“Such Friends”:  100 Years Ago, Spring, 1924, 15 rue Nollet, Paris

African-American poet and recently crewman on the S. S. Malone, Langston Hughes, 23, arrived in Paris back in February with just $7 in his pocket, but hopeful to find adventure in the city he has heard so much about.

Langston Hughes

Hughes spent the first month sharing a crappy hotel room in Montmartre with a Russian dancer, with nothing left over to buy food. He became so desperate he even contacted his mother back in the States for money. She told him that his stepfather is really sick and she has no money for food either.

When he finally got a job as a bouncer at a club over on rue Fontaine, paying 5Fr—about 25 cents—per night, he thought his fortunes had changed.

Then he had to break up a fight between two women attacking each other with broken bottles and decided that this is not the career path he had in mind.

Now Langston has rented this little attic room and landed a respectable and safe job at the newly reopened jazz and soul food club Le Grand Duc, just a 15-minute walk away on rue Pigalle—He’s a dishwasher!

Rue Nollet

Langston has made friends with one of the entertainers at the club, Ada Smith, 29, a cigar-smoking African-American redhead whom everyone calls Bricktop. Hughes feels as though he’s finally settling into Paris life.

Ada “Bricktop” Smith

“Such Friends”:  100 Years Ago… is the basis for the paperback series, “Such Friends”:  The Literary 1920s. Volumes I through IV, covering 1920 through 1923 are available at Thoor Ballylee in Co. Galway, and as signed copies at Pan Yan Bookstore in Tiffin, OH, City Books on the North Side and Riverstone Books in Squirrel Hill, Pittsburgh, PA. They are also on Amazon.com and Amazon.co.uk in print and e-book formats. For more information, email me at kaydee@gypsyteacher.com.

Mark your calendar! The Greater Pittsburgh Festival of Books returns to the Pittsburgh Theological Seminary in Highland Park on Saturday, May 11. Stop by the “Such Friends” booth in Writers’ Row.

This summer I will be talking about the literary 1920s in Paris and New York at the Osher Lifelong Learning Institute at Carnegie-Mellon University.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

“Such Friends”:  100 Years Ago, early October, 1922, 42 rue Fontaine, Pigalle district, Paris; and the Resi, Paseo de la Castellana, Madrid

At first, it all seemed so interesting.

Writer Andre Breton, 26, was fascinated by the seances he was introduced to by his friend, poet Rene Crevel, 22.

Crevel had passed out during a séance he took part in when on holiday in Normandy last month. After he told Breton and his wife, Simone, 25, about his experience they were eager to try it themselves and enlisted another young poet Robert Desnos, 22, in their activities.

Here at the Bretons’ fourth floor apartment, the walls covered with paintings and objects by their friends—Francis Picabia, 43, Pablo Picasso, 40, Man Ray, 32—small groups of artists and writers get together almost every evening to play games and practice artistic experiments, such as automatic writing. When their married hosts retire to bed, poet Louis Aragon, just turned 25, and others stay up late and hit the local bars.

Louis Aragon, Robert Desnos, and Andre Breton

But now these nightly seances are getting a bit out of hand. The young poets keep fighting, accusing each other of faking their trances, mostly to get Breton’s attention. The neighbors complained about the noise so much, Simone had to bribe the concierge to avoid eviction. Desnos claims he can commune with their friend, painter Marcel Duchamp, 35, in New York City; Crevel says he can predict the future. He predicted that some of the others would get sick—and they did. Picabia and Aragon have decided to stay away.

At another apartment one night, 10 participants go into a trance and try to hang themselves.

Breton figures, enough. He’ll get a good article out of this for the magazine he re-launched earlier this year, Litterature, and then he’ll take off with Simone for a holiday in Spain.

Andre Breton’s studio at 42 rue Fontaine

*****

Near Madrid, about 20 minutes by tram from city centre, at the Residencia de Estudiantes—commonly known as “the Resi”—young male students from the San Fernando Royal Academy of Fine Arts who live here walk around in British-style suits with short, trim, haircuts.

Except one.

First year art student Salvador Dali, 18, from Figueres, Catalonia, skinny and five foot seven, walks around in early 19th century English knee breeches, a long velvet coat to his knees and floppy neckties, sporting a wide-brimmed hat and a gilded cane.

Salvador Dali’s student ID card

Despite his unconventional appearance, Dali is accepted into the conversation groups of the clique known as the Ultra. They publish a student magazine of the same name.

Dali has made particular friends with one of the group members, Luis Bunuel, 22, from Aragon, who has been at the Academy for five years now. Luis has bounced around to different universities, taking up various fields of study—Engineering, Agriculture—but is enjoying his time here, wandering the city streets at night and visiting brothels.

Dali on the other hand has religiously been spending his Sunday mornings in the Prado museum, where he uses pencil and paper to sketch and analyse the works of the great masters.

His new friends in the Ultra gossip all the time about another of their number, writer Frederico Garcia Lorca, 24, who is away this semester but will be returning in January.

Bunuel tells Dali that he will definitely be impressed by Lorca and learn a lot of from him. And that he definitely should re-think those clothes.

Salvador Dali surrounded by his college friends

“Such Friends”:  100 Years Ago… is the basis for the series, “Such Friends”:  The Literary 1920s. Volumes I through III, covering 1920 through 1922 are available as signed copies at Riverstone Books in Squirrel Hill, Pittsburgh, PA and on Amazon.com and Amazon.co.uk in print and e-book formats. For more information, email me at kaydee@gypsyteacher.com.

Early next year I will be talking about the centenary of the publication of T. S. Eliot’s The Waste Land at the Osher Lifelong Learning Institute at the University of Pittsburgh, and about The Literary 1920s in Paris and New York City at the Osher program at Carnegie-Mellon University.

If you want to walk with me through Bloomsbury, you can download my audio walking tour, “Such Friends”:  Virginia Woolf and the Bloomsbury Group.

Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.