The poem ”Ghosts” by J. R. Ackerley, 25, in the recent issue of the London Mercury magazine, has moved English novelist Edward Morgan Forster, 43, so much that he is writing a letter to the author.
London Mercury
The haunting first lines,
Can they still live,
Beckon and cry
Over the years
After they die…
Are they distressed
If we forget
After they’ve perished?…”
remind him of his lover, Mohammed el Adl, 22, who is dying at home in Port Said, Egypt.
On Morgan’s journey back from India last month, he stopped over in Port Said, and they spent a memorable month together. But Mohammed was so ill with tuberculosis, it was clear to Forster that they would not see each other again.
The poem goes on:
Softly they stole,
Wave upon wave,
Into his grave…
‘You will forget…
‘You will forget…’”
Morgan pours out his feelings in a long letter to the poet Ackerley, whom he has never met. He has always felt that it is easier to write to strangers.
J. R. Ackerley
*****
In Port Said, Mohammed’s illness is worsening, and he is writing a brief letter to his lover back in England.
In June, I will be talking about the Stein family salons in Paris before and after The Great War at the Osher Lifelong Learning Institute in Carnegie-Mellon University.
Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon.com and Amazon.co.uk in both print and e-book versions.
Virginia Woolf, 40, is watching her husband, Leonard, 41, walk their guest for today’s tea, fellow novelist Edward Morgan Forster, 43, to the bus stop. Forster is heading out to visit his favorite aunt in Putney, just a few miles away.
Hogarth House
Virginia is so pleased that Morgan has come back to England—just last week—after almost a year away in India. But he seems depressed. He’s back living with his Mum and cat in Weybridge, in an ugly old house far from a train station, and hasn’t published a novel in a dozen years.
They discussed their recent mutual discovery of the work of Marcel Proust, 50. Forster started reading him on the boat back home; Virginia has been reading the Frenchman while working on a short story, “Mrs. Dalloway in Bond Street.” Both admire the way he uses memory to define characters.
Two days ago the Woolfs hosted another writer-friend for tea, American ex-pat T. S. Eliot, 34. He too seems a bit distracted by his current situation, working all day in a bank and coming home to a wife who is ill. Virginia has always been intimidated by him. Forster she thinks of as a friend, someone whose opinions she values. Eliot she sees as a competitor.
E. M. Forster and T. S. Eliot
Tom told them about a long poem, about 40 pages and as yet untitled, that he’s working on. He says it is his best work and the Woolfs’ Hogarth Press has agreed to publication in the fall. He has also received funding to start a quarterly literary magazine, also untitled.
There was something about Eliot that Virginia thought she had noticed before. He wears a thin dusting of face powder. Sort of a purplish color. The gossip is that he wants to make himself look even more stressed than he is.
After two months of sickness herself, being bed-ridden and unable to write, Virginia is now feeling her energy returning. The doctor has allowed her to get out and walk—which is how she writes, working out the text in her head. And she can now receive guests such as Morgan and Tom.
She still doesn’t understand Eliot’s enthusiasm for the new novel by Irishman James Joyce, 40, Ulysses. Virginia and Leonard rejected it for their press a few years ago. Now a little bookstore in Paris has published it. The way Eliot talks about the novel, Virginia feels that Joyce has done what she is trying to do—maybe even better?
Virginia decides she needs to go back and read Ulysses again.
This June I will be talking about the Stein family salons in Paris before and after the Great War at the Osher Lifelong Learning program at Carnegie-Mellon University.
Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is also available on Amazon in both print and e-book versions.
Virginia Woolf is about to turn 40. And she’s not taking it well.
She is pleased to find out that her friend and fellow novelist, E. M. Forster, 43, is on his way back to England after spending almost a year in India. She writes to him,
I was stricken with the influenza, and here I am, a fortnight later, still in bed, though privileged to take a stroll in the sun for half an hour—after lunch…
Writing is still like heaving bricks over a wall;…I should like to growl to you about all this damned lying in bed and doing nothing, and getting up and writing half a page and going to bed again. I’ve wasted five whole years (I count) doing it; so you must call me 35—not 40—and expect rather less from me.”
Leading up to the big day, in her diary she writes,
[Life] consists of how many months? That’s what I begin to say to myself, as I near my 40th birthday…
The machinery for seeing friends is too primitive: 1 should be able to see them by telephone—ring up, & be in the same room…[But too many visitors leave her] in tatters…my mind vibrates uncomfortably…
Virginia Woolf’s diary
I have made up my mind that I’m not going to be popular, & so genuinely that I look upon disregard or abuse as part of my bargain…I’m to write what I like; & they’re to say what they like. My only interest as a writer lies, I begin to see, in some queer individuality; not in strength, or passion, or anything startling; but then I say to myself, is not ‘some queer individuality’ precisely the quality I respect?…
I feel time racing like a film at the Cinema. I try to stop it. I prod it with my pen. I try to pin it down.”
“Such Friends”: 100 Years Ago… is the basis for the series, “Such Friends”: The Literary 1920s. Volumes I and II covering 1920 and 1921 are available as signed copies at Riverstone Books in Squirrel Hill, Pittsburgh, PA, and also in print and e-book formats on Amazon. For more information, email me at kaydee@gypsyteacher.com.
On February 3, 2022, we will be celebrating the 148th birthday of my fellow Pittsburgher Gertrude Stein, at Riverstone Books in Squirrel Hill. You can register for this free event, or sign up to watch it via Zoom, here.
In late February I will be talking about the 100th Anniversary of the Publication of Ulysses in the Osher Lifelong Learning program at Carnegie-Mellon University.
Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway, and Thomas Wolfe, is also available on Amazon in both print and e-book versions.
You don’t have to wait for this blog to work its way through the year.
Just order “Such Friends”: The Literary 1920s, Volume II—1921, the second in the series collecting these blog postings about this amazing decade. The print version is available now on Amazon; the e-book will be available in a few weeks.
You’ve certainly put a lot of work into this. It is a panorama of the period…Look forward to reading your future work”—Richard, Hemingway fan
Following less than eight months after the publication of Volume I, this collection of more than 100 vignettes has the same easy to dip in and out of layout. Or you can read straight through from January 1st to the upcoming December 31st.
Interior pages of “Such Friends”
Spoiler alert: It’s got a great ending [and two recipes]!
I have really been enjoying your book…Because of the way it’s set up with episodes corresponding to dates of the year, it’s a great one for reading a bit from on a daily basis.”—Emily, British writer fan
And what about your book-loving friends? You may know which early 20th century writers they love, but are you sure which works they have read or not read at gift-giving time? The series “Such Friends”: The Literary 1920s is the perfect present because they sure haven’t read this! Give them the gift of great gossip about their favorite creative people.
The series “Such Friends”: The Literary 1920s is based in part on my research for my Ph.D. in Communications from Dublin City University in Ireland. which focused on the legendary writers and artists who socialized in salons in the early years of the 20th century—William Butler Yeats and the Irish Literary Renaissance, Virginia Woolf and the Bloomsbury Group, Gertrude Stein and the Americans in Paris, and Dorothy Parker and the Algonquin Round Table. For the blogs and books I have expanded the cast of characters to also include those who orbited around them such as T. S. Eliot, E. M. Forster, James Joyce, D. H. Lawrence, Edna St. Vincent Millay and others.
My investigations into creative writers in the early 20th century began with Manager as Muse, a case study of Scribner’s editor Maxwell Perkins’ work with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, the topic of my MBA thesis at Duquesne University in my hometown of Pittsburgh, Pennsylvania. This is also available on Amazon in print and e-book formats.
The “Such Friends” book series has been beautifully designed by Lisa Thomson [LisaT2@comcast.net] and produced on Amazon by Loral and Seth Pepoon of Selah Press [loralpepoon@gmail.com].
The cover art on Volume II is a painting by Virginia Woolf’s sister, painter Vanessa Bell, A Conversation.
A Conversation by Vanessa Bell, 1913-1916
If you are in Pittsburgh, and easily accessible by bus, I will hand deliver your personally signed copy!
Everyone is reading “Such Friends”!
I read it in chronological order and found the vignettes most interesting. A sort of behind the scenes look into the thoughts, character, and personalities of the writers and artists affiliated with the individual salons in the beginning of the decade. I do believe the 20s sparked a Renaissance of thought and ideas in the literary and artistic world. I must admit that there were a few of their associates that I was not familiar with which may merit further study.”—Robert, Wisconsin fan
For complimentary review copies of both volumes of “Such Friends”: The Literary 1920s, email me at kaydee@gypsyteacher.com.
This fall I will be talking about Writers’ Salons in Dublin and Ireland Before the Great War in the Osher Lifelong Learning program at Carnegie-Mellon University.
Novelist Edward Morgan Forster, 42, has awoken from a bad dream and feels relieved.
To attend this two-day festival celebrating the birth of Lord Krishna, Forster has moved from his three-room furnished suite to these rooms in the Old Palace, which offer a better view.
Janmashtami festival
In his dream, Forster was back home in England with his mother Lily, 66, and his cat, Verouka. He dreamt that he had shown Verouka a mechanical doll that scared him. The cat was running round and round in the room above, making a terrible racket.
Forster’s relief comes as he realizes the racket is from a steam engine that is generating electricity for the festival outside his window.
Morgan left England—and his annoying mother—on his second trip to India more than five months ago.
At the beginning of the year, Morgan had written to his primary publisher that he would notify him if he ever got around to writing another book. His third and fourth novels, A Room with a View and Howards End have done well. But they were both published more than a decade ago.
Despairing of his mundane life and his inability to write, Forster prophesied to a friend,
I shall go [on] some long and fantastic journey; but we do not yet know whither or when. I am so sad at the bottom of my mind.”
Days later he received a cable from an old, dear friend, Sir Tukoji Rao IV, the Maharajah of Dewas State, 33, with whom he shares a January 1st birthday.
Sir Tukoji Rao IV
HH, as he is always referred to, decided—for some unfathomable reason—that Forster would be the ideal person to stand in for his private secretary who is going on six-month leave. HH offered Morgan paid return fare and expenses, 300 rupees per month, and his own young male concubine. Morgan had no idea what a “private secretary” would do. Still doesn’t.
But Forster jumped at the chance for a “fantastic journey,” renewed his passport and booked passage to India as soon as he could. Also, he knew his sea voyage would include a brief stopover in Port Said, Egypt, where he hoped to meet up with his Egyptian former lover.
E. M. Forster
His mother emphatically did not want him to leave and became a real pain. His friends in Bloomsbury were not happy either, but slightly more understanding. Fellow novelist Virginia Woolf, 39, thinks she will never see him again; he will become a mystic and forget about his despised life back home in Weybridge. Besides the fact that she likes having him around, Virginia looks to Morgan’s opinions on her writing. The rest of his Bloomsbury friends just think he’s running away from home.
Which he is.
He did spend four idyllic hours in Port Said having sex on a chilly beach with his Egyptian lover.
But now that he is “away,” what’s he supposed to do?! Morgan knows that he doesn’t have the skills necessary to organize the chaotic finances of the palace, and he isn’t any better at supervising the gardens, the garages, or the electricity. He tried to start a literary society, but attendance was patchy and engagement by the participants non-existent. HH asked that Morgan read aloud to him every day; this happens maybe once a month.
Morgan should be using all his free time to write. He had planned to work on what he has called his “Indian Manuscript” which he had started before the Great War. Now he feels that the words on the page melt in the Indian humidity. All he is able to write are deceptively cheery letters back home.
The only bright spots are the instalments on royalties he is receiving from Virginia’s Hogarth press for his supernatural fiction, The Story of the Siren; the most recent was last month on the first anniversary of its publication. The fact that it has sold at all maybe means that he shouldn’t give up trying to write.
“Such Friends”: 100 Years Ago… is the basis for the series, “Such Friends”: The Literary 1920s. Volume I, covering 1920, is available in both print and e-book formats on Amazon. For more information, email me at kaydee@gypsyteacher.com.
This fall I will be talking about Writers Salons in Dublin and London Before the Great War in the Osher Lifelong Learning program at Carnegie-Mellon University.
Manager as Muse, about Scribner’s editor Maxwell Perkins’ relationships with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, is available on Amazon in both print and e-book versions.