…in London, novelist and man about town George Moore, 42, is off to the Avenue Theatre to catch a double bill of one-act plays by two new playwrights and fellow Irishmen, George Bernard Shaw, 37, and William Butler Yeats, 28.
He’s heard of Shaw, but Arms and the Man is the first of his plays to be staged. It was a last minute substitution by the producer, Shaw’s mistress, Florence Farr, 33.
Land of Heart’s Desire is Yeats’ first produced play also, and he has written in a dance part for Farr’s niece. In his autobiography, Moore remembers his first impression of the young Dubliner:
Yeats provoked a violent antipathy as he strode to and forth at the back of the dress circle, a long black cloak dropping from his shoulders, a soft black sombrero on his head, a voluminous black silk tie flowing from his collar, loose black trousers dragging untidily over his long heavy feet—a man of such excessive appearance…[I mistook] him for an Irish parody of the poetry that I had seen all my life strutting its rhythmic way in the alleys of the Luxembourg Gardens, preening its rhymes by the fountains, excessive in habit and gait.
Both plays are critical successes, but Moore sees no reason to meet his countrymen after the performance to congratulate them.
This year, we’ll be telling stories about these groups of ‘such friends,’ before, during and after their times together.
I will be doing presentations about Yeats, his father and their Irish-American benefactor, John Quinn, this spring in Birmingham, UK. Email me at firstname.lastname@example.org if you want more details.