“Such Friends”:  The Literary 1920s, Volume II—1921 is now available!

Would you like to find out now how 1921 ends?

You can!

Cover design by Lisa Thomson

You don’t have to wait for this blog to work its way through the year.

Just order “Such Friends”:  The Literary 1920s, Volume II—1921, the second in the series collecting these blog postings about this amazing decade. The print version is available now on Amazon; the e-book will be available in a few weeks.

You’ve certainly put a lot of work into this. It is a panorama of the period…Look forward to reading your future work”—Richard, Hemingway fan

Following less than eight months after the publication of Volume I, this collection of more than 100 vignettes has the same easy to dip in and out of layout. Or you can read straight through from January 1st to the upcoming December 31st.

Interior pages of “Such Friends”

Spoiler alert:  It’s got a great ending [and two recipes]!

I have really been enjoying your book…Because of the way it’s set up with episodes corresponding to dates of the year, it’s a great one for reading a bit from on a daily basis.”—Emily, British writer fan

And what about your book-loving friends? You may know which early 20th century writers they love, but are you sure which works they have read or not read at gift-giving time? The series “Such Friends”:  The Literary 1920s is the perfect present because they sure haven’t read this! Give them the gift of great gossip about their favorite creative people.

The series “Such Friends”:  The Literary 1920s is based in part on my research for my Ph.D. in Communications from Dublin City University in Ireland. which focused on the legendary writers and artists who socialized in salons in the early years of the 20th century—William Butler Yeats and the Irish Literary Renaissance, Virginia Woolf and the Bloomsbury Group, Gertrude Stein and the Americans in Paris, and Dorothy Parker and the Algonquin Round Table. For the blogs and books I have expanded the cast of characters to also include those who orbited around them such as T. S. Eliot, E. M. Forster, James Joyce, D. H. Lawrence, Edna St. Vincent Millay and others.

My investigations into creative writers in the early 20th century began with Manager as Muse, a case study of Scribner’s editor Maxwell Perkins’ work with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, the topic of my MBA thesis at Duquesne University in my hometown of Pittsburgh, Pennsylvania. This is also available on Amazon in print and e-book formats.

The “Such Friends” book series has been beautifully designed by Lisa Thomson [LisaT2@comcast.net] and produced on Amazon by Loral and Seth Pepoon of Selah Press [loralpepoon@gmail.com].

The cover art on Volume II is a painting by Virginia Woolf’s sister, painter Vanessa Bell, A Conversation.

A Conversation by Vanessa Bell, 1913-1916

If you are in Pittsburgh, and easily accessible by bus, I will hand deliver your personally signed copy!

Everyone is reading “Such Friends”!

I read it in chronological order and found the vignettes most interesting. A sort of behind the scenes look into the thoughts, character, and personalities of the writers and artists affiliated with the individual salons in the beginning of the decade. I do believe the 20s sparked a Renaissance of thought and ideas in the literary and artistic world. I must admit that there were a few of their associates that I was not familiar with which may merit further study.”—Robert, Wisconsin fan

For complimentary review copies of both volumes of “Such Friends”:  The Literary 1920s, email me at kaydee@gypsyteacher.com.

This fall I will be talking about Writers’ Salons in Dublin and Ireland Before the Great War in the Osher Lifelong Learning program at Carnegie-Mellon University.

If you want to walk with me through Bloomsbury, download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

“Such Friends”: 100 years ago, late August, 1921, the Old Palace, Dewas, India

Novelist Edward Morgan Forster, 42, has awoken from a bad dream and feels relieved.

To attend this two-day festival celebrating the birth of Lord Krishna, Forster has moved from his three-room furnished suite to these rooms in the Old Palace, which offer a better view.

Janmashtami festival

In his dream, Forster was back home in England with his mother Lily, 66, and his cat, Verouka. He dreamt that he had shown Verouka a mechanical doll that scared him. The cat was running round and round in the room above, making a terrible racket.

Forster’s relief comes as he realizes the racket is from a steam engine that is generating electricity for the festival outside his window.

Morgan left England—and his annoying mother—on his second trip to India more than five months ago.

At the beginning of the year, Morgan had written to his primary publisher that he would notify him if he ever got around to writing another book. His third and fourth novels, A Room with a View and Howards End have done well. But they were both published more than a decade ago.

Despairing of his mundane life and his inability to write, Forster prophesied to a friend,

I shall go [on] some long and fantastic journey; but we do not yet know whither or when. I am so sad at the bottom of my mind.”

Days later he received a cable from an old, dear friend, Sir Tukoji Rao IV, the Maharajah of Dewas State, 33, with whom he shares a January 1st birthday.

Sir Tukoji Rao IV

HH, as he is always referred to, decided—for some unfathomable reason—that Forster would be the ideal person to stand in for his private secretary who is going on six-month leave. HH offered Morgan paid return fare and expenses, 300 rupees per month, and his own young male concubine. Morgan had no idea what a “private secretary” would do. Still doesn’t.

But Forster jumped at the chance for a “fantastic journey,” renewed his passport and booked passage to India as soon as he could. Also, he knew his sea voyage would include a brief stopover in Port Said, Egypt, where he hoped to meet up with his Egyptian former lover.

E. M. Forster

His mother emphatically did not want him to leave and became a real pain. His friends in Bloomsbury were not happy either, but slightly more understanding. Fellow novelist Virginia Woolf, 39, thinks she will never see him again; he will become a mystic and forget about his despised life back home in Weybridge. Besides the fact that she likes having him around, Virginia looks to Morgan’s opinions on her writing. The rest of his Bloomsbury friends just think he’s running away from home.

Which he is.

He did spend four idyllic hours in Port Said having sex on a chilly beach with his Egyptian lover.

But now that he is “away,” what’s he supposed to do?! Morgan knows that he doesn’t have the skills necessary to organize the chaotic finances of the palace, and he isn’t any better at supervising the gardens, the garages, or the electricity. He tried to start a literary society, but attendance was patchy and engagement by the participants non-existent. HH asked that Morgan read aloud to him every day; this happens maybe once a month.

Morgan should be using all his free time to write. He had planned to work on what he has called his “Indian Manuscript” which he had started before the Great War. Now he feels that the words on the page melt in the Indian humidity. All he is able to write are deceptively cheery letters back home.

The only bright spots are the instalments on royalties he is receiving from Virginia’s Hogarth press for his supernatural fiction, The Story of the Siren; the most recent was last month on the first anniversary of its publication. The fact that it has sold at all maybe means that he shouldn’t give up trying to write.

“Such Friends”:  100 Years Ago… is the basis for the series, “Such Friends”:  The Literary 1920s. Volume I, covering 1920, is available in both print and e-book formats on Amazon. For more information, email me at kaydee@gypsyteacher.com.

This fall I will be talking about Writers Salons in Dublin and London Before the Great War in the Osher Lifelong Learning program at Carnegie-Mellon University.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is available on Amazon in both print and e-book versions.

“Such Friends”: 100 years ago, August 7 and 8, 1921, Charleston Farmhouse, East Sussex, England; and Monk’s House, Rodmell, England

Art critic Clive Bell, 39, is at Charleston Farmhouse which he shares with his estranged wife, painter Vanessa Bell, 42, their two sons, Julian, 13, Quentin, about to turn 11, and assorted other family members and lovers.

Clive is writing to his current mistress, Mary Hutchinson, 32, back in London:

Nothing could exceed the monotony of life at Charleston except the pleasantness of that monotony…One comes down to breakfast as much before 10 as possible, hopes for letters, kills a wasp, smokes a pipe, contemplates nature, writes til lunch, reads the Times, goes for a walk, drinks tea, reads Proust, shaves, writes [a letter]…dines, lights a fire, smokes a cheroot, reads the Grenville memoirs, smokes a pipe, reads Proust, goes to bed. Sometimes it rains.”

Mrs. St. John Hutchinson by Vanessa Bell, 1915

*****

About 10 miles away, at Monk’s House in Rodmell, Vanessa’s sister, novelist Virginia Woolf, 39, is quite unwell and has been losing weight. The sales of her latest book, Monday or Tuesday, are good, and she has started sleeping a bit better, without medication. But her current doctors have her on horrible “milk cures,” which she can’t abide.

Virginia has been unable to do any writing or see any guests for about two months, and confides to her diary,

What a gap! Two whole months rubbed out—These, this morning, the first words I have written—to call writing—for 60 days.”

Virginia Woolf by Vanessa Bell, 1912

“Such Friends”:  100 Years Ago… is the basis for the series, “Such Friends”:  The Literary 1920s. Volume I covering 1920 is available in print and e-book format on Amazon. For more information, email me at kaydee@gypsyteacher.com.

This fall I will be talking about Writers’ Salons in Dublin and London Before the Great War in the Osher Lifelong Learning program at Carnegie-Mellon University.

If you want to walk with me through Bloomsbury, download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is available on Amazon in both print and e-book versions.

“Such Friends”: Four years ago, June, 2017, London

We interrupt our usual chronicle of what was happening 100 years ago to commemorate “Dalloway Day.”

Not “Bloomsday” which celebrates June 16th as the day on which James Joyce set his novel Ulysses [1922]. But the third Wednesday in June which is the day on which Virginia Woolf set her novel Mrs. Dalloway [1925]. This year, they happen to be the same day.

Below is a blog I wrote about the Dalloway Day events in London that I attended in 2017. If you are interested in the celebrations being held this year, click here. I particularly recommend the panel this evening featuring my “such friends” Emily Midorikawa and Emma Clair Sweeney, talking about Woolf’s friendship with Katherine Mansfield.

Such Friends”:  Dalloway Day, Blogging Woolf, and me

I said I would buy the lunch myself.

As I recommend to all my visiting American friends, when in the UK, time your train trip so you can take along some lunch from M&S Simply Food, ubiquitous in train stations here. My preference is carrot sticks with reduced fat humous and salmon pasta salad. Yum.

So I stocked up and took off for London a few Saturdays ago to take part in my first “Dalloway Day,” commemorating the day on which Virginia Woolf’s 1925 novel, Mrs. Dalloway, is set. The Irish all over the world have been celebrating “Bloomsday” based on James Joyce’s Ulysses for over 50 years. Now it’s Virginia’s turn.

Original cover of Mrs. Dalloway, designed by Vanessa Bell

The Virginia Woolf Society of Great Britain is sponsoring this day, which includes a walk through some of the novel’s settings, a discussion of the book, and a 1920s party at the Bloomsbury Waterstones. I signed up for the whole package.

On one of the hottest days of the year, I took the train from Birmingham New Street to Euston station, and then the Underground to the appointed meeting place, outside the Regent’s Park Tube.

Waiting for the Underground lift, literally a breath of fresh air came wafting through. The woman next to me, about my age, said,

Oh! That feels great. It’s so hot.”

I nodded in agreement.

Watching her walk up the stairs in front of me, I realized she was wearing a blue flower print dress and lovely straw hat. Aha. Another Dalloway Day participant, I surmised.

As we reached the street at the top, we both laughed. Standing just a few feet away was a gaggle of Dalloway Day fans. About 20 women “of a certain age” in flowered dresses or skirts, straw hats—they all looked just like me! No trouble finding this group.

The walk was led by Jean Moorcroft Wilson, who obviously was a lot more familiar with the book and Virginia than I am, having read it years ago as part of my research. I actually have much more vivid memories of the Vanessa Redgrave film, which I’ve used in my presentations.

Jean was dressed in the full Dalloway, including a vintage dress and hat, complemented by darling low-heeled black shoes with straps. Very 1920s. She’d obviously done this many times before.

Jean pointed out that there is debate as to when Dalloway Day actually is. Whereas Joyce clearly set Ulysses on 16th June, 1904, the day of his first date with his eventual wife, Nora Barnacle, Woolf ‘s novel says “mid-June.” However, by lining up events in the book with cricket games and the Ascot races, most scholars have settled on the third Wednesday in June. But—this year, we are celebrating on Saturday, 17th June. So more of us can come.

The unusually warm weather—it’s actually been hot; Miami hot, not just England hot—didn’t slow us down a bit. After a stop in Regent’s Park, Jeanne walked us over to Fitzroy Square, where Virginia lived from 1907 until 1911 with her brother Adrian. Their sister Vanessa had married art critic Clive Bell and kicked the siblings out when the newlyweds took over the Gordon Square house, where we headed next.

My own Bloomsbury walk actually takes the reverse route, starting in Gordon Square and then over to Fitzroy Square.

Here’s me on one of my walks pointing out the house at #29 where Virginia and Adrian lived:

At Waterstone’s, we sat in a circle, sipping refreshing flavored ice water. Jean and Maggie Humm of the Woolf Society led us through an interesting discussion of the book. My research was on the relationships among the creative people in the Bloomsbury group, but wasn’t focused on their works—books, paintings, etc. This discussion brought new insights about the connections for me to incorporate into my future presentations.

And I learned that there is a website that maps all the walks of the characters in the book—Clarissa, Peter, Septimus and Rezia—showing how they interconnect.

For the 1920s party, I was planning to switch to Dorothy Parker mode, and so had tucked my red feather boa into my travel bag. But not many others were quite so dedicated to the flapper look, so I decided to stay in Bloomsbury garb.

*****

This past week, I had another tax-deductible reason to go to London. Paula Maggio, better known to many of you as “Blogging Woolf”’ was visiting from the States to attend the 27th Annual International Conference on Virginia Woolf. We made plans to meet up and she wanted to try the Dalloway Terrace at the Bloomsbury Hotel. We had a fabulous lunch of pasta and prosecco, treated ourselves to dessert, and took a peek at the 1920s-style Bloomsbury Club downstairs.

Dalloway Terrace at the Bloomsbury Hotel, photo by Paula Maggio

Paula had also heard about a life-size statue of Virginia at Kings College, where Woolf had studied classics in her early days. A bit of Googling and walking led us to the Woolf Building. A sign said it was locked due to increased security, but when the guard saw our noses pressed against the glass, he let us in.

There she was, encased behind plexiglass, big as life, holding a copy of A Room of One’s Own, in a wardrobe that was, as Paula said, “a closet of her own.”

Surrounded by large quotes from Virginia’s works, and photos of her, it makes a fitting entrance for the College’s School of English.

Virginia Woolf statue, Kings College, photo by Paula Maggio

I would definitely add both of these places—Dalloway Terrace and the Kings College statue—to my Bloomsbury walk. Here’s a review of the restaurant by one of last year’s conference participants..

Heading back towards Euston station, Paula and I stopped by Woburn Walk, where the poet William Butler Yeats lived at the same time that Virginia and her siblings were moving into Gordon Square, just a few blocks away.

These intersections of time, place and characters are what interest me most. I can picture an aerial view of north London in 1907, as the Irish poet walks past the Stephens sisters, on their way over to enjoy a stroll through Regent’s Park.

Might make an interesting structure for a biography. Watch this space.

To walk with me through Bloomsbury, download the “Such Friends”: Virginia Woolf and the Bloomsbury Group audio walking tour from VoiceMap.

“Such Friends”:  100 Years Ago… is the basis for the series, “Such Friends”:  The Literary 1920s. Volume I covering 1920 is available in print and e-book formats on Amazon. For more information, email me at kaydee@gypsyteacher.com.

This summer I am talking about The Literary 1920s in the Osher Lifelong Learning programs at Carnegie-Mellon University and the University of Pittsburgh.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is available on Amazon in both print and e-book versions.

“Such Friends”: 100 years ago, May 20, 1921, Grosvenor Gallery, Bond Street, London

The opening of the “Nameless Exhibition” here, sponsored by The Burlington Magazine, has caused a bit of controversy.

Poster for Nameless Exhibition by Roger Fry

The organizers, including Burlington founder and former editor Roger Fry, 54, and Professor of Fine Art at the Slade School Henry Tonks, 59, decided to make a brave move and hang a whole exhibit of paintings with no artists’ names attached. Not on the walls; not in the catalogue. They want to strike a blow against the cult of personality which has gathered around some artists.

Included are works by three of Roger’s Bloomsbury friends, his former lover Vanessa Bell, about to turn 42, her partner Duncan Grant, 36, and Slade School grad, Dora Carrington, 28.

Roger Fry by Vanessa Bell, 1912

Fry can’t wait to tell Vanessa that Tonks has hung one of her works, Visit, quite prominently, unaware that it is by a woman. Tonks goes on incessantly about how women painters are always imitating men.

Even though this is one of Carrington’s first important exhibits, all she is thinking about is her wedding tomorrow.

*****

Carrington has spent the past four years living with and in love with Bloomsbury writer Lytton Strachey, 41, at Mill House in Tidmarsh, Berkshire. Carrington is well aware that Lytton is openly gay, but he is fond of her and is providing her the literary education she lacked. In exchange she paints and runs the household.

About three years ago, into this lovely arrangement walked big, strong, Ralph Partridge, 27, an Oxford friend of Carrington’s younger brother. He’s fallen in love with Carrington and moved into Tidmarsh. And Lytton is interested in him.

Dora Carrington, Ralph Partridge and Lytton Strachey

Now that Ralph has gainful employment—working as an assistant at the Hogarth Press operated by Bloomsbury regulars Virginia Woolf, 39, and her husband Leonard, 40—he can afford to take a wife. Although Lytton is paying for the wedding.

Lytton has spent the past two months convincing Carrington to take the plunge. And the Woolfs approve also.

So Carrington has now agreed. She cries each night and writes Lytton long love letters. Ralph knows she’s not in love with him. Carrington feels this is the way to keep the three together.

Lytton is already in Venice. The newlyweds are going to meet up with him there in a few weeks on their honeymoon.

“Such Friends”:  100 Years Ago… is the basis for the series, “Such Friends”:  The Literary 1920s. Volume 1 covering 1920 is available in print and e-book formats on Amazon. For more information, email me at kaydee@gypsyteacher.com.

This summer I will be talking about The Literary 1920s in the Osher Lifelong Learning programs at Carnegie-Mellon University and the University of Pittsburgh.

If you want to walk with me through Bloomsbury, download my audio walking tour, “Such Friends”: Virginia Woolf and the Bloomsbury Group.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is available on Amazon in both print and e-book versions.

“Such Friends”: 100 years ago, April 17, 1921, Hogarth House, Richmond, London

Novelist Virginia Woolf, 39, is concerned about the sales of her most recent book. Her first short story collection, Monday or Tuesday, was published by her and her husband Leonard’s own Hogarth Press last month.

Monday or Tuesday, cover design by Vanessa Bell

Today she writes in her diary, “

Sales & revenues flag, & I much doubt if M. & T. will sell 500, or cover expenses.”

First, the book looks horrible. Terrible printing job. The Woolfs will never use that printer again.

Then their assistant, Ralph Partridge, 27, screwed up the publicity from the start by sending a review copy to the Times that didn’t include the publication date. All she got was a tiny write-up in an obscure part of the paper.

In the meantime, the new biography, Queen Victoria by her friend Lytton Strachey, 41, is featured in the paper with three columns of unabashed praise! Virginia has also heard that Lytton’s book sold 5,000 copies in the same week hers only moved 300. No wonder.

Queen Victoria by Lytton Strachey

Lytton dedicated his book to her, and he has been complimentary about her collection, particularly the story “The String Quartet.”

But the slow sales are beginning to depress Virginia. On the other hand, when she receives reports of strong sales she worries that she is becoming too commercial.

A little over a week ago Virginia confided to her diary,

I ought to be writing Jacob’s Room; and I can’t, and instead I shall write down the reasons why I can’t…Well, you see, I’m a failure as a writer… And thus I can’t get on with Jacob…My temper sank and sank till for half an hour I was as depressed as I ever am. I mean I thought of never writing any more—save reviews…What depresses me is the thought that I have ceased to interest people…One does not want an established reputation, such as I think I was getting, as one of our leading female novelists. I have still, of course, to gather in all the private criticism, which is the real test.”

“Such Friends”:  100 Years Ago… is the basis for the book, “Such Friends”:  The Literary 1920s Volume I covering 1920 is available on Amazon in both print and e-book versions. For more information, email me at kaydee@gypsyteacher.com.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”: Virginia Woolf and the Bloomsbury Group

This summer I will be talking about The Literary 1920s in the Osher Lifelong Learning programs at Carnegie-Mellon University and University of Pittsburgh.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is available on Amazon in both print and e-book formats.

“Such Friends”: 100 years ago, March 8, 1921, Hogarth House, Richmond, London

She’s feeling rather pleased with herself.

Novelist Virginia Woolf, 39, has just brought out her first collection of short stories, published by her and her husband, Leonard, 40, at their own six-year-old Hogarth Press.

Monday or Tuesday is one of the more ambitious projects they have tackled, having started with individual stories. This is full book length, with some pieces that have appeared before and some new.

Her sister, painter Vanessa Bell, 41, did a woodcut for the cover, which she has done for many of Hogarth’s books. This time they also had Vanessa do a few more for the inside pages.

Monday or Tuesday with cover by Vanessa Bell

Virginia feels that both the writing and the art are up to her high standards.

However.

The printing is a mess.

The Woolfs trusted McDermott’s Prompt Press, which they have used before, and what they got is what Virginia describes to a friend as “an odious object…[which leaves] black stains wherever it touches.” And all 1,000 copies are filled with typographical errors.

That problem is no trouble to fix. They’ll correct the typos for the Harcourt Brace American edition and never use McDermott again.

The problem she is having trouble fixing is her third novel, Jacob’s Room. Virginia is trying to continue the experiments with style she used in the newer short stories in Monday or Tuesday. But working here in the Woolfs’ house in Richmond, with the business of the Hogarth Press going on all around her—it’s just not coming.  She likes to write in her head when she walks out on the Sussex countryside surrounding their country home, Monk’s House. Earlier this month she wrote in her diary,

If I were at Rodmell I should have thought it all out walking on the flats. I should be in writing trim.”

But this short story collection is giving her confidence. She writes in her diary now,

And I’m not nearly as pleased as I was depressed; & yet in a state of security; fate cannot touch me; the reviewers may snap; & sales decrease…[I have overcome my fear of being] dismissed as negligible.”

“Such Friends”:  100 Years Ago… is the basis for the series, “Such Friends”:  The Literary 1920s. Volume I, covering 1920, is available in print and e-book versions on Amazon. For more information, email me at kaydee@gypsyteacher.com.

This summer I will be talking about The Literary 1920s in the Osher Lifelong Learning programs at Carnegie-Mellon University and the University of Pittsburgh.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”: Virginia Woolf and the Bloomsbury Group.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is available on Amazon in both print and e-book formats.

“Such Friends”: Today!

We interrupt our usual chronicling of what was happening in the literary 1920s for news of the official publication on Amazon of the book of these blogs, “Such Friends”:  The Literary 1920s, Volume I—1920, by your blog host, Kathleen Dixon Donnelly.

Cover design by Lisa Thomson

This volume chronicles in over 90 vignettes the events that affected the literary world 100 years ago. It is the first in a planned series, “Such Friends”:  The Literary 1920s, which focuses on the legendary writers and artists who socialized in salons in the early years of the 20th century—William Butler Yeats and the Irish Literary Renaissance, Virginia Woolf and the Bloomsbury Group, Gertrude Stein and the Americans in Paris, and Dorothy Parker and the Algonquin Round Table—and also includes those who orbited around them such as T. S. Eliot, James Joyce, Edna St. Vincent Millay, Ezra Pound and others.

The series “Such Friends:  The Literary 1920s” is based in part on my research for my Ph.D. in Communications from Dublin City University in Ireland. My investigations into creative writers in the early 20th century began with Manager as Muse, a case study of Scribner’s editor Maxwell Perkins’ work with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, the topic of my MBA thesis at Duquesne University in my hometown of Pittsburgh, Pennsylvania.

Cover design by Jean Boles

All vignettes in this first volume, covering 1920, originally appeared on this blog. The book is formatted so that you can dip in and out, follow favorite writers, or read straight through from January 1st to December 31st.

And 1920 is just the beginning. You’ve already been reading about what was going on in 1921. And we’ve got nine more years to go! It was quite a decade.

The book is available now in both print and e-book formats from Amazon. “Such Friends”:  The Literary 1920s, Volume I—1920 was beautifully designed by Lisa Thomson [lisat2@comcast.net] and created on Amazon by Loral and Seth Pepoon of Selah Press [loralpepoon@gmail.com]. And they did a great job [I’m biased].

For complimentary review copies of “Such Friends”:  The Literary 1920s, Volume I—1920, email me at kaydee@gypsyteacher.com.

This summer I will be talking about The Literary 1920s in the Osher Lifelong Learning programs at Carnegie-Mellon University and the University of Pittsburgh.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”: Virginia Woolf and the Bloomsbury Group.

“Such Friends”: 100 Years Ago, October, 1920, Hogarth House, Richmond, London

The scheme seems to be working.

Leonard Woolf, 39, co-founder and owner with his wife Virginia, 38, of the five-year-old Hogarth Press, is poring over the company accounts. It appears the subscription scheme the Woolfs implemented almost a year and a half ago is working.

Hogarth Press logo, designed by Virginia’s sister, Vanessa Bell

The two-tiered system was set up so “A” list subscribers pay £1 for a commitment to buy all the titles printed by Hogarth in a given year. Last year there were five, including T. S. Eliot’s Poems.

“B” list subscribers pay nothing up front, but are notified early of new releases and can choose which they want to buy.

So far, Hogarth has 34 people on the “A” list and 15 on the “B” list.

Truth be told, almost all of the subscribers are the Woolfs’ friends and family. Some are well-known writers among their Bloomsbury Group friends—essayist Lytton Strachey, 40, economist John Maynard Keynes, 37. Some are established authors in their own right—H. G. Wells, 54, whose War of the Worlds had been a big hit a while back, and Rebecca West, 27, already known for her novel about the Great War, The Return of the Soldier, and a biography of American writer Henry James.

Hiring an assistant to help out two or three days a week, Ralph Partridge, 26—chosen on Lytton’s recommendation—also seems to have been a good move. The Woolfs have promised to pay him £100 for the year, as well as half of their net profits. Last year Hogarth Press netted a respectable 13 pounds, 14 shillings and 2 pence. Young Ralph is working on the press in their home, setting type, etc., as well as serving as Leonard’s secretary. So Leonard and Virginia feel that the expense will pay off.

Lytton Strachey and Ralph Partridge

Ralph has been living out in the country with Lytton and their mutual love, painter Dora Carrington, 27. Now that he’s got a job, Ralph has convinced Carrington to move into a Bloomsbury Gordon Square townhouse with him. He hopes by the end of the year to finally convince her to marry him. Lytton is encouraging this.

“Such Friends”:  100 Years Ago… is the basis for the book, “Such Friends”:  The Literary 1920s, to be published by K. Donnelly Communications. For more information, email me at kaydee@gypsyteacher.com.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”: Virginia Woolf and the Bloomsbury Group.

This fall I am talking about writers’ salons in Paris and New York after the Great War in the Osher Lifelong Learning programs at the University of Pittsburgh and Carnegie-Mellon University.

My “Such Friends” presentations, The Founding of the Abbey Theatre and Dorothy Parker and the Algonquin Round Table, are available to view for free on the website of PICT Classic Theatre.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is available on Amazon in both print and Kindle versions.

“Such Friends”: 100 Years Ago, September, 1920, Monk’s House, East Sussex, England

Tom is coming this weekend.

At their East Sussex home, Monk’s House, Virginia, 38, and Leonard Woolf, 39, often welcome weekend guests.

This weekend, one of their star authors at their own Hogarth Press, American ex-patriate Thomas Stearns Eliot, about to turn 32, is coming for the first time.

T. S. Eliot

A few years ago, they were very impressed with Eliot’s poem published by The Egoist Press. “The Love Song of J. Alfred Prufrock,” and wrote asking if they could bring out a collection of his poetry. They published 200 copies of Tom’s Poems last year, selling for 2 shillings, 6 pence each. When Leonard closed out the account last month, they had paid Tom 4 pounds, 17 shillings, 4 pence, and made a nice profit for themselves of 9 pounds, 6 shillings, 10 ½ pence. The Woolfs feel that this is an indication, after five years in business, that the Hogarth Press is making good progress toward becoming a “real” publisher.

Ovid Press, also based in London, has published a private edition of Eliot’s Ara Vus Prec—vellum paper, Moroccan leather binding, gold lettering—which has almost all the same poems in it.

From the beginning, Virginia and Leonard have been clear that they are most interested in what the author has to say. The Hogarth Press books definitely look good, and sometimes experiment with typography, but they are meant to be read more than just looked at.

Ara Vus Prec published by the Ovid Press

The risk the Woolfs took on publishing the unknown Eliot has paid off for him as well—the major American publisher Alfred A. Knopf brought out a US version of his Poems earlier this year.

Tom still has a day job at a bank, but some of his friends and fans are talking about putting together a fund to support him and his work.

Virginia is mostly looking forward to talking to Tom about his writing over tea. She feels that sometimes his words need just a bit more explanation.

“Such Friends”:  100 Years Ago… is the basis for the book, “Such Friends”:  The Literary 1920s, to be published by K. Donnelly Communications. For more information, email me at kaydee@gypsyteacher.com.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”: Virginia Woolf and the Bloomsbury Group.

This fall I am talking about writers’ salons in Ireland, England, France and America before and after the Great War in the Osher Lifelong Learning programs at the University of Pittsburgh and Carnegie-Mellon University.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is available on Amazon in both print and Kindle versions.

My “Such Friends” presentations, Dorothy Parker and the Algonquin Round Table, and The Founding of the Abbey Theatre, are available to view for free on the website of PICT Classic Theatre.