galway, and as signed copies at Pan Yan Bookstore in Tiffin, OH, and Riverstone Books in Squirrel Hill, Pittsburgh, PA. They are also on Amazon.com and Amazon.co.uk in print and e-book formats. For more information, email me at kaydee@gypsyteacher.com.

Don’t forget! Tomorrow, Saturday, February 3, we will be celebrating the 150th birthday of my fellow Pittsburgher Gertrude Stein, from noon to 4 pm at City Books on the North Side, a five-minute walk from where she was born. Details are here.

Later this month I will be talking about early 20th century supporters of the arts like the Stein family at the Osher Lifelong Learning Institute at Carnegie-Mellon University.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

“Such Friends”:  100 Years Ago, October 12, 1923, the back garden of 70 bis, rue de Notre-Dame-des-Champs, Paris

James Joyce, Ezra Pound, John Quinn, Ford Madox Ford

Irish novelist James Joyce, 41, hates these staged photographs. He wonders why the photographer has to take so many of them?

American poet Ezra Pound, about to turn 38, is glad he was able to get all three of these characters together at his studio to make plans for a new magazine.

American art collector and patron of the arts John Quinn, 53, doesn’t mind pitching in $2,000 to get this venture off the ground, but he hasn’t mentioned his stomach cancer to them. He knows he is going to have to tell Joyce that he is selling off his collection of manuscripts. Quinn plans to give Joyce half the price he gets for the Ulysses manuscript.

English editor and writer Ford Madox Ford, 49, is hoping he can get Quinn to cough up a couple of thousand for the transatlantic review. Ford is glad Pound let them meet here at his studio. These four would never fit in Ford’s tiny office.

“Such Friends”:  100 Years Ago… is the basis for the paperback series, “Such Friends”:  The Literary 1920s. Volumes I through IV, covering 1920 through 1923 are available at Thoor Ballylee in Co. Galway, at Pan Yan Bookstore in Tiffin, OH, and at Riverstone Books in Squirrel Hill, Pittsburgh, PA, where, as part of their sixth anniversary celebration, I will be signing copies from 4 to 5 p.m. tomorrow, Friday, October 13th. They are also on Amazon.com and Amazon.co.uk in print and e-book formats. For more information, email me at kaydee@gypsyteacher.com.

Later this fall I will be talking about the women of Bloomsbury and the Left Bank at the Osher Lifelong Learning Institute at Carnegie-Mellon University, and about John Quinn at the Tiffin-Seneca Public Library, co-sponsored by the Heidelberg University English Department, in Quinn’s hometown of Tiffin, OH.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

“Such Friends”:  100 Years Ago, late September, 1923, 65 Boulevard Arago, Croulebarbe, Paris

She’s glad she decided to keep a diary.

Mrs. Jeanne Foster, 44, is serving as social secretary to her…er, really good friend, American lawyer and art collector, John Quinn, 53, on his latest trip through Europe.

John Quinn and Mrs. Jeanne Foster on their European trip

A lucrative corporate case he is working on requires Quinn to take depositions from people in Paris, and he welcomed the opportunity to meet up again with his avant-garde artist friends. Quinn recently unloaded a lot of his paintings by English artists and is now focusing on his love for the French.

Mrs. Foster arrived before him to make arrangements and set up appointments. They’ve met American ex-pat poet Ezra Pound, 37, and his wife; they are looking forward to a dinner cooked by Romanian sculptor Constantin Brancusi, 47, one of Quinn’s favorites. Jeanne is recording all of their visits to studios and art galleries, as well as other meetings with interesting people.

Today they are here at the home of English writer Ford Madox Ford, 49, to talk about the new literary magazine he is planning, along the lines of the English Review which he edited back in the UK. Quinn is helping with some of the much-needed funding, and Mrs. Foster will serve as American editor. Ford, whose surname was Hueffer before the Great War, plans to run the publication from here, his brother’s apartment which he shares with his Australian common-law wife, painter Stella Bowen, 30, and their daughter Julia, age three.

65 Boulevard Arago

Before Quinn arrived in Paris, Jeanne had spoken to Ford to prepare him for the visit. John has been out-of-sorts lately, and, although he is excited about this Paris trip, he is in great pain from internal stomach problems.

Jeanne discussed with Ford one of the recent incidents which is contributing to Quinn’s foul moods—the New York visit this summer of one of the writers he generously supports, Joseph Conrad, 65. Quinn had been eager to get together with Conrad, but the Polish-British novelist totally ignored his benefactor’s phone calls and requests for a meeting. While being seen all over town partying with the literati.

Ford is friends with Conrad and had spoken to him about Quinn. Conrad had been told that Quinn had a violent temper, and, as Conrad was not feeling well himself, decided to just avoid him. He has regretted this since.

Mrs. Foster asked Ford not to bring this up when he meets with Quinn, as it will only upset him. But she keeps detailed notes of her conversation with Ford in her diary.

*****

Ford, Stella and Julia had arrived in Paris at the beginning of September. He had been here at the end of last year, but just for about a month, so was eager to come back and work on the magazine which his friend, Ezra Pound had proposed. They thought of calling it Paris Review but have decided on the name transatlantic review.

Stella is a skilled hostess at the parties she and Ford throw at the apartment. The first one they gave was for the ex-pats who spend their time on the rue de l’Odeon, including Sylvia Beach, 36, the owner of the popular English-language bookstore there, Shakespeare and Company. There was accordion music, a variety of cheeses and lots of wine.

Ford Madox Ford

Great, big, walrus-like Ford had kicked off his shoes and instructed Sylvia to do the same so they could dance. While Ford was bouncing and prancing with Sylvia, she looked across the room and saw her friend, Irish writer James Joyce, 41, looking on with great amusement.

Beach is making good use of Ford’s literary connections. She keeps urging him to write positive reviews of Joyce’s novel which Shakespeare and Company published last year, Ulysses, to overcome the bad press Joyce has been getting in England. In return, she has introduced Ford to the creative people of the Left Bank, and also listens to Ford drone on, reading her his latest poetry. Sylvia confesses she nodded off during one of these recitals. She suspects Ford wants her to publish his writings, but he’s never asked.

“Such Friends”:  100 Years Ago… is the basis for the paperback series, “Such Friends”:  The Literary 1920s. Volumes I through IV, covering 1920 through 1923 are available at Thoor Ballylee in Co. Galway, at Pan Yan Bookstore in Tiffin, OH, and as signed copies at Riverstone Books in Squirrel Hill, Pittsburgh, PA. They are also on Amazon.com and Amazon.co.uk in print and e-book formats. For more information, email me at kaydee@gypsyteacher.com.

This fall I will be talking about the women of Bloomsbury and the Left Bank at the Osher Lifelong Learning Institute at Carnegie-Mellon University, and about art collector John Quinn at the Tiffin-Seneca Public Library, co-sponsored by the Heidelberg University English Department, in Quinn’s hometown of Tiffin, OH.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

In Tiffin, Ohio, 145 years ago, on April 24, 1870…

…John Quinn was born, the first son of two Irish immigrants. He grew up in middle-class Fostoria, Ohio, and went to the University of Michigan. While working full-time in a government job in Washington, DC, he went to Georgetown University law school at night. After receiving his law degree, he earned an advanced degree in international relations from Harvard. Not bad for the son of a shanty-Irish baker.

Quinn then moved to New York City, which was to be his home for the rest of his life, so he was there when the Algonquin Round Table wits were in the newspapers every day. He predictably landed a job with a major New York law firm and worked on high profile corporate cases. During a two-year period there were quite a few deaths in his family—parents, sisters, etc.—and he began to explore his Irish roots by going back to ‘the old sod.’ While attending a Gaelic language festival in the west of Ireland, he met Lady Augusta Gregory and other friends of W B Yeats involved in the Irish Literary Renaissance. While helping them found the Abbey Theatre, he started his own law firm in 1906.

John Quinn, 1870-1924

John Quinn, 1870-1924

Quinn became involved in New York’s Tammany Hall politics, but when his candidate didn’t get the nomination at the 1912 Democratic Party convention, he became disgusted with the whole system (go figure). After that he turned his considerable energies to art and literature.

During the first two decades of the 20th century he managed to:

  • Help organize the Armory Show, securing paintings from Roger Fry’s Second Post-Impressionist Exhibit in London, and Leo and Gertrude Stein’s collection at 27 rue de Fleurus in Paris,
  • Fight Congress to have the tariff on contemporary art changed,
  • Bail out the Abbey Theatre after they were arrested for performing The Playboy of the Western World in Philadelphia,
  • Have an affair with Lady Gregory and a number of other much younger women,
  • Support Yeats’ father in New York City by buying his paintings,
  • Argue the original case to have excerpts of Ulysses published in the United States,
  • Support James Joyce in Paris by buying his manuscripts of Ulysses as he wrote them,
  • Fund the transatlantic review where Ernest Hemingway worked when he first came to Paris, and
  • Amass an incredible collection of modern art, stashed around his Manhattan apartment, focused primarily on European painters and sculptors.

During that time he kept up a detailed correspondence with all of the above as well as Ezra Pound, Joseph Conrad, Augustus John and other cultural luminaries of the early 20th century. When I did my research, Quinn kept popping up, Zelig-like, in photos such as this one:

James Joyce, Ezra Pound, Ford Madox Ford, and John Quinn in Paris

James Joyce, Ezra Pound, Ford Madox Ford, and John Quinn in Paris

Quite a guy. I get tired just thinking about all he accomplished.

Quinn died of intestinal cancer at the age of 54, and, having no heirs, willed that his art collection be sold off and dispersed among museums and collectors around the world. And it was.

This summer I’m planning to visit the States—including Ohio, where he grew up, and New York City, where his papers are. And [you read it here first], on this date, five years from now, 2020, his 150th birthday, I plan to publish an autobiography of this amazing man.

So happy birthday, John Quinn!