“Such Friends”: 100 Years Ago, February 23, 1923, corner of 23 quai des Grands-Augustins and 1 rue Git-le-Coeur, Paris

American ex-pat Gerald Murphy, 34, is looking out the window of his apartment in this dilapidated 16^th century building (he and his wife Sara, 39, will renovate as soon as the sale of their Manhattan house goes through), up the Seine, past the Ile St. Louis, over to the Tuileries Gardens on the Left Bank. He really enjoyed the party tonight.

Gerald has been having an awfully good month. He was thrilled to have four of his paintings accepted into the Salon des Independents, which opened at the beginning of February. It’s certainly not selective—Motto:  “Neither Jury nor Rewards”—but many good artists are included, such as his own painting teacher, Natalia Goncharova, 41. When the officials told Gerald that his oil Boatdeck was too large, he responded,

If you think mine is too large…I think the others are too small.”

Boatdeck by Gerald Murphy in the Salon des Independents

The Paris edition of the Herald said his work showed, “a very personal point of view in the study of machinery…[revealing] a feeling for mass and a sense of decorative effect.”

Soon after the show opened, Gerald was asked by some friends to design the American booth at a major charity event—the Bal des Artistes Russes, in aid of Russian immigrants in France.

Today was the opening of the four-day festival, and what a party!

Four orchestras! Murphy thought the jazz band was the best. The guests were dressed either as Russian peasants or cubist paintings. The rooms were filled with paintings by artists such as Russian Goncharova and Spaniard Juan Gris, 35.

For entertainment, Romanian-French writer Tristan Tzara, 26, read one of his poems, and the fabulous Fratellini Brothers performed their usual star turn.

The Fratellini Brothers

Goncharova sold her masks in the Russian booth; the Japanese booth had kabuki theatre with dancers.

One of the showstoppers is Gerald’s futuristic American exhibit, featuring a reconstruction of huge skyscrapers with blinking electric lights, recreating New York City’s Great White Way right here in Paris. It is sooo American…

“Such Friends”:  100 Years Ago… is the basis for the series, “Such Friends”:  The Literary 1920s. Volumes I through III, covering 1920 through 1922 are available at Thoor Ballylee in Co. Galway, and as signed copies at Riverstone Books in Squirrel Hill, Pittsburgh, PA. They are also on Amazon.com and Amazon.co.uk in print and e-book formats. For more information, email me at kaydee@gypsyteacher.com.

This summer I will be talking about F. Scott Fitzgerald and Ernest Hemingway at the Osher Lifelong Learning Institute at Carnegie-Mellon University.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with Fitzgerald, Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

“Such Friends”: 100 Year Ago, January 7, 1923, Standard Examiner, Ogden, Utah; and 12 rue de l’Odeon, Paris

Ogden Standard Examiner, January 7

Today’s Sunday paper in Ogden, Utah, carries a feature story about a young American entrepreneur, native New Jersey-ian Sylvia Beach, 35, and the glamorous life she and her actress sister Cyprian, 29, are living in Paris.

The “brilliance” of their careers shines through in the English-language bookshop Sylvia runs on the Left Bank, and the films Cyprian has appeared in.

Almost a year ago, Sylvia published the avant-garde novel Ulysses by ex-patriate Irish writer James Joyce, 40, which has scandalized literary circles in the United States and abroad.

According to the article, the Beach sisters, daughters of a Presbyterian minister, are living in Paris, “riding in luxury on the crest of a wave of fame and fortune.”

*****

Meanwhile, in Paris, business is brisk in Sylvia’s shop, Shakespeare and Company. The publication of Ulysses has definitely increased foot traffic. And those who come in to buy Ulysses usually leave with some of Joyce’s other works, as well as books by new authors they’ve discovered.

But her young Greek shop assistant has been ill for weeks, so Sylvia’s on her own most days. Joyce comes in almost every day to read sections of Ulysses to her and is planning a dinner party so he can “see” his close friends before he goes into the hospital for much-needed eye surgery.

Sylvia Beach and James Joyce

Ulysses sells well here in France, but in the UK copies have been confiscated and burned. Bookstores in the US, where excerpts from Ulysses have been declared obscene by a court, are getting impatient to receive their copies.

Through a connection with one of the young American wanna-be novelists who hang out at Shakespeare and Company, Toronto Star foreign correspondent, Ernest Hemingway, 23, Sylvia has arranged for copies to be smuggled into the US from Canada. But soon she will have to pay the expenses of the advertising guy who has been taking them into Detroit on the ferry from his office in Windsor, Ontario.

Cyprian’s film career is actually now non-existent. Being around her increasingly famous sister makes her miserable and she is thinking of permanently moving back to the States this year.

“Such Friends”:  100 Years Ago… is the basis for the series, “Such Friends”:  The Literary 1920s. Volumes I through III, covering 1920 through 1922 are available at Riverstone Books in Squirrel Hill, Pittsburgh, PA. They are also on Amazon.com and Amazon.co.uk in print and e-book formats. For more information, email me at kaydee@gypsyteacher.com.

Next month I will be talking about the literary 1920s in Paris and New York City in the Osher Lifelong Learning Institute at Carnegie-Mellon University.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with Hemingway, F. Scott Fitzgerald and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

“Such Friends”: 100 Years Ago, October 11, 1922, Librairie Six, 5 Avenue de Lowendal; Hotel Verneuil, rue de Verneuil, Paris; and 74 Gloucester Place, Marylebone, London

Sitting in the backroom of Librairie Six, his friend’s bookstore and art gallery, English poet and publisher John Rodker, 27, is pretty sure he has everything organized for the big day tomorrow.

John Rodker surrounded by publishing friends

In a little more than a month he has managed to pull together the publication of a second edition of the scandalous novel Ulysses by Irish-expat in Paris James Joyce, 40, the day before the copies arrive from the Dijon-based printer Darantiere.

Back in England, Rodker had been approached by one of Joyce’s many benefactors, Harriet Shaw Weaver, 46, publisher of Joyce through her Egoist Press and Egoist magazine.

Weaver has bought the British rights to all Joyce’s work, and she is eager to publish a second edition to follow up the debut of Ulysses this past February, published by the Left Bank bookshop Shakespeare and Company, owned by American ex-pat Sylvia Beach, 35.

Ulysses has been banned in America and confiscated in the UK, so Harriet has determined that the best approach is to have all the production, promotion and administrative work done in Paris, and then ship the books out to other, less tolerant, countries.

Rodker is a good choice for this assignment as he has already founded Ovid Press to publish limited editions, and, as a Conscientious Objector during the Great War, is willing to take risks for his principles.

Joyce, Beach and Weaver look at this second edition as an opportunity to correct the more than 200 typographical errors they’ve found in Shakespeare and Company’s 700-page original. However, rumors are circulating that pirates in the States are hurrying to bring out unauthorized editions. Weaver knows she has to work faster than originally planned. So—no corrections.

From this backroom office Rodker has mailed out flyers trumpeting the publication and then processed the orders. The plan he and Weaver concocted to service the UK customers involves him sending a bulk shipment to a collaborative wholesaler in London who will unbind them, pull them apart, shove sections inside British newspapers to avoid confiscation and tariffs, and then send them to the States via a merchant ship with a first mate who has agreed to serve as their smuggler. The American wholesalers will put each clandestine copy back together and deliver it to middlemen and booksellers.

Weaver will finance the whole operation, including £200 for Rodker’s services.

Rodker’s next step is to receive the shipment of 2,000 copies—complete with typos—from Darantiere tomorrow.

Ulysses, published by the Egoist Press

*****

About a half hour’s walk across the Left Bank, in the basement of the Hotel Verneuil, Rodker’s partner in crime, critic Iris Barry, 27 (actually Sylvia Crump from Birmingham, UK), has set up shop to handle the fulfillment function for individual orders.

Iris Barry

In this small room she has gathered rolls of brown parcel paper, piles of mailing labels, scissors and string. When the books arrive tomorrow, she will wrap and tie up each one individually, write out the address of the brave person in America who has ordered it, and then take Ulysses to the nearby post office in groups of four or five and send them off with a prayer that each will be delivered to its buyer before U. S. Customs starts confiscating them.

*****

In London, Miss Weaver has decided to handle the delivery to local individuals and bookstores herself. Those copies will be sent by Rodker to a private mailing firm. When the Egoist Press receives an order from a bookshop, Harriet plans to pick up the copies from the mailing company and take them—discreetly—to the store which placed the order. There they will keep Ulysses behind the counter until a special customer requests a copy.

Gloucester Place, Marylebone

Although Weaver’s lawyers have advised against it, she is going to keep some copies of Ulysses in her office and her home. Her wealthy family has always supported Harriet’s work for liberal causes but cannot imagine why she is interested in publishing smut. Her brother-in-law laments,

How could she? How could she? An enigma! An enigma!”

“Such Friends”:  100 Years Ago… is the basis for the series, “Such Friends”:  The Literary 1920s. Volumes I through III, covering 1920 through 1922 are available as signed copies at Riverstone Books in Squirrel Hill, Pittsburgh, PA and on Amazon.com and Amazon.co.uk in print and e-book formats. For more information, email me at kaydee@gypsyteacher.com.

Early next year I will be talking about the centenary of the publication of T. S. Eliot’s The Waste Land at the Osher Lifelong Learning Institute at the University of Pittsburgh, and about The Literary 1920s in Paris and New York City at the Osher program at Carnegie-Mellon University.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.

“Such Friends”: 100 Years Ago, Mid-March, 1922, 39 rue Descartes, Left Bank, Paris

Toronto Star Weekly foreign correspondent Ernest Hemingway, 22, has finished polishing the lead on his article, “American Bohemians in Paris”:

The scum of Greenwich Village, New York, has been skimmed off and deposited in large ladlesful on that section of Paris adjacent to the Café Rotonde. New scum, of course, has risen to take the place of the old, but the oldest scum, the thickest scum and the scummiest scum has come across the ocean, somehow,…and has made the Rotonde the leading Latin Quarter show place for tourists in search of atmosphere.”

La Rotonde

Since December Ernest and his new wife, Hadley, 30, have been living in Paris on his Toronto Star salary and her family trust fund. The exchange rate is so favorable that, after they moved from their hotel to a cramped fourth-floor walk-up, he was able to rent this office around the corner, on the top floor of an old hotel where French poet Paul Verlaine died back in the 19^th century. Hemingway keeps regular writing hours daily.

The editor back in Canada uses almost everything Ernie sends, about two articles a week, and he has traveled to Switzerland to file stories about the decline of the tourist trade there, and to Spain to write about tuna fishing.

Finishing up this piece, Ernest writes,

The fact that there are twelve francs for a dollar brought over the Rotonders, along with a good many other people, and if the exchange rates goes back to normal they will have to go back to America. They are nearly all loafers expending the energy that an artist puts into his creative work in talking about what they are going to do and condemning the work of all artists who have gained any degree of recognition. By talking about art they obtain the same satisfaction that the real artist does in his work. That is very pleasant, of course, but they insist upon posing as artists.”

Loafers at La Rotonde

Next month, the Toronto Star is sending Hemingway to Italy to cover the Genoa Economic and Financial Conference.

You can read Hemingway’s full article here:  https://thegrandarchive.wordpress.com/american-bohemians-in-paris-a-weird-lot/

“Such Friends”:  100 Years Ago… is the basis for the series, “Such Friends”:  The Literary 1920s. Volumes I and II covering 1920 and 1921 are available as signed copies at Riverstone Books in Squirrel Hill, Pittsburgh, PA, and also in print and e-book formats on Amazon.com and Amazon.co.uk. For more information, email me at kaydee@gypsyteacher.com.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with Hemingway, F. Scott Fitzgerald and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.

In June I will be talking about the Stein family salons in Paris before and after the Great War in the Osher Lifelong Learning program at Carnegie-Mellon University.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

“Such Friends”: 100 Years Ago, February 21, 1922, 70 bis, rue Notre Dame des Champs, Paris

Irish-American lawyer, John Quinn, 51, has been ill recently and this has cut into his time, not only as a successful corporate lawyer, but also as a patron of artists and writers, including Irish novelist James Joyce, 40, living in Paris.

Joyce’s controversial novel Ulysses has just been published in Paris by an American ex-pat bookstore owner, with financial help from Quinn. He and Shakespeare and Company owner Sylvia Beach, 34, have been tussling with each other in letters. She’s always asking for money to support Joyce, and Quinn wonders if the writer really needs that much support. Quinn is sure Beach is getting her share of the profits. Although she has told him that Joyce’s royalty is going to be an outstanding 66%.

Sylvia Beach

Recently Beach wrote to Quinn to smooth things over: 

I know that no matter how testy you like to seem, you are the kindest man alive.”

Today, another one of Joyce’s American supporters, ex-pat poet Ezra Pound, 36, also living in Paris, is writing one of his usual lengthy and colorful letters, to bring Quinn up to date on the writers he is supporting:

Cher ami:

“I am sorry you have been ill; has anyone suggested that you work too much. Most men stop when buried, but I see you pushing up the lid of the cercueil, or having a telephone fixed inside the damn thing ante mortem, so that you can dictate to the office…

Ezra Pound

Joyce told me yesterday that his english patron [publisher Harriet Shaw Weaver] had come across with another $1000, so that his income, “unearned” (or damn well earned) is now about £450 per year. So that’s that. I dont think Miss Bitch (as the name is pronounced by Parisians) was writing [at Joyce’s] instigation…

“She has been very sporting over Ulysses, but she is bone ignorant and lacking in tact. (I mean, in my own case, that she insults me every other time I go into the shop, in perfect, oh, I am convinced, in perfect unconsciousness of the fact. She has nothing to gain by insulting me)…

“That I think is a fair definition of tactlessness:  to insult when you dont mean to….

“I am worried about [poet T. S.] Eliot; and if you start chucking money about, I shd. certainly make out a case for him, now, before anyone else…

“Eliot came back from his Lausanne specialist looking O.K.; and with a damn good poem (19 pages) in his suit case…

“[New York publisher Horace] Liveright made a good impression here; offered to bring out Ulysses in the U. S. and hand over 1000 bones to J. J[oyce]. Why the hell J. J. didn’t nail it AT once I don’t know. The terms were o. k. 1000 dollars for first edition, etc…However, Joyce is off my hands; free, white, 21 years or more, of age etc…

“Eliot ought to be private secretary to some rich imbecile…failing that you might send over someone to elope, kidnap, or otherwise eliminate Mrs. E[liot]…

“Hell, mon cher, will you retire sensibly now? Or will you insist [on] being useful to other people until it is too late?…

“So far it has been a winter without colds in the head. Hope to get some Italian sun in April. Have bought lire with that intent, as their value on the exchange seems to be drifting up.

“yours ever

“Ezra Pound”

Pound’s unique spelling and punctuation have been left intact.

“Such Friends”:  100 Years Ago… is the basis for the series, “Such Friends”:  The Literary 1920s. Volumes I and II covering 1920 and 1921 are available as signed copies at Riverstone Books in Squirrel Hill, Pittsburgh, PA, and also in print and e-book formats on Amazon. For more information, email me at kaydee@gypsyteacher.com.

Thanks to all who came out in record-breaking rainfall to see my presentation about Gertrude Stein at Riverstone Books. This summer I will be talking about the Stein family salons in Paris at the Osher Lifelong Learning program at Carnegie-Mellon University.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon in both print and e-book versions.

“Such Friends”: 100 Years Ago, February 17, 1922, Closerie des Lilas, 171 Boulevard du Montparnasse, Paris

This is a disaster.

French writer and Dada co-founder Andre Breton, about to turn 26, had wanted an evening of intellectual debate among his fellow avant-garde artists and writers on the Left Bank. But just by announcing the “International Congress for the Determination and Defence of the Modern Spirit” last month in the magazine Comoedia, he stirred up their passions. So Breton decided that, rather than wait until March as originally planned, he would hold the Congress now, here at the Closerie, one of their favorite cafes.

Closerie des Lilas

His so-called friends have turned this evening into a rant against Breton. He had begged Romanian-French poet Tristan Tzara, 25, to bring his followers in the Dada movement along. Tzara refused.

Breton is pleased with the artists who have come:  American painter Man Ray, 31; French artist Jean Cocteau, 32; Spanish painter Pablo Picasso, 40; Romanian artist Constantin Brancusi, about to turn 46; French composer Erik Satie, 55.

But now they have turned against him—just because he criticized Tzara and Dadaism.

Breton has settled into a regular bourgeois lifestyle. He and his wife of four months have rented a flat that has become a gathering place in the evenings for the avant-garde of Paris. He wants to have philosophical debates—Is a top hat more or less modern than a locomotive, for example—but all these people want to do is scream at each other.

Andre Breton by Man Ray

Breton is already planning his next manifesto for Comoedia to be titled  “After Dada.”

“Such Friends”:  100 Years Ago… is the basis for the series, “Such Friends”:  The Literary 1920s. Volumes I and II covering 1920 and 1921 are available as signed copies at Riverstone Books in Squirrel Hill, Pittsburgh, PA, and also in print and e-book formats on Amazon. For more information, email me at kaydee@gypsyteacher.com.

Tonight! We will be celebrating the belated 148^th birthday of my fellow Pittsburgher Gertrude Stein at 7 pm, at Riverstone Books in Squirrel Hill. You can register to come to this free event or watch it via Zoom, here. 

Next week I will be talking about the centenary of the publication of James Joyce’s Ulysses at the Osher Lifelong Learning program at Carnegie-Mellon University.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon in both print and e-book versions.

“Such Friends”: 100 Years Ago, February 2, 1922, Gare de Lyon, Place Louis-Armand, Paris; and 31 Nassau Street, New York City, New York

Standing on the platform at the Gare de Lyon, American ex-pat Sylvia Beach, 34, is waiting for the Paris-Dijon Express, due in at 7 am.

Gare de Lyon

The first copies of the novel Ulysses, by Irish ex-pat James Joyce, 40 today, will arrive from Darantiere, the printer in Dijon. Sylvia’s little Left Bank bookstore, Shakespeare and Company, has taken on the responsibility of publishing the controversial book when no one else would.

When Beach told Joyce that Darantiere guaranteed to mail the parcel on 1^st February, Joyce was not pleased. He insisted that the package be put on the train so the conductor can hand deliver the two copies to Sylvia personally.

As the train approaches, Beach is working out the next steps in her head. She will get a taxi to Joyce’s apartment at 9 rue de l’Universite to give him the 40^th birthday present that he wants most, the first copy of Ulysses.

Then she will continue on to her shop, at 12 rue de l’Odeon, about 20 minutes away, to put the second copy on display in the window. Word has been circulating around the Left Bank that the book will soon be available, and those who subscribed in advance are eager to get their copies.

Tonight Joyce has planned a small party at one of his favorite restaurants, Ferraris, to celebrate his accomplishment, eight years in the making. He and his partner, and the mother of his children, Nora Barnacle, 37, have invited just a few friends. One of Joyce’s most loyal supporters and drinking buddies, American writer Robert McAlmon, 26, left town for the Riviera just yesterday. Didn’t even leave behind a birthday present.

Sylvia Beach and James Joyce

*****

The next day, Joyce cables one of his main benefactors, Irish-American attorney, John Quinn, 51, at his Manhattan law office:

Ulysses published. Thanks.”

Quinn, meanwhile, cables to his friend, Irish playwright William Butler Yeats, 56:

Regret your father [painter JB Yeats, 82] passed away this morning, 7 o’clock…The end came in sleep without pain or struggle.”

The author and her Irishman, Tony Dixon

“Such Friends”:  100 Years Ago… is the basis for the series, “Such Friends”:  The Literary 1920s. Volumes I and II covering 1920 and 1921 are available as signed copies at Riverstone Books in Squirrel Hill, Pittsburgh, PA, and also in print and e-book formats on Amazon. For more information, email me at kaydee@gypsyteacher.com.

My talk about my fellow Pittsburgher, Gertrude Stein, at Riverstone Books in Squirrel Hill tomorrow has been postponed due to the weather gods sending “extra ice on Thursday” in the middle of a snowstorm. The new date will be posted on this blog and you can register your interest in coming here.

At the end of February I will be talking about the centenary of the publication of James Joyce’s Ulysses at the Osher Lifelong Learning program at Carnegie-Mellon University, on Zoom, no matter what the weather is like.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon in both print and e-book versions.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

“Such Friends”: 100 Years Ago, January 10, 1922, 28 Rue Boissy d’Anglas, Right Bank; and 74 rue du Cardinal Lemoine, Left Bank, Paris

French writer and artist Jean Cocteau, 32, has planned this terrific grand opening for the cabaret he is fronting, Le Boeuf sur La Toit [The Ox on the Roof], on the Right Bank. He and his business partners took the name from a ballet Cocteau had written a few years ago, to a catchy tune by French composer Darius Milhaud, 29.

Le Boeuf sur le Toit

Cocteau’s own paintings are on the walls, along with others lent by Spanish artist Pablo Picasso, 40. However the centerpiece is the stunning work behind the bar, L’oeil Cacodylate, by French painter Francis Picabia, about to turn 43.

L’oeil Cacodylate by Francis Picabia

It’s almost midnight and the party is going strong. Picasso is here with his young Russian ballerina wife, Olga, 30. Welsh painter Nina Hamnett, 31, has arrived late.

Cocteau looks for his friend, French writer Raymond Radiguet, 19, and finds him at the bar chatting with Romanian sculptor Constantin Brancusi, 45. The two men aren’t enjoying the party and, to Cocteau’s dismay, grab Nina and take off to find a bouillabaisse.

To Hamnett’s dismay, Radiguet and Brancusi abandon her at the Gare de Lyon to continue their search by hopping a train to Marseilles.

Le Boeuf sur La Toit publicity card

*****

Over on the Left Bank, American ex-pats Ernest Hemingway, 22, and his wife of four months Hadley, 30, are settling in to their cramped, fourth-floor apartment above a bal musette, a bar with a dance floor presided over by the chain-smoking, accordion-playing owner.

The Hemingways arrived in Paris just a few weeks ago and have been staying at the nearby Hotel Jacob. An American friend found this apartment for them, with a mattress on the floor, no running water, and a toilet on each landing that they can smell when they climb the stairs.

The Hemingways are astounded by how cheap it is to live in Paris. In little neighborhood restaurants you can get dinner for two for 12 francs (about $1) and a bottle of wine for 60 centimes (50 cents). Hadley’s trust fund gives them $3,000 a year, and Ernest is working as the foreign correspondent for the Toronto Star. They can afford to hire a maid to clean and cook them meals and can even afford to go on skiing vacations.

Today they are off to Chamby sur Montreux, Switzerland, for two weeks so Ernest can research a piece about the Swiss tourist trade for the Star.

74 rue de Cardinal Lemoine

If you now have Milhaud’s catchy tune going through your head, you can hear the whole piece here. 

“Such Friends”:  100 Years Ago… is the basis for the series, “Such Friends”:  The Literary 1920s. Volumes I and II covering 1920 and 1921 are available as signed copies at Riverstone Books in Squirrel Hill, Pittsburgh, PA, and also in print and e-book formats on Amazon. For more information, email me at kaydee@gypsyteacher.com.

On February 3, 2022, we will be celebrating the 148^th birthday of my fellow Pittsburgher Gertrude Stein, at Riverstone Books in Squirrel Hill. You can register for this free event, or sign up to watch it via Zoom, here. 

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with Hemingway, F. Scott Fitzgerald and Thomas Wolfe, is also available on Amazon in both print and e-book versions.

At the end of February I am talking about the centenary of the publication of James Joyce’s Ulysses at the Osher Lifelong Learning program at Carnegie-Mellon University.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

“Such Friends”: 100 Years Ago, first week in January, 1922, Left Bank, Paris

When New York publisher Horace Liveright, 37, planned his month-long European trip, this is exactly the kind of evening he had hoped for.

Horace Liveright

His host and facilitator is American ex-pat poet Ezra Pound, 36, whom Liveright has never met. Through correspondence, Pound has been keeping Liveright abreast of all the latest publishers and writers working in Paris and London, and this trip is Ezra’s chance to introduce them to Horace.

Liveright had predicted correctly to his wife that this time in Paris with Ezra would be the “best of all” the trip.

Their companions for tonight are two of the ex-pat writers Liveright most wants to meet. American Thomas Stearns Eliot, 33, living in London but visiting Paris for two weeks, and Irishman James Joyce, 39, whose much talked about novel, Ulysses, declared obscene by the courts in the US, is nevertheless due to be published here early next month.

T. S. Eliot and Ezra Pound

Liveright wants to sign up all three, and firmly believes in mixing contracts with cocktails. It is rumored that the bootleggers visiting his Manhattan office often outnumber the writers. Eliot’s favored tipple is gin, but the other three are not particularly selective.

Liveright would like to publish some of Pound’s poetry, and he trusts Ezra’s high opinion of Eliot’s work.

Pound would like to see Eliot published more broadly, to get him enough income so he can leave his godawful bank clerk’s job in London. In the two weeks they are here together in Paris, they are going to work intensively revising Eliot’s untitled latest long poem. Pound tries pitching that one to Liveright, who is concerned it might not be long enough to be book-length.

Joyce would like to see Ulysses published in America but seems unimpressed with Liveright’s offer of $1,000 upfront. Pound is aghast. Why wouldn’t Joyce want that kind of money?

Pound is not aware that Liveright had offered to publish Ulysses once before. But he wanted to make changes; Joyce refuses to let anyone change even one word. For now, he will stick with the deal he has in Paris. American bookstore owner Sylvia Beach, 34, is bringing out Ulysses in a few weeks, word for word, the way Joyce wrote it.

“Such Friends”:  100 Years Ago… is the basis for the series, “Such Friends”:  The Literary 1920s. Volumes I and II covering 1920 and 1921 are available as signed copies at Riverstone Books in Squirrel Hill, Pittsburgh, PA, and also in print and e-book formats on Amazon. For more information, email me at kaydee@gypsyteacher.com.

On February 3, 2022, we will be celebrating the 148^th birthday of my fellow Pittsburgh native Gertrude Stein, at Riverstone Books in Squirrel Hill. You can register for this free event, or sign up to watch it via Zoom, here. 

Early in the new year I am talking about the centenary of the publication of James Joyce’s Ulysses at the Osher Lifelong Learning programs at Carnegie-Mellon University and the University of Pittsburgh.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with, F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon in both print and e-book versions.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

“Such Friends”: 100 years ago, Fall, 1921, Belleville, outside of Paris

From his high perch atop the step ladder, American ex-pat Gerald Murphy, 33, can get a better view of the huge canvas he is working on, refurbishing the sets for the Ballets Russes.

Serge Diaghilev, 49, the founder and director of the ballet company, has asked Gerald, his wife Sara, just turned 38, and some other young students who are studying painting to travel out here daily to his atelier to work on restoring the sets designed for his Ballet by local artists. Such as George Braque, 39. Andre Derain, 41. Pablo Picasso, 40.

Serge Diaghilev

The Murphys jumped at the chance. Not only have they had the opportunity to meet some of the top cubist painters of the time, they get to hang out with the crowd around the Ballets Russes. Gerald is thrilled that they are not only allowed to watch rehearsals, they are expected to. And to discuss their opinions of the work.

These artists are not like the ones the Murphys have known before in America. Gerald sees Picasso as “a dark, powerful physical presence,” like a bull in a Goya painting. And the Spaniard seems particularly interested in Sara.

Their life in Paris is so much different—so much better—than what they left behind in America when they boarded the SS Cedric for Southampton, England, in June.

Gerald has taken a leave of absence from the landscape architecture course he was enrolled in at Harvard. They packed up the kids—Honoria, 3 ½; Baoth, 2; and Patrick, 8 months—and the nanny and spent some time in England visiting the stately homes that Sara had known when she lived there as a child.

Didn’t like it. Really hot summer and the gardens were all parched and brown.

So they decided to go to Paris for a bit and then head home.

But when the Murphy family arrived here in early September, their American friends convinced them to stay. Everyone’s coming to Paris.

After they had been in their furnished apartment at 2 rue Greuze for about a month, Gerald was stopped in his tracks by a display in the window of an art gallery:  Cubist paintings, like the ones he had seen in the Armory Show in New York eight years ago, by some of the same artists—Braque, Derain, Picasso.

Gerald told Sara,

That’s the kind of painting that I would like to do.”

He and Sara found a recently arrived Russian cubist/futurist, Natalia Goncharova, 40, who teaches painting in her studio on the rue de Seine in the Left Bank, and they have been taking lessons from her every day. Goncharova only allows abstract painting, nothing representational. Or, as Sara says,

No apple on a dish.”

Natalia Goncharova

Goncharova has created set designs for Diaghilev, so she told the Russian impresario about her eager American students and he immediately sensed an opportunity for free labor, getting his sets fixed up for the coming spring season.

The Murphys don’t mind volunteering their services. They have Sara’s family income of about $7,000 a year, and the franc is going for less than 20 cents on the dollar.

And in France, they can have cocktails with dinner. No Prohibition.

Set and costume designs by Picasso for the Ballets Russes

“Such Friends”:  100 Years Ago… is the basis for the series, “Such Friends”:  The Literary 1920s. Volumes I and II covering 1920 and 1921 are available as signed copies at Riverstone Books, Squirrel Hill, Pittsburgh, PA, and in print and e-book formats on Amazon. For more information, email me at kaydee@gypsyteacher.com.

At the end of February I will be talking about the Publication of James Joyce’s Ulysses at the Osher Lifelong Learning Institute at Carnegie-Mellon University.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon in both print and e-book versions.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.