Last year, English art critic Clive Bell, 41, published an influential essay, “Since Cezanne,” which discussed Spanish artist Pablo Picasso, also 41:
…Picasso is a born chef d’ecole. His is one of the most inventive minds in Europe…His career has been a series of discoveries, each of which he has rapidly developed.
A highly original and extremely happy conception enters his head, suggested probably by some odd thing he has seen. Forthwith he sets himself to analyze it and disentangle those principles that account for its peculiar happiness. He proceeds by experiment, applying his hypothesis in the most unlikely place.”
Today, Picasso’s first solo show in the United States, “Original Drawings by Pablo Picasso,” opens here, put on by the Arts Club of Chicago in the galleries they lease from the Art Institute.
Catalog for “Original Drawings by Pablo Picasso”
Picasso’s paintings have been exhibited in the States before, as part of the 1913 Armory Show, which opened in New York City but then toured here at the Art Institute, and moved on to Boston. Two years ago the Arts Club included two of his paintings in a group show.
This time, from his home in Paris, Picasso has given specific instructions to the organizers about how to display the 53 original drawings, ranging from 1907 to just last year.
Tete de jeune homme by Picasso
“Such Friends”: 100 Years Ago… is the basis for the series, “Such Friends”: The Literary 1920s. Volumes I through III, covering 1920 through 1922 are available as signed copies at Riverstone Books in Squirrel Hill, Pittsburgh, PA. They are also on Amazon.com and Amazon.co.uk in print and e-book formats. For more information, email me at email@example.com.
This summer I will be talking about F. Scott Fitzgerald and Ernest Hemingway in the Osher Lifelong Learning Institute at Carnegie-Mellon University.
If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”: Virginia Woolf and the Bloomsbury Group.
Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with Fitzgerald, Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.
I’m learning so much, you say ‘the Armory Show’, and I know just what you’re referring too!
Love the Armory Show! I’ve done presentations about it. One of my favorites, John Quinn, was an important force in getting it up and running. What a time…
It’s through your writing on Quinn that I learnt about it!
Thank you! It was quite an event. I might propose doing a presentation on it for the CMU Lifelong Learning program in the fall–we just passed the 110th anniversary…
Here’s a piece I wrote before I started focusing on the 1920s… https://suchfriends.wordpress.com/about-such-friends/the-armory-show-1913/