‘Such Friends’: John Quinn in 1904

New York City, October 1904

Ohio-born John Quinn, 34, a junior partner in a major law firm, has recently moved out of a comfortable boarding house to his own lodgings on West 87th Street.

His apartment is already cluttered with hundreds of his books and paintings he has begun collecting. He is doing well enough in the law practice to employ a valet.

But what Quinn is most excited about is his upcoming three-week vacation to Europe.

Two years ago, he made his first trip to Ireland, to connect with his Irish roots. Quinn quickly was accepted in to a circle of friends including the poet William Butler Yeats, now 39; the playwright Lady Augusta Gregory, 52; the novelist George Moore, also 52; the poet and painter, ‘AE’ [George Russell], 37; the playwright John Millington Synge, 33; and the founder of the Gaelic League, Douglas Hyde, 44. He’s been helping them with the legalities of their American tours, the American copyright of their works, and the Irish theatre company they are establishing.

On this trip, Quinn plans just a short stop in France, some time in England on the way to Ireland and on the way back, and almost two full weeks in Dublin. This will be the third year in a row that he has visited Ireland, and he hopes to continue to make it an annual occasion.

Over at the New York Evening Mail, on Broadway and Fulton Streets, a new columnist from Chicago is settling in. Franklin Pierce Adams, 23, always writing as FPA, has transferred his new wife and his column about a little bit of everything, now called ‘Always in Good Humour,’ to midtown Manhattan.

mail_and_express_building_01

Mail and Express Building, New York City

Up on West 44th Street, the two-year-old Algonquin Hotel has bought the carriage stables next door to expand its residential services. However, the real revenue is from short term guests.

 

Paris, October 1904

John Quinn is disappointed that he can’t spend more time in France. This morning he managed to see the Chartres cathedral, but he is back in Paris just for the afternoon before leaving for Folkestone.

Two other Americans, siblings Leo, 32, and Gertrude Stein, 30, who moved to 27 rue de Fleurus on the Left Bank the year before, from the Bloomsbury area of London, are enjoying learning about and buying paintings from the dealer Ambroise Vollard, 38. He has managed to get a room full of works by Paul Cezanne, 65, into the second salon d’automne at the Grand Palais. Leo is studying art at Academie Julian, and Gertrude has joined him on his buying trips to Vollard’s gallery on rue Lafitte. They find Cezanne particularly intriguing, but Gertrude is more focused on the writing she is doing late at night.

27-rue-de-fleurus

27 rue de Fleurus, Left Bank, Paris

Across town in Montmartre, Spanish painter Pablo Picasso, 23, is settling in to his new studio and his new life with Fernande Olivier, also 23. After several visits, he has decided to make Paris his home, and his dealer Vollard is finding new buyers for his work.

 

London, October 1904

Arriving late Sunday night, John Quinn checks in to the Carlton Hotel, at the corner of the Haymarket and Pall Mall. He spends the whole day Monday visiting bookstores with a stop at the Leicester Galleries in Leicester Square.

carlton-hotel-1905

Carlton Hotel, London

Up in the Bohemian Bloomsbury section of London, the move is on. Painter Vanessa Stephen, 25, has shipped her nervous sister Virginia, 22, off to their aunt’s while she moves her and their brothers into a three-story walk up in Gordon Square. Their widowed father, editor of The Dictionary of National Biography, Leslie Stephen, 72, died in February. Vanessa feels liberated.

Her aunts and uncles are scandalized that these young people would live on their own in such a neighbourhood.

Vanessa doesn’t care. This past spring, on their way back from Italy, she and Virginia had visited Paris with friends. They smoked cigarettes and talked about art into the wee hours at the Café de Versailles. That’s what they are going to do now in London, in their own home.

 

Dublin, October 1904

After a miserable train trip across England to the port of Holyhead—he had paid for first class, but was put in a bunk bed—John Quinn is thrilled to be back in Ireland. He checks in to the Shelbourne Hotel in St. Stephen’s Green at 6:30 Tuesday morning, and finds a welcoming telegram from AE already waiting for him.

shelbourne-and-lake

Shelbourne hotel and the Stephen’s Green lake, Dublin

After a much-needed two-hour nap, Quinn is visited by his friend Yeats, and they walk over to the nearby studio of painter John Butler Yeats, 65, the poet’s father. Following a leisurely lunch at the Empire Restaurant, the men are joined by Lady Gregory who has brought fresh food from her western Ireland home, Coole Park, on the train with her. Augusta surprises Quinn by announcing that he is going to be the special guest at a reception with the actors of their young theatre company that evening, in gratitude for his generous donations in the past two years.

The Irish National Theatre Society, with its co-directors Yeats, Gregory and Synge, is becoming more stable. Having premiered Synge’s emotional one-act play, Riders to the Sea, this spring, they are getting ready to move in to their own building on Abbey Street. They should be able to start performing there by Christmas.

In addition to starting a national theatre, Lady Gregory has helped other Irish writers and artists as well. Earlier this year, she sent some money to a young writer AE had recommended, James Joyce, 22, so he could take off for Switzerland with his new love, Nora Barnacle, 20, where he had been offered a job teaching English. Lady Gregory wished him well.

For the next two weeks, Quinn’s holiday in Dublin falls in to a pleasing pattern. Breakfast with Willie and a visit to his father’s studio in the morning, lunches with fascinating writers and artists each afternoon, dinner and late night conversation about theatre with Yeats and Lady Gregory, usually at her rooms in the Nassau Hotel. What a life! This is how he would prefer to spend all his days.

 

London, November 1904

W B Yeats has come with John Quinn to London for his last week of vacation. Visiting Yeats’ rooms in the Woburn Buildings in Bloomsbury, Willie introduces Quinn into British culture, and the American appreciates the writers and painters he meets.

wobrun-buildings

Yeats’ rooms in the Woburn Buildings, Bloomsbury, London

Nearby in Gordon Square, the doctor says Virginia is well enough to visit her brothers and sister in their new home for ten days. Before she goes back to their aunt’s, they have dinner with one of their brother’s Cambridge University friends, Leonard Woolf, 23, who is back home on leave from his government job in Ceylon.

Yeats has one last breakfast with Quinn in the Carlton hotel, and then drives him to Waterloo station to see him off on the boat train to Southampton for the trip home to New York City aboard the St. Paul.

 

New York City, November 1904

While John Quinn was away, the New York City subway, under construction for the past four years, has finally opened. Theodore Roosevelt, just turned 46, has been elected to a full term as President, having first taken office three years ago when the sitting President William McKinley, aged 58, had been assassinated. With Roosevelt assured in office for four more years, there is a ‘progressive’ feel in the air.

Roger Fry, 37, editor of England’s Burlington magazine, and recently turned down for the post of Professor of Art at the Slade School, has made a special trip to the States to raise money for his magazine. Friends introduce him to J P Morgan, 67, of the board of trustees of the Metropolitan Museum of Art, 5th Avenue at 87th Street, an inveterate collector of art, books, clocks and various objets d’art. Morgan is more impressed with Fry than the Slade School was.

metrop-museum-of-art

Metropolitan Museum of Art, New York City

Back home, Quinn misses the cultural life of Europe that he has enjoyed for the past three weeks. Now he is back to the old grind of his law practice. His main client, the National Bank of Commerce, has supreme confidence in his abilities. He is working with and meeting important people. There is work to do.

But his heart is with his friends in Ireland…

johnquinn

John Quinn (1870-1924)

This year I’ll be piecing together my planned biography of John Quinn. Read more about him on the link to your right: ‘I want to tell you about an amazing man.’

Manager as Muse explores Scribner’s editor Maxwell Perkins’ work with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe and is available on Amazon in both print and Kindle versions.

To walk with me and the ‘Such Friends’ through Bloomsbury, download the Virginia Woolf and the Bloomsbury Group audio walking tour from VoiceMap.

 

 

 

 

At Oxford University, England, 7th June, 1926…

…American writer Gertrude Stein, 52, is delivering her lecture entitled ‘Composition as Explanation.’ She’s a bit nervous.

Last year, when the Cambridge University Literary Society first asked her to come speak, as she wrote later,

quite completely upset at the very idea [she] quite promptly answered no. Immediately came a letter from Edith Sitwell saying that the no must be changed to yes. That it was of the first importance that Gertrude Stein should deliver this address and that moreover Oxford was waiting for the yes to be given to Cambridge to ask her to do the same at Oxford. There was very evidently nothing to do but to say yes and so Gertrude Stein said yes.’

Back in January, Gertrude had drafted the lecture in a few hours while waiting for the mechanics to fix her Ford, called “Godiva” because it had arrived naked. Then she’d read the lecture to her partner, Alice B. Toklas, 49, and to friends. And had them read it back to her.

Gertrude and Alice planned only a short trip to England from their home in Paris, but they did enjoy the dinner party that Sitwell, 38, gave last week in their honor. They’d met writer Virginia Woolf, 44, and were hopeful that she would agree to publish the lecture through the Hogarth Press that she ran with her husband, Leonard, 45.

Despite her initial apprehension, Gertrude is a big hit. Alice remembers later,

One of the men was so moved that he confided to me as we went out that the lecture had been his greatest experience since he had read Kant’s Critique of Pure Reason.’

Composition as Explanation by Gertrude Stein, published by the Hogarth Press, 1927

Composition as Explanation by Gertrude Stein, published by the Hogarth Press, 1927

This year, we’ll be telling stories about these groups of ‘such friends,’ before, during and after their times together.

To walk with me and the ‘Such Friends’ through Bloomsbury, download the Virginia Woolf and the Bloomsbury Group audio walking tour from VoiceMap. Look for our upcoming walking tour about the Paris ‘such friends.’

At the Café Royal, Regent Street, near Piccadilly Circus, London, January, 1915…

…economist John Maynard Keynes, 31, newly appointed to the Treasury Department, is excited about his new job. Even if his friends aren’t.

Keynes is giving a party here tonight as a celebration of his new position, but his Bloomsbury pacifist friends don’t agree with him working for a government which has entered an impossible war.

Two of his former lovers, writer Lytton Strachey, 34, and artist Duncan Grant, about to turn 30, are conscientious objectors.

Keynes has decided to seat one of his Bloomsbury friends, painter Vanessa Bell, 35, between writer David ‘Bunny’ Garnett, 22, and Duncan. He thinks they’ll all get along.

After the party, they will all go back to Vanessa’s house, 46 Gordon Square in Bloomsbury, to continue celebrating and watch puppets created by Duncan act out a Racine play.

Painting of the Café Royal by William Orpen, 1912

Painting of the Café Royal by William Orpen, 1912

This year, we’ll be telling stories about these groups of ‘such friends,’ before, during and after their times together.

If you were able to watch the BBC Two drama Life in Squares about the Bloomsbury group, let us know what you think.                                                        To walk with me and the ‘Such Friends’ through Bloomsbury, download the Virginia Woolf and the Bloomsbury Group audio walking tour from VoiceMap.

At the Cambridge, England, railway station, January, 1910…

…art critic Roger Fry, 43, is waiting for the train to London. The past few months have not gone well.

He’s had to leave a job that he initially loved—Curator of Paintings for the Metropolitan Museum of Art in New York City. Fry felt as though he had been turned into a personal buyer for the Met’s influential trustee, banker J P Morgan, 72, and they are not getting along. Fry had applied for a prestigious teaching position at Oxford, but didn’t get it.

Roger Fry, c. 1910

Roger Fry, c. 1910

In addition, the mental state of his wife of 13 years, Helen Coombe Fry, 45, has gotten consistently worse. Fry’s frequent travel for the Met job hasn’t helped, but now he is going to have to have her committed to an institution. His sister will help him take care of the children, but Fry knows it’s not going to be easy.

Across the platform, he sees a couple who look familiar. Of course! Painter Vanessa Bell, 30, and her husband, art critic Clive Bell, 28. Fry had met them at a party a few years ago in London. Maybe he should go over and chat. It would be good to have some new friends in London.

Cambridge railway station today

Cambridge railway station today

This year, we’ll be telling stories about these groups of ‘such friends,’ before, during and after their times together.

If you were able to watch the BBC Two drama Life in Squares about the Bloomsbury group, let us know what you think.                                                                                                                       
To walk with me and the ‘Such Friends’ through Bloomsbury, download the Virginia Woolf and the Bloomsbury Group audio walking tour from VoiceMap.

In Number 46 Gordon Square, Bloomsbury, London, summer of 1913…

…art critic Clive Bell, 32, is considering an opportunity.

His friend and fellow art critic, Roger Fry, 46, has been asked by publisher Chatto and Windus to write a book on post-impressionism, a term that Roger coined and used for two major art exhibits he has mounted in the past few years.

Fry is the obvious choice, but currently he is too busy setting up his ‘Omega Workshops’ to sell ceramics and fabrics with painters Duncan Grant, 28, and Vanessa Bell, 34, Clive’s wife. So he has recommended Clive for the job.

Clive and Roger have had their theoretical differences about art. They’d recently sustained an argument about the definition of the term ‘aesthetic’ in the Nation magazine.

But Roger is distracted by his Omega project. And by Vanessa, Clive thinks. So the book would be all his. Clive decides to call it Art.

Clive Bell, c. 1913

Clive Bell, c. 1913

This year, we’ll be telling stories about these groups of ‘such friends,’ before, during and after their times together.

If you were able to watch the BBC Two drama Life in Squares about the Bloomsbury group, let us know what you think.                                                                                                                       

To walk with me and the ‘Such Friends’ through Bloomsbury, download the Virginia Woolf and the Bloomsbury Group audio walking tour from VoiceMap.

In 27 rue de Fleurus, the Left Bank of Paris, April, 1909…

…British painter Duncan Grant, 24, is thrilled to visit the American ex-pat art collectors Gertrude Stein, 35, and Alice B. Toklas, about to turn 32, to see the latest art hung all over their walls.

He’s been to Paris many times, but this trip has been an even bigger eye opener for Duncan. Thanks to an introduction from a friend, he has been to the studio of Henri Matisse, 39, and was blown away. Here at Fleurus he’s seeing more Matisses and equally astounding works by other contemporaries.

Duncan has also been to Versailles with his current lover, economist John Maynard Keynes, 25. They’ve been living together since the end of last year in Fitzroy Square. But Duncan is starting to feel that this relationship has run its course. Time to move on.

Le Danse, Henri Matisse, 1909

Le Danse, Henri Matisse, 1909

This year, we’ll be telling stories about these groups of ‘such friends,’ before, during and after their times together.

If you were able to watch the BBC Two drama Life in Squares about the Bloomsbury group, let us know what you think.                                                                                                                       

To walk with me and the ‘Such Friends’ through Bloomsbury, download the Virginia Woolf and the Bloomsbury Group audio walking tour from VoiceMap.

In Bloomsbury, London, 20th February, 1909…

…essayist Lytton Strachey, 28, is reading over the letter he wrote yesterday to his friend from his Cambridge University days, Leonard Woolf, also 28, currently serving in the British civil service in Ceylon.

Leonard had written to Lytton a few days ago, excited at Lytton’s suggestion that Virginia Stephen, 27, might marry him. Leonard wrote:

Do you think Virginia would have me?…I’ll take the next boat home!”

Yesterday, Lytton responded:

Your letter has this minute come—with your proposal to Virginia…The [other] day…I proposed to Virginia. As I did it, I saw that it would be death if she accepted me, and I managed, of course, to get out of it before the end of the conversation. The worst of it was that as the conversation went on, it became more and more obvious to me that the whole thing was impossible. The lack of understanding was so terrific! And how can a virgin be expected to understand? You see she is her name…Her sense was absolute, and at times her supremacy was so great that I quavered. I think there’s no doubt whatever that you ought to marry her. You would be great enough, and you’ld have too the immense advantage of physical desire. I was in terror lest she should kiss me. If you came and proposed she’ld accept. She really really would. As it is, she’s almost certainly in love with me, though she thinks she’s not.”

Now, Lytton is relieved to add:

I’ve had an eclairissement with Virginia. She declared she was not in love with me, and I observed finally that I would not marry her. So things have simply reverted.”

Lytton Strachey and Virginia Stephen, c. 1909

Lytton Strachey and Virginia Stephen, c. 1909

This year, we’ll be telling stories about these groups of ‘such friends,’ before, during and after their times together.

If you were able to watch the BBC Two drama Life in Squares about the Bloomsbury group, let us know what you think.                                                                                                                       

 
To walk with me and the ‘Such Friends’ through Bloomsbury, download the Virginia Woolf and the Bloomsbury Group audio walking tour from VoiceMap.

In 46 Gordon Square, Bloomsbury, London, in fall of 1914…

…artist Vanessa Bell, 35, is in tears. She’s admitting to her sister, Virginia Woolf, 32, that her love for gay painter Duncan Grant, 29, is hopeless. Totally hopeless.

Vanessa, Duncan, and the art critic Roger Fry, 47, have been running the Omega Workshops together for a while now. But last year, while she was carrying on an affair with Roger, she inexplicably found herself attracted to Duncan.

Roger Fry by Vanessa Bell, 1912

Roger Fry by Vanessa Bell, 1912

Vanessa feels she has learned so much about art—and herself—from her time with Roger. He is so upset he won’t even visit Gordon Square if he knows Duncan is present. Which he often is. Even her husband, art critic Clive Bell, 33, has complained that Duncan is around too much.

Vanessa has always admired Duncan as the only other full-time painter in the group. She knows about his relationships with the gay men in their circle of Bloomsbury friends. But now…she feels she wants to have his child.

Vanessa Bell by Duncan Grant, 1914-15

Vanessa Bell by Duncan Grant, 1914-15

This year, we’ll be telling stories about these groups of ‘such friends,’ before, during and after their times together.

Watch the final episode of the BBC Two drama Life in Squares about the Bloomsbury group, on Monday, 10th August, at 9 pm, and let us know what you think.                                              

To walk with me and the ‘Such Friends’ through Bloomsbury, download the Virginia Woolf and the Bloomsbury Group audio walking tour from VoiceMap.

In the UK, on Monday, 27th July, 2015, Life in Squares premieres on BBC Two…

…focusing on the life and loves of the Bloomsbury group.

We’d love to know what you think of it. We’ll be watching—with the cats, William Butler Yeats and Lady Augusta Gregory, both 12 years old—and tweeting our highly valued opinions @SuchFriends.

Parts of the three-part series were filmed at the gorgeous Charleston, the east Sussex home of Vanessa Bell, and parts in the Bloomsbury section of London, where many of them spent their early years together.

This month we’ll be posting about what the Bloomsbury group was doing during the important years of 1907-1915. And watch this space for information about upcoming walking tours of Gordon and Fitzroy squares you can enjoy with me—even if you’re not in London!

Post your comments about the BBC show here. We’d love to know what you think.

The cast of Life in Squares. Can you figure out who is who?

The cast of Life in Squares. Can you figure out who is who?